Astolfo Sails off with Andronica and Sofrosina — Jean Honoré Fragonard, early 1780s

Astolfo Sails off with Andronica and Sofrosina, Jean Honoré Fragonard

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Rights

Credit: Gift of Richard and Mary L. Gray. CC0.
Licence: CC0-1.0
Evidence: api.artic.edu artworks api: is_public_domain=true on artwork 202341 (read 2026-09-01)
Record: https://www.artic.edu/artworks/202341
IIIF: manifest

Also by Jean Honoré Fragonard

14

Cloelia and Her Companions, Jean Honoré Fragonard — Cloelia and Her CompanionsJean Honoré Fragonardn.d.The Art Institute of Chicago

Roman Interior, Jean Honoré Fragonard — Roman InteriorJean Honoré Fragonardca. 1760Metropolitan Museum of Art, New York, NY

The Stolen Kiss, Jean Honoré Fragonard — The Stolen KissJean Honoré Fragonardca. 1760Metropolitan Museum of Art, New York, NY

The Stalled Cart, Jean Honoré Fragonard — The Stalled CartJean Honoré Fragonard1759The Art Institute of Chicago

Arbor with Two Children (Le Nid d'Armour), Jean Honoré Fragonard — Arbor with Two Children (Le Nid d'Armour)Jean Honoré Fragonard1760The Art Institute of Chicago

Saint Mark, Jean Honoré Fragonard — Saint MarkJean Honoré Fragonard1763/64The Art Institute of Chicago

Marie Emilie Coignet de Courson (1716–1806) with a Dog, Jean Honoré Fragonard — Marie Emilie Coignet de Courson (1716–1806) with a DogJean Honoré Fragonardca. 1769Metropolitan Museum of Art, New York, NY

Portrait of a Man in Costume, Jean Honoré Fragonard — Portrait of a Man in CostumeJean Honoré Fragonardc. 1767–68The Art Institute of Chicago

Within fifty years of early 1780s

3255

Self-Portrait, William Hogarth — Self-PortraitWilliam Hogarthca. 1735Yale Center for British Art

A Vignette, Referring to the Arts, in Two States, Vincenzo Franceschini, Italian, 1680 - ca. 1750 — A Vignette, Referring to the Arts, in Two StatesVincenzo Franceschini, Italian, 1680 - ca. 1750ca. 1730Cooper Hewitt, Smithsonian Design Museum

Moses, Michelangelo Buonarroti — MosesMichelangelo Buonarroti1700sThe Art Institute of Chicago

Textile, Unknown — TextileUnknown1730–35Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknownca. 1730Cooper Hewitt, Smithsonian Design Museum

Design for Wallpaper: Birds on Stands, Unknown — Design for Wallpaper: Birds on StandsUnknownca. 1730Cooper Hewitt, Smithsonian Design Museum

Cherub and Seraphs, Unknown — Cherub and SeraphsUnknown1730–60Cooper Hewitt, Smithsonian Design Museum

Painted Wall Decoration, Unknown — Painted Wall DecorationUnknown1730–60Cooper Hewitt, Smithsonian Design Museum

Also at The Art Institute of Chicago

692

Statuette of a Female Figure, Ancient Greek — Statuette of a Female FigureAncient GreekEarly Bronze Age, 2600–2400 BCEThe Art Institute of Chicago

Ring with a Scarab Bezel, Ancient Egyptian — Ring with a Scarab BezelAncient EgyptianSecond Intermediate Period, Dynasty 15 (about 1650–1550 BCE)The Art Institute of Chicago

Fragment of a Stela of Neferhotep, Ancient Egyptian — Fragment of a Stela of NeferhotepAncient EgyptianNew Kingdom, mid-Dynasty 19, about 1240-1195 BCEThe Art Institute of Chicago

Funerary Papyrus of Tayuhenutmut, Ancient Egyptian — Funerary Papyrus of TayuhenutmutAncient EgyptianThird Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)The Art Institute of Chicago

Cauldron, China — CauldronChinaWestern Zhou dynasty (1046–771 BC ), early 9th century BCThe Art Institute of Chicago

Coffin and Mummy of Paankhaenamun, Ancient Egyptian — Coffin and Mummy of PaankhaenamunAncient EgyptianThird Intermediate Period, Dynasty 22, reign of Osorkon I (about 924–889 BCE)The Art Institute of Chicago

Relief Showing the Head of a Winged Genius, Neo-Assyrian — Relief Showing the Head of a Winged GeniusNeo-AssyrianNeo–Assyrian Period, reign of King Ashurnasirpal II (883–859 BCE)The Art Institute of Chicago

Altar, Ancient Greek — AltarAncient GreekGeometric Period (800–600 BCE)The Art Institute of Chicago

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Blacksmith, Robert Frederick Blum, American, 1857–1903 — BlacksmithRobert Frederick Blum, American, 1857–19031883Cooper Hewitt, Smithsonian Design Museum

0.87

Study of foliage, Trachselwald, Bern, Switzerland, William Trost Richards, American, 1833–1905 — Study of foliage, Trachselwald, Bern, SwitzerlandWilliam Trost Richards, American, 1833–1905August 2, 1867Cooper Hewitt, Smithsonian Design Museum

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Study of Three Figures, Carlo Maratti, Italian, 1625 - 1713 — Study of Three FiguresCarlo Maratti, Italian, 1625 - 171317th-19th centuryCooper Hewitt, Smithsonian Design Museum

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Study of a Teamster, Winslow Homer, American, 1836–1910 — Study of a TeamsterWinslow Homer, American, 1836–19101862Cooper Hewitt, Smithsonian Design Museum

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Study for the Painting Pastoral Journey, Figures and Cattle in a Landscape, Giovanni Benedetto Castiglione, Italian, 1609–1664 — Study for the Painting Pastoral Journey, Figures and Cattle in a LandscapeGiovanni Benedetto Castiglione, Italian, 1609–1664ca. 1633Cooper Hewitt, Smithsonian Design Museum

0.86

Donkey, Robert Frederick Blum, American, 1857–1903 — DonkeyRobert Frederick Blum, American, 1857–19031882Cooper Hewitt, Smithsonian Design Museum

0.86

Madonna and Child, Unknown — Madonna and ChildUnknownpossibly 17th centuryCooper Hewitt, Smithsonian Design Museum

0.85

Ceiling Design, Fedele Fischetti, Italian, 1734 - 1789 — Ceiling DesignFedele Fischetti, Italian, 1734 - 1789ca. 1760–89Cooper Hewitt, Smithsonian Design Museum

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Next

Jean Honoré Fragonard made Astolfo Sails off with Andronica and Sofrosina, and made these too.

Benjamin Franklin1773
The Letter, or The Spanish Conversation1773
A Shaded Avenue1770
The Cascade1770

Made in the eighteenth century, like Astolfo Sails off with Andronica and Sofrosina.

Study of the Lamentation on the Dead Christ1780
The Sacrifice of Isaac1754
Sacrifice of Isaac1750
The Sacrifice of Isaac1750

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