Seated Female Nude — Rembrandt van Rijn, 1660/62

Seated Female Nude, Rembrandt van Rijn

Seen

Not described yet.

Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: interiors, nudes, women

Means

No reading yet.

Rights

Credit: Clarence Buckingham Collection. CC0.
Licence: CC0-1.0
Evidence: api.artic.edu artworks api: is_public_domain=true on artwork 90536 (read 2026-08-27)
Record: https://www.artic.edu/artworks/90536
IIIF: manifest

Also by Rembrandt van Rijn

16

Old Man with a Gold Chain, Rembrandt van Rijn — Old Man with a Gold ChainRembrandt van Rijn1631The Art Institute of Chicago

Bust of a Man in Oriental Dress, Rembrandt van Rijn — Bust of a Man in Oriental DressRembrandt van Rijn1635Rijksmuseum

Adam and Eve, Rembrandt van Rijn — Adam and EveRembrandt van Rijn1638The Art Institute of Chicago

Landscape with Stone Bridge, Rembrandt van Rijn — Landscape with Stone BridgeRembrandt van Rijnc. 1638Rijksmuseum

Still Life with Dead Peacocks, Rembrandt van Rijn — Still Life with Dead PeacocksRembrandt van Rijnc. 1639Rijksmuseum

Three Oriental Figures (Jacob and Laban?), Rembrandt van Rijn — Three Oriental Figures (Jacob and Laban?)Rembrandt van Rijn1641The Art Institute of Chicago

Officers and other civic guardsmen of District II in Amsterdam, under the command of Captain Frans Banninck Cocq and Lieutenant Willem van Ruytenburch, known as ‘The Night Watch’, Rembrandt van Rijn — Officers and other civic guardsmen of District II in Amsterdam, under the command of Captain Frans Banninck Cocq and Lieutenant Willem van Ruytenburch, known as ‘The Night Watch’Rembrandt van Rijn1642Rijksmuseum

Abraham and Isaac, Rembrandt van Rijn — Abraham and IsaacRembrandt van Rijn1645The Art Institute of Chicago

Within fifty years of 1660/62

1128

The Denial of Saint Peter, Caravaggio (Michelangelo Merisi) — The Denial of Saint PeterCaravaggio (Michelangelo Merisi)1610Metropolitan Museum of Art, New York, NY

Isometric View of Torra de Ottaggio, Jacques Callot, French, 1592–1635 — Isometric View of Torra de OttaggioJacques Callot, French, 1592–16351610–35Cooper Hewitt, Smithsonian Design Museum

Planometric View of Gani, Jacques Callot, French, 1592–1635 — Planometric View of GaniJacques Callot, French, 1592–16351610–35Cooper Hewitt, Smithsonian Design Museum

Planometric View of Oran, Algeria, Jacques Callot, French, 1592–1635 — Planometric View of Oran, AlgeriaJacques Callot, French, 1592–16351610–35Cooper Hewitt, Smithsonian Design Museum

Planometric View of Mazachebir, Jacques Callot, French, 1592–1635 — Planometric View of MazachebirJacques Callot, French, 1592–16351610–35Cooper Hewitt, Smithsonian Design Museum

Project for a Wall Painting, Unknown — Project for a Wall PaintingUnknownca. 1610Cooper Hewitt, Smithsonian Design Museum

Dedication page, from Neüw Grotteßken Buch (New Grotesque Book), Christoph Jamnitzer, German, 1563 - 1618 — Dedication page, from Neüw Grotteßken Buch (New Grotesque Book)Christoph Jamnitzer, German, 1563 - 16181610Cooper Hewitt, Smithsonian Design Museum

Project for a Frieze, Unknown — Project for a FriezeUnknown1610–1630Cooper Hewitt, Smithsonian Design Museum

Also at The Art Institute of Chicago

773

Statuette of a Female Figure, Ancient Greek — Statuette of a Female FigureAncient GreekEarly Bronze Age, 2600–2400 BCEThe Art Institute of Chicago

Ring with a Scarab Bezel, Ancient Egyptian — Ring with a Scarab BezelAncient EgyptianSecond Intermediate Period, Dynasty 15 (about 1650–1550 BCE)The Art Institute of Chicago

Fragment of a Stela of Neferhotep, Ancient Egyptian — Fragment of a Stela of NeferhotepAncient EgyptianNew Kingdom, mid-Dynasty 19, about 1240-1195 BCEThe Art Institute of Chicago

Funerary Papyrus of Tayuhenutmut, Ancient Egyptian — Funerary Papyrus of TayuhenutmutAncient EgyptianThird Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)The Art Institute of Chicago

Cauldron, China — CauldronChinaWestern Zhou dynasty (1046–771 BC ), early 9th century BCThe Art Institute of Chicago

Coffin and Mummy of Paankhaenamun, Ancient Egyptian — Coffin and Mummy of PaankhaenamunAncient EgyptianThird Intermediate Period, Dynasty 22, reign of Osorkon I (about 924–889 BCE)The Art Institute of Chicago

Relief Showing the Head of a Winged Genius, Neo-Assyrian — Relief Showing the Head of a Winged GeniusNeo-AssyrianNeo–Assyrian Period, reign of King Ashurnasirpal II (883–859 BCE)The Art Institute of Chicago

Altar, Ancient Greek — AltarAncient GreekGeometric Period (800–600 BCE)The Art Institute of Chicago

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Nude Study for "The Contemplative Life" for Lunette in the Administration Building, Oberlin College, Oberlin, OH, Kenyon Cox, American, 1856–1919 — Nude Study for "The Contemplative Life" for Lunette in the Administration Building, Oberlin College, Oberlin, OHKenyon Cox, American, 1856–19191914Cooper Hewitt, Smithsonian Design Museum

0.88

St. Sebastian Fettered to a Tree, Unknown — St. Sebastian Fettered to a TreeUnknown1800–1830Cooper Hewitt, Smithsonian Design Museum

0.87

Study of a female figure, Kenyon Cox, American, 1856–1919 — Study of a female figureKenyon Cox, American, 1856–1919ca. 1900Cooper Hewitt, Smithsonian Design Museum

0.86

Crouching Woman, Eugène Delacroix — Crouching WomanEugène Delacroix1827The Art Institute of Chicago

0.86

Figure, Robert Frederick Blum, American, 1857–1903 — FigureRobert Frederick Blum, American, 1857–19031876Cooper Hewitt, Smithsonian Design Museum

0.86

Cupid, Unknown — CupidUnknown1770–1800Cooper Hewitt, Smithsonian Design Museum

0.86

Study of Sculpture of Reclining Male Nude, Kenyon Cox, American, 1856–1919 — Study of Sculpture of Reclining Male NudeKenyon Cox, American, 1856–19191880–84Cooper Hewitt, Smithsonian Design Museum

0.86

Sketch of Anatomical Sculpture (recto), Paul Cezanne (French, 1839–1906) — Sketch of Anatomical Sculpture (recto)Paul Cezanne (French, 1839–1906)1881/84Cleveland Museum of Art

0.86

In the stacks

Not yet checked2

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

Seven Discourses on Art · Joshua, Sir Reynolds
By this mode of reasoning Rembrandt has a higher place than Raffaelle. But a very little reflection will serve to show us that these particularities cannot be nature: for how can that be the nature of man, in which no two individuals are the same? It plainly appears that as a work is conducted under the influence of general ideas or partial it is principally to be considered as the effect of a good or a bad taste. As beauty therefore does not consist in taking what lies immediately before
0.69
principles of art history · heinrich wolfflin
PAINTING 95 Rembrandt The great Ecce Homo (etching of 1650) is an analogous case. As is known, the schema of the composition dates back to a Cinquecentist, Lucas van Leyden. A house wall and a terrace before it, seen frontally; people who have taken up their stand side by side in rows on and in front of the terrace—how are we to get a baroque picture out of all that? We learn with Rembrandt that it is not the subject but the treatment which matters. While Lucas van Leyden exhausts
0.68

Next

Rembrandt van Rijn made Seated Female Nude, and made these too.

Made in the seventeenth century, like Seated Female Nude.

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