Coat of arms of Cardinal Vincenzo Maria Altieri, Giuseppe Barberi, Italian, 1746–1809

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Credit
Museum purchase through gift of various donors and from Eleanor G. Hewitt Fund
Licence
CC0-1.0
Evidence
api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1938-88-1826 (read 2026-09-01)
Record
https://collection.cooperhewitt.org/view/objects/asitem/id/62139
Coat of arms of Cardinal Vincenzo Maria Altieri, Giuseppe Barberi, Italian, 1746–1809
Coat of arms of Cardinal Vincenzo Maria Altieri — Giuseppe Barberi, Italian, 1746–18091789–1793

Also by Giuseppe Barberi, Italian, 1746–1809

168
Pillar strip, Giuseppe Barberi, Italian, 1746–1809
Pillar stripGiuseppe Barberi, Italian, 1746–18091700–1800Cooper Hewitt, Smithsonian Design Museum
Three sepulchral monuments, Giuseppe Barberi, Italian, 1746–1809
Three sepulchral monumentsGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum
Frame, Giuseppe Barberi, Italian, 1746–1809
FrameGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
Frames, Giuseppe Barberi, Italian, 1746–1809
FramesGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
Elevation of a chapel, Giuseppe Barberi, Italian, 1746–1809
Elevation of a chapelGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum
Timepiece, Giuseppe Barberi, Italian, 1746–1809
TimepieceGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
Interior elevation of a building, Giuseppe Barberi, Italian, 1746–1809
Interior elevation of a buildingGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
Sofa, Giuseppe Barberi, Italian, 1746–1809
SofaGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum

Within fifty years of 1789–1793

3092
DÉCORATION DU SALON COMPOSÉ DE TRANSPARENTS. Qui a eté élevé sur deux batteaux placés sur la Seine le 29 Aoust 1739, jour de l’illumination et des Feux d’Artifice ordonnez par Monsieur Turgot Prevôt des Marchand et Messieurs les Echevins de la Ville de Paris, Exécutée sur les desseins du Chevalier Servandony, et rempli par les Musiciens qui ont Conserté devant leurs Majestez, aussitost qu’elle ont été placées sur le Trône qui leur avoit été dressé au pavillon du Jardin de l’Infante, vis-à-vis du quel étoit ce Salon, François Baillieul, French, 1697? – 1754
DÉCORATION DU SALON COMPOSÉ DE TRANSPARENTS. Qui a eté élevé sur deux batteaux placés sur la Seine le 29 Aoust 1739, jour de l’illumination et des Feux d’Artifice ordonnez par Monsieur Turgot Prevôt des Marchand et Messieurs les Echevins de la Ville de Paris, Exécutée sur les desseins du Chevalier Servandony, et rempli par les Musiciens qui ont Conserté devant leurs Majestez, aussitost qu’elle ont été placées sur le Trône qui leur avoit été dressé au pavillon du Jardin de l’Infante, vis-à-vis du quel étoit ce SalonFrançois Baillieul, French, 1697? – 1754after 1739Cooper Hewitt, Smithsonian Design Museum
DECORATION EXTERIEURE DE L’EDIFICE DU CÔTÉ DE LA RIVIERE ELEVÉ AU MOIS D’AOUST 1739. Sur la Terrasse ou est placée la Statüe Equestre de Henry IV au Pont Neuf, a l’occasion du mariage de Madame de France et de Dom Philippe II Infant d’Espagne Sous les ordres de Monsieur Turgot Conseiller d’Etat, Prevost des Marchands et Messieurs les Echevins de la Ville de Paris. Sur les Desseins et Conduitte du Chevalier Servandony Architecte et Peintre du Roy., Jacques-François Blondel, French, 1705–1774
DECORATION EXTERIEURE DE L’EDIFICE DU CÔTÉ DE LA RIVIERE ELEVÉ AU MOIS D’AOUST 1739. Sur la Terrasse ou est placée la Statüe Equestre de Henry IV au Pont Neuf, a l’occasion du mariage de Madame de France et de Dom Philippe II Infant d’Espagne Sous les ordres de Monsieur Turgot Conseiller d’Etat, Prevost des Marchands et Messieurs les Echevins de la Ville de Paris. Sur les Desseins et Conduitte du Chevalier Servandony Architecte et Peintre du Roy.Jacques-François Blondel, French, 1705–1774after 1739Cooper Hewitt, Smithsonian Design Museum
Design for an Ornamental Border Used for the Surround to the General Chart in John Pine's "Tapestry Hangings in the House of Lords", Gravelot, French, 1699 - 1773, active in England
Design for an Ornamental Border Used for the Surround to the General Chart in John Pine's "Tapestry Hangings in the House of Lords"Gravelot, French, 1699 - 1773, active in Englandca. 1739Cooper Hewitt, Smithsonian Design Museum
Study for "The Martyrdom of Saint Sebastian" (for the Augustinian monastery at Diessen, Germany), Giovanni Battista Tiepolo (Italian, 1696–1770)
Study for "The Martyrdom of Saint Sebastian" (for the Augustinian monastery at Diessen, Germany)Giovanni Battista Tiepolo (Italian, 1696–1770)1739Cleveland Museum of Art
Fragment, France
FragmentFrancec. 1750The Art Institute of Chicago
Drawing, Nude, Domenico Corvi, Italian, 1721 - 1803
Drawing, NudeDomenico Corvi, Italian, 1721 - 1803ca. 1740Cooper Hewitt, Smithsonian Design Museum
Floral Design, Unknown
Floral DesignUnknown1740–70Cooper Hewitt, Smithsonian Design Museum
Title-page from Neüe Inventiones von Chinesischen Zierrathen, zu untershiedlichem Gebrauch, Erster Theil, Bellay, French, active from 1734
Title-page from Neüe Inventiones von Chinesischen Zierrathen, zu untershiedlichem Gebrauch, Erster TheilBellay, French, active from 1734ca. 1740-1762Cooper Hewitt, Smithsonian Design Museum

Also at Cooper Hewitt, Smithsonian Design Museum

7271
Tiraz fragment, Unknown
Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum
Vessel, Unknown
VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Vessel, Unknown
VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Ornamenti o Grottesche (Grotesque Ornament), Stefano della Bella, Italian, 1610–1664
Ornamenti o Grottesche (Grotesque Ornament)Stefano della Bella, Italian, 1610–1664ca. 1653Cooper Hewitt, Smithsonian Design Museum
0.86
Escutcheons, Giuseppe Barberi, Italian, 1746–1809
EscutcheonsGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
0.86
Frame, Giuseppe Barberi, Italian, 1746–1809
FrameGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
0.85
Project for a doorknocker, Unknown
Project for a doorknockerUnknown18th centuryCooper Hewitt, Smithsonian Design Museum
0.85
Brackets and a Column Capital with Eagles, in Dessins d'Ango Ornements et Architecture (Drawings of Ornaments and Architecture by Ango), Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773
Brackets and a Column Capital with Eagles, in Dessins d'Ango Ornements et Architecture (Drawings of Ornaments and Architecture by Ango)Jean-Robert Ango, French, active in Rome 1759 –1770, d. 17731760–69Cooper Hewitt, Smithsonian Design Museum
0.85
Ornamenti o Grottesche (Grotesque Ornament), Stefano della Bella, Italian, 1610–1664
Ornamenti o Grottesche (Grotesque Ornament)Stefano della Bella, Italian, 1610–1664ca. 1653Cooper Hewitt, Smithsonian Design Museum
0.85
Ornamenti o Grottesche (Grotesque Ornament), Stefano della Bella, Italian, 1610–1664
Ornamenti o Grottesche (Grotesque Ornament)Stefano della Bella, Italian, 1610–1664ca. 1653Cooper Hewitt, Smithsonian Design Museum
0.85
Design for a Wallpaper or Textile, Unknown
Design for a Wallpaper or TextileUnknown1815–1840Cooper Hewitt, Smithsonian Design Museum
0.85

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Giuseppe Barberi, Italian, 1746–1809 made Coat of arms of Cardinal Vincenzo Maria Altieri, and made these too.

Made in the eighteenth century, like Coat of arms of Cardinal Vincenzo Maria Altieri.

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