Molding and Ornamentation — Unknown, 1625–50

Molding and Ornamentation, Unknown

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Rights

Credit: Museum purchase through gift of various donors and from Eleanor G. Hewitt Fund
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1938-88-2476 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/62871

Also by Unknown

5442

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of 1625–50

831

Door Boss: Bust of a Satyress, Northern Italian — Door Boss: Bust of a SatyressNorthern Italianc. 1580The Art Institute of Chicago

One of the Set of the Four Evangelists: Mark, Alessandro Vittoria — One of the Set of the Four Evangelists: MarkAlessandro VittoriaModeled c. 1580The Art Institute of Chicago

Sacrifice of Noah, Bernard Salomon — Sacrifice of NoahBernard Salomonca. 1580–1610Metropolitan Museum of Art, New York, NY

Collar (Made from Border), Italy — Collar (Made from Border)Italy1575/1625The Art Institute of Chicago

Fragment, Italy — FragmentItaly1575/1625The Art Institute of Chicago

Fragment, Italy — FragmentItaly1575/1600The Art Institute of Chicago

A Stallion, Habiballah of Sava — A StallionHabiballah of Savaca. 1601–6Metropolitan Museum of Art, New York, NY

"The Concourse of the Birds", Folio 11r from a Mantiq al-Tayr (Language of the Birds), Habiballah of Sava — "The Concourse of the Birds", Folio 11r from a Mantiq al-Tayr (Language of the Birds)Habiballah of Savaca. 1600Metropolitan Museum of Art, New York, NY

Also at Cooper Hewitt, Smithsonian Design Museum

4755

Ornament Panel with Bird Cage, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with Bird CageNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel Inscribed "Victoria Augusta", Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel Inscribed "Victoria Augusta"Nicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel with Mars, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with MarsNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Abraham and the Three Angels, Lucas van Leyden, Netherlandish, ca. 1494–1533 — Abraham and the Three AngelsLucas van Leyden, Netherlandish, ca. 1494–15331513Cooper Hewitt, Smithsonian Design Museum

Study of a Rearing Horse after Leonardo da Vinci, Francesco Melzi, Italian, 1491 – 1570 — Study of a Rearing Horse after Leonardo da VinciFrancesco Melzi, Italian, 1491 – 1570ca. 1520–25Cooper Hewitt, Smithsonian Design Museum

Portrait of Albrecht of Brandenburg, Albrecht Dürer, German, 1471–1528 — Portrait of Albrecht of BrandenburgAlbrecht Dürer, German, 1471–15281524Cooper Hewitt, Smithsonian Design Museum

Grotesque Ornament with Satyrs, from a set of twenty ornament panels, Agostino Veneziano, Italian, ca. 1490 - after 1536 — Grotesque Ornament with Satyrs, from a set of twenty ornament panelsAgostino Veneziano, Italian, ca. 1490 - after 1536ca. 1530–1535Cooper Hewitt, Smithsonian Design Museum

Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork), Léonard Thiry, Flemish, 1550 — Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork)Léonard Thiry, Flemish, 15501540–1560Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Design for ceiling decoration, Giuseppe Barberi, Italian, 1746–1809 — Design for ceiling decorationGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum

0.92

Designs for Composite Capitals and Bases, Unknown — Designs for Composite Capitals and BasesUnknown1530–1540Cooper Hewitt, Smithsonian Design Museum

0.90

Eight Studies of Friezes and Candelabrum, Felice Giani, Italian, 1758–1823 — Eight Studies of Friezes and CandelabrumFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum

0.90

Grotesque Design, Unknown — Grotesque DesignUnknownearly 17th centuryCooper Hewitt, Smithsonian Design Museum

0.89

Drawing, François de Cuvilliés the Elder, Belgian, 1695 - 1768 — DrawingFrançois de Cuvilliés the Elder, Belgian, 1695 - 17681740–60Cooper Hewitt, Smithsonian Design Museum

0.88

Designs for Architectural Ornament, Unknown — Designs for Architectural OrnamentUnknown18th centuryCooper Hewitt, Smithsonian Design Museum

0.88

Friezes, Panels and Ornam, Gottfried Engelmann, 1788 – 1839 — Friezes, Panels and OrnamGottfried Engelmann, 1788 – 18391823Cooper Hewitt, Smithsonian Design Museum

0.88

Drawing, Leonardo Scaglia, French, active Italy, 1640 – 1650 — DrawingLeonardo Scaglia, French, active Italy, 1640 – 1650Cooper Hewitt, Smithsonian Design Museum

0.88

Next

Made in the seventeenth century, like Molding and Ornamentation.

The Denial of Peter1624
The Agony in the Garden1626
The Crucifixion1627
The Last Supper, after Leonardo da Vinci1634

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