Design for a Brooch — Unknown, ca. 1790–1800

Design for a Brooch, Unknown

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Rights

Credit: Museum purchase through gift of various donors and from Eleanor G. Hewitt Fund
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1938-88-889 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/69910

Also by Unknown

5442

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of ca. 1790–1800

2242

Fragment, France — FragmentFrancec. 1750The Art Institute of Chicago

Drawing, Nude, Domenico Corvi, Italian, 1721 - 1803 — Drawing, NudeDomenico Corvi, Italian, 1721 - 1803ca. 1740Cooper Hewitt, Smithsonian Design Museum

Title-page from Neüe Inventiones von Chinesischen Zierrathen, zu untershiedlichem Gebrauch, Erster Theil, Bellay, French, active from 1734 — Title-page from Neüe Inventiones von Chinesischen Zierrathen, zu untershiedlichem Gebrauch, Erster TheilBellay, French, active from 1734ca. 1740-1762Cooper Hewitt, Smithsonian Design Museum

Ornament Design, Alexis Peyrotte, French, 1699–1769 — Ornament DesignAlexis Peyrotte, French, 1699–17691740–49Cooper Hewitt, Smithsonian Design Museum

Design for Tablet, Carlo Marchionni, Italian, 1702–1786 — Design for TabletCarlo Marchionni, Italian, 1702–17861740–58Cooper Hewitt, Smithsonian Design Museum

Title Page, Alexis Peyrotte, French, 1699–1769 — Title PageAlexis Peyrotte, French, 1699–17691740–49Cooper Hewitt, Smithsonian Design Museum

Drawing for a Rocaille Escutcheon, François de Cuvilliés the Elder, Belgian, 1695 - 1768 — Drawing for a Rocaille EscutcheonFrançois de Cuvilliés the Elder, Belgian, 1695 - 17681740–60Cooper Hewitt, Smithsonian Design Museum

Drawing for a Rocaille Escutcheon, François de Cuvilliés the Elder, Belgian, 1695 - 1768 — Drawing for a Rocaille EscutcheonFrançois de Cuvilliés the Elder, Belgian, 1695 - 17681740–60Cooper Hewitt, Smithsonian Design Museum

Also at Cooper Hewitt, Smithsonian Design Museum

3306

Ornament Panel with Bird Cage, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with Bird CageNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel Inscribed "Victoria Augusta", Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel Inscribed "Victoria Augusta"Nicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel with Mars, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with MarsNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Abraham and the Three Angels, Lucas van Leyden, Netherlandish, ca. 1494–1533 — Abraham and the Three AngelsLucas van Leyden, Netherlandish, ca. 1494–15331513Cooper Hewitt, Smithsonian Design Museum

Study of a Rearing Horse after Leonardo da Vinci, Francesco Melzi, Italian, 1491 – 1570 — Study of a Rearing Horse after Leonardo da VinciFrancesco Melzi, Italian, 1491 – 1570ca. 1520–25Cooper Hewitt, Smithsonian Design Museum

Portrait of Albrecht of Brandenburg, Albrecht Dürer, German, 1471–1528 — Portrait of Albrecht of BrandenburgAlbrecht Dürer, German, 1471–15281524Cooper Hewitt, Smithsonian Design Museum

Grotesque Ornament with Satyrs, from a set of twenty ornament panels, Agostino Veneziano, Italian, ca. 1490 - after 1536 — Grotesque Ornament with Satyrs, from a set of twenty ornament panelsAgostino Veneziano, Italian, ca. 1490 - after 1536ca. 1530–1535Cooper Hewitt, Smithsonian Design Museum

Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork), Léonard Thiry, Flemish, 1550 — Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork)Léonard Thiry, Flemish, 15501540–1560Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Design for a Brooch, Unknown — Design for a BroochUnknownca. 1790–1800Cooper Hewitt, Smithsonian Design Museum

0.87

Study for "The Sources of Wealth," Union Trust Company Building, Cleveland, OH, Kenyon Cox, American, 1856–1919 — Study for "The Sources of Wealth," Union Trust Company Building, Cleveland, OHKenyon Cox, American, 1856–1919ca. 1902Cooper Hewitt, Smithsonian Design Museum

0.87

Design for a Brooch, Unknown — Design for a BroochUnknown1810–15Cooper Hewitt, Smithsonian Design Museum

0.87

Design pendant with satyr's head, Unknown — Design pendant with satyr's headUnknown16th centuryCooper Hewitt, Smithsonian Design Museum

0.87

Metalwork Design, Babin, French, ca. 1750 — Metalwork DesignBabin, French, ca. 1750ca. 1780Cooper Hewitt, Smithsonian Design Museum

0.85

Design for an Earring, Unknown — Design for an EarringUnknownca. 1780Cooper Hewitt, Smithsonian Design Museum

0.85

Tailpiece, Homer Wayland Colby, American, 1874–1950 — TailpieceHomer Wayland Colby, American, 1874–1950ca. 1910Cooper Hewitt, Smithsonian Design Museum

0.85

Design for a Necklace, Giovanni Sebastiano Meyandi, Italian, active 1762 - 1794 — Design for a NecklaceGiovanni Sebastiano Meyandi, Italian, active 1762 - 1794ca. 1785Cooper Hewitt, Smithsonian Design Museum

0.85

Next

Made in the eighteenth century, like Design for a Brooch.

Study of the Lamentation on the Dead Christ1780
The Sacrifice of Isaac1754
Sacrifice of Isaac1750
The Sacrifice of Isaac1750

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