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One of a set of projects for a title page and for the decoration of thirteen vertical panels — Francesco Bedeschini, Italian1675-1699Also by Francesco Bedeschini, Italian
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One of a set of trophies of weapons of war as a decoration of a horizontal panelFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engravedFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
One of a set of trophies of weapons of war as a decoration for a horizontal panelFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engravedFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
One set of trophies of weapons of war as a decoration for horizontal panelsFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engravedFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
One set of trophies of weapons of war as a decoration for horizontal panelsFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
One of a set of trophies of weapons of war as a decoration of a horizontal panel.Francesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design MuseumWithin fifty years of 1675-1699
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CharityGuido Renica. 1630Metropolitan Museum of Art, New York, NY
The Triumph of Henry IVPeter Paul Rubensca. 1630Metropolitan Museum of Art, New York, NY
Sheet of a Drawing Book: Two Pitchers and BowlGiuseppe Valadier, Italian, 1762–18391625–75Cooper Hewitt, Smithsonian Design Museum
Still Life of Musical InstrumentsEvaristo Baschenis, Italian, 1617 – 16771625–77Cooper Hewitt, Smithsonian Design Museum
InkstandUnknown1625–50Cooper Hewitt, Smithsonian Design Museum
Project for an EscutcheonLeonardo Scaglia, French, active Italy, 1640 – 16501625–1650Cooper Hewitt, Smithsonian Design Museum
Corner View of Composite CapitalUnknown1625–1650Cooper Hewitt, Smithsonian Design Museum
A Man with TongsUnknown1625–1650Cooper Hewitt, Smithsonian Design MuseumSimilar picturesFound by visual likeness
8 picturesVisual resemblances suggested by the model. A match does not establish a shared subject or historical connection.
DrawingLeonardo Scaglia, French, active Italy, 1640 – 1650Cooper Hewitt, Smithsonian Design Museum0.93
DrawingLeonardo Scaglia, French, active Italy, 1640 – 1650Cooper Hewitt, Smithsonian Design Museum0.92
DrawingLeonardo Scaglia, French, active Italy, 1640 – 1650Cooper Hewitt, Smithsonian Design Museum0.92
Grotesque DesignUnknownearly 17th centuryCooper Hewitt, Smithsonian Design Museum0.92
Strapwork DesignUnknownearly 17th centuryCooper Hewitt, Smithsonian Design Museum0.91
Grotesque DesignUnknownearly 17th centuryCooper Hewitt, Smithsonian Design Museum0.91
Grotesque DesignUnknownearly 17th centuryCooper Hewitt, Smithsonian Design Museum0.91
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Francesco Bedeschini, Italian made One of a set of projects for a title page and for the decoration of thirteen vertical panels, and made these too.
Made in the seventeenth century, like One of a set of projects for a title page and for the decoration of thirteen vertical panels.