Overdoor — Unknown, 1730–60

Overdoor, Unknown

Seen

Not described yet.

Of

No subject recorded yet.

Means

No reading yet.

Rights

Credit: Museum purchase through gift of various donors and from Eleanor G. Hewitt Fund
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1938-88-4343 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/64965

Also by Unknown

5442

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of 1730–60

1686

Small desk with folding top (bureau brisé), Alexandre-Jean Oppenordt — Small desk with folding top (bureau brisé)Alexandre-Jean Oppenordtca. 1685Metropolitan Museum of Art, New York, NY

Trade card of Louis Roupert, master goldsmith of Metz, Louis Cossin, French, 1627 - 1704 — Trade card of Louis Roupert, master goldsmith of MetzLouis Cossin, French, 1627 - 17041680Cooper Hewitt, Smithsonian Design Museum

Petit Impiger Ortus, Abraham Genoels, Flemish, 1640 - 1723 — Petit Impiger OrtusAbraham Genoels, Flemish, 1640 - 1723ca. 1680Cooper Hewitt, Smithsonian Design Museum

Design for Grotesque Ornament, Jean Berain, the elder, French, 1640-1711 — Design for Grotesque OrnamentJean Berain, the elder, French, 1640-1711ca. 1680Cooper Hewitt, Smithsonian Design Museum

Portrait of a Gentleman, Caspar Netscher — Portrait of a GentlemanCaspar Netscher1680The Art Institute of Chicago

Mundus Symbolicus, in emblematum universitate formatus, explicatus, et tam sacris, quam profanis eruditionibus ac sententiis illustratus, Picinelli, Filippo — Mundus Symbolicus, in emblematum universitate formatus, explicatus, et tam sacris, quam profanis eruditionibus ac sententiis illustratusPicinelli, Filippo1681Stiftung der Werke von C.G.Jung, Zürich

Renewal of the Alliance Between the French and the Swiss in 1663, Sébastien Le Clerc, the elder — Renewal of the Alliance Between the French and the Swiss in 1663Sébastien Le Clerc, the elder1682The Art Institute of Chicago

Ornament Designs for Hinges, Jean Louis Durant, Swiss, 1654–1718 — Ornament Designs for HingesJean Louis Durant, Swiss, 1654–1718ca. 1682Cooper Hewitt, Smithsonian Design Museum

Also at Cooper Hewitt, Smithsonian Design Museum

3647

Ornament Panel with Bird Cage, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with Bird CageNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel Inscribed "Victoria Augusta", Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel Inscribed "Victoria Augusta"Nicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel with Mars, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with MarsNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Abraham and the Three Angels, Lucas van Leyden, Netherlandish, ca. 1494–1533 — Abraham and the Three AngelsLucas van Leyden, Netherlandish, ca. 1494–15331513Cooper Hewitt, Smithsonian Design Museum

Study of a Rearing Horse after Leonardo da Vinci, Francesco Melzi, Italian, 1491 – 1570 — Study of a Rearing Horse after Leonardo da VinciFrancesco Melzi, Italian, 1491 – 1570ca. 1520–25Cooper Hewitt, Smithsonian Design Museum

Portrait of Albrecht of Brandenburg, Albrecht Dürer, German, 1471–1528 — Portrait of Albrecht of BrandenburgAlbrecht Dürer, German, 1471–15281524Cooper Hewitt, Smithsonian Design Museum

Grotesque Ornament with Satyrs, from a set of twenty ornament panels, Agostino Veneziano, Italian, ca. 1490 - after 1536 — Grotesque Ornament with Satyrs, from a set of twenty ornament panelsAgostino Veneziano, Italian, ca. 1490 - after 1536ca. 1530–1535Cooper Hewitt, Smithsonian Design Museum

Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork), Léonard Thiry, Flemish, 1550 — Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork)Léonard Thiry, Flemish, 15501540–1560Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Drawing, Leonardo Scaglia, French, active Italy, 1640 – 1650 — DrawingLeonardo Scaglia, French, active Italy, 1640 – 1650Cooper Hewitt, Smithsonian Design Museum

0.93

Drawing, Leonardo Scaglia, French, active Italy, 1640 – 1650 — DrawingLeonardo Scaglia, French, active Italy, 1640 – 1650Cooper Hewitt, Smithsonian Design Museum

0.92

Drawing, Leonardo Scaglia, French, active Italy, 1640 – 1650 — DrawingLeonardo Scaglia, French, active Italy, 1640 – 1650Cooper Hewitt, Smithsonian Design Museum

0.92

Drawing, Leonardo Scaglia, French, active Italy, 1640 – 1650 — DrawingLeonardo Scaglia, French, active Italy, 1640 – 1650Cooper Hewitt, Smithsonian Design Museum

0.92

Drawing, Leonardo Scaglia, French, active Italy, 1640 – 1650 — DrawingLeonardo Scaglia, French, active Italy, 1640 – 1650Cooper Hewitt, Smithsonian Design Museum

0.91

Print, Unknown — PrintUnknownCooper Hewitt, Smithsonian Design Museum

0.91

Print, Unknown — PrintUnknownCooper Hewitt, Smithsonian Design Museum

0.91

Design for brooch with couped pediment and diamond, Unknown — Design for brooch with couped pediment and diamondUnknown16th centuryCooper Hewitt, Smithsonian Design Museum

0.91

Next

Made in the eighteenth century, like Overdoor.

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