Kostverloren Castle in Decay, Rembrandt van Rijn

Seen

Not described yet.

Of

No subject recorded yet.

Means

No reading yet.

Rights

Credit
Clarence Buckingham Collection. CC0.
Licence
CC0-1.0
Evidence
api.artic.edu artworks api: is_public_domain=true on artwork 12909 (read 2026-08-27)
Record
https://www.artic.edu/artworks/12909
IIIF
manifest
Kostverloren Castle in Decay, Rembrandt van Rijn
Kostverloren Castle in Decay — Rembrandt van Rijnc. 1652

Also by Rembrandt van Rijn

16
Old Man with a Gold Chain, Rembrandt van Rijn
Old Man with a Gold ChainRembrandt van Rijn1631The Art Institute of Chicago
Bust of a Man in Oriental Dress, Rembrandt van Rijn
Bust of a Man in Oriental DressRembrandt van Rijn1635Rijksmuseum
Adam and Eve, Rembrandt van Rijn
Adam and EveRembrandt van Rijn1638The Art Institute of Chicago
Landscape with Stone Bridge, Rembrandt van Rijn
Landscape with Stone BridgeRembrandt van Rijnc. 1638Rijksmuseum
Still Life with Dead Peacocks, Rembrandt van Rijn
Still Life with Dead PeacocksRembrandt van Rijnc. 1639Rijksmuseum
Three Oriental Figures (Jacob and Laban?), Rembrandt van Rijn
Three Oriental Figures (Jacob and Laban?)Rembrandt van Rijn1641The Art Institute of Chicago
Officers and other civic guardsmen of District II in Amsterdam, under the command of Captain Frans Banninck Cocq and Lieutenant Willem van Ruytenburch, known as ‘The Night Watch’, Rembrandt van Rijn
Officers and other civic guardsmen of District II in Amsterdam, under the command of Captain Frans Banninck Cocq and Lieutenant Willem van Ruytenburch, known as ‘The Night Watch’Rembrandt van Rijn1642Rijksmuseum
Abraham and Isaac, Rembrandt van Rijn
Abraham and IsaacRembrandt van Rijn1645The Art Institute of Chicago

Within fifty years of c. 1652

1031
The Musicians, Caravaggio (Michelangelo Merisi)
The MusiciansCaravaggio (Michelangelo Merisi)1597Metropolitan Museum of Art, New York, NY
Portrait of a Man, Possibly an Architect or Geographer, Peter Paul Rubens
Portrait of a Man, Possibly an Architect or GeographerPeter Paul Rubens1597Metropolitan Museum of Art, New York, NY
Hōrou Apollōnos Neilōou Hieroglyphika eklekta = : Hori Apollinis selecta hieroglyphica, sive sacrae notae Aegyptiorum, & insculptae imagines, Horapollo
Hōrou Apollōnos Neilōou Hieroglyphika eklekta = : Hori Apollinis selecta hieroglyphica, sive sacrae notae Aegyptiorum, & insculptae imaginesHorapollo1597Stiftung der Werke von C.G.Jung, Zürich, online
Von hylealischen das ist pri-materialischen catholischen oder algemeinem natürlichen Chaos, der naturgemessen Alchymiae und Alchymisten; wiederholete ... Confessio oder Bekentnus, Khunrath, Heinrich
Von hylealischen das ist pri-materialischen catholischen oder algemeinem natürlichen Chaos, der naturgemessen Alchymiae und Alchymisten; wiederholete ... Confessio oder BekentnusKhunrath, Heinrich1597Stiftung der Werke von C.G.Jung, Zürich, online
Alberti Magni, de secretis mulierum libellus, scholiis auctus, & a mendis repurgatus : eiusdem de virtutibus herbarum, lapidum, et animalium quorundam libellus ; item de mirabilibus mundi, ac de quibusdam effectibus causatis a quibusdam animalibus, &c.. adiecimus et ob materiae similitudinem Michaelis Scoti ... de secretis naturae opusculum, Albertus
Alberti Magni, de secretis mulierum libellus, scholiis auctus, & a mendis repurgatus : eiusdem de virtutibus herbarum, lapidum, et animalium quorundam libellus ; item de mirabilibus mundi, ac de quibusdam effectibus causatis a quibusdam animalibus, &c.. adiecimus et ob materiae similitudinem Michaelis Scoti ... de secretis naturae opusculumAlbertus1598Stiftung der Werke von C.G.Jung, Zürich
Aureum vellus oder Guldin Schatz und Kunstkammer: darinnen der aller fürnemisten ... Auctorum Schrifften und Bücher auss dem gar uralten Schatz der uberblibnen verborgnen ... Reliquien und Monumenten der Aegyptiorum, Arabum, Chaldaeorum & Assyriorum Königen und Weysen, Trismosin, Salomon
Aureum vellus oder Guldin Schatz und Kunstkammer: darinnen der aller fürnemisten ... Auctorum Schrifften und Bücher auss dem gar uralten Schatz der uberblibnen verborgnen ... Reliquien und Monumenten der Aegyptiorum, Arabum, Chaldaeorum & Assyriorum Königen und WeysenTrismosin, Salomon1598Stiftung der Werke von C.G.Jung, Zürich
De magia. De observatione somniorum, et de divinatione astrologica, libri tres ..., Perera, Benet
De magia. De observatione somniorum, et de divinatione astrologica, libri tres ...Perera, Benet1598Stiftung der Werke von C.G.Jung, Zürich
Abraham's Sacrifice, Annibale Carracci
Abraham's SacrificeAnnibale Carracci1599Department of Paintings of the Louvre

Also at The Art Institute of Chicago

771
Statuette of a Female Figure, Ancient Greek
Statuette of a Female FigureAncient GreekEarly Bronze Age, 2600–2400 BCEThe Art Institute of Chicago
Ring with a Scarab Bezel, Ancient Egyptian
Ring with a Scarab BezelAncient EgyptianSecond Intermediate Period, Dynasty 15 (about 1650–1550 BCE)The Art Institute of Chicago
Fragment of a Stela of Neferhotep, Ancient Egyptian
Fragment of a Stela of NeferhotepAncient EgyptianNew Kingdom, mid-Dynasty 19, about 1240-1195 BCEThe Art Institute of Chicago
Funerary Papyrus of Tayuhenutmut, Ancient Egyptian
Funerary Papyrus of TayuhenutmutAncient EgyptianThird Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)The Art Institute of Chicago
Cauldron, China
CauldronChinaWestern Zhou dynasty (1046–771 BC ), early 9th century BCThe Art Institute of Chicago
Coffin and Mummy of Paankhaenamun, Ancient Egyptian
Coffin and Mummy of PaankhaenamunAncient EgyptianThird Intermediate Period, Dynasty 22, reign of Osorkon I (about 924–889 BCE)The Art Institute of Chicago
Relief Showing the Head of a Winged Genius, Neo-Assyrian
Relief Showing the Head of a Winged GeniusNeo-AssyrianNeo–Assyrian Period, reign of King Ashurnasirpal II (883–859 BCE)The Art Institute of Chicago
Altar, Ancient Greek
AltarAncient GreekGeometric Period (800–600 BCE)The Art Institute of Chicago

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Cottage near the Entrance to a Wood, Rembrandt (Rembrandt van Rijn)
Cottage near the Entrance to a WoodRembrandt (Rembrandt van Rijn)1644Metropolitan Museum of Art, New York, NY
0.87
Small Fishing Port, Arnold William Brunner, American, 1857–1925
Small Fishing PortArnold William Brunner, American, 1857–1925ca. 1883Cooper Hewitt, Smithsonian Design Museum
0.86
Landscape with an Obelisk, Rembrandt Harmensz van Rijn, Dutch, 1606–1669
Landscape with an ObeliskRembrandt Harmensz van Rijn, Dutch, 1606–1669ca. 1650Cooper Hewitt, Smithsonian Design Museum
0.86
The Little Bridge, Jacob van Ruisdael
The Little BridgeJacob van RuisdaelNational Gallery of Art
0.86
Château de Papes, Avignon, Arnold William Brunner, American, 1857–1925
Château de Papes, AvignonArnold William Brunner, American, 1857–19251892Cooper Hewitt, Smithsonian Design Museum
0.85
A Street in Trouville, Eugène Edouard Soulès, French, 1811–1876
A Street in TrouvilleEugène Edouard Soulès, French, 1811–18761840–1860Cooper Hewitt, Smithsonian Design Museum
0.85
Villefranche, Arnold William Brunner, American, 1857–1925
VillefrancheArnold William Brunner, American, 1857–1925ca. 1892Cooper Hewitt, Smithsonian Design Museum
0.84
Street in Tangiers, Arnold William Brunner, American, 1857–1925
Street in TangiersArnold William Brunner, American, 1857–1925ca. 1891Cooper Hewitt, Smithsonian Design Museum
0.84

In the stacks

Not yet checked2

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. Seven Discourses on Art · Joshua, Sir Reynolds

    By this mode of reasoning Rembrandt has a higher place than Raffaelle. But a very little reflection will serve to show us that these particularities cannot be nature: for how can that be the nature of man, in which no two individuals are the same? It plainly appears that as a work is conducted under the influence of general ideas or partial it is principally to be considered as the effect of a good or a bad taste. As beauty therefore does not consist in taking what lies immediately before
    0.69

  2. principles of art history · heinrich wolfflin

    PAINTING 95 Rembrandt The great Ecce Homo (etching of 1650) is an analogous case. As is known, the schema of the composition dates back to a Cinquecentist, Lucas van Leyden. A house wall and a terrace before it, seen frontally; people who have taken up their stand side by side in rows on and in front of the terrace—how are we to get a baroque picture out of all that? We learn with Rembrandt that it is not the subject but the treatment which matters. While Lucas van Leyden exhausts
    0.68

Next

Rembrandt van Rijn made Kostverloren Castle in Decay, and made these too.

Made in the seventeenth century, like Kostverloren Castle in Decay.

0:00–0:00