Of No subject recorded yet.
Close Eight physiognomies. Drawings by D.N. Chodowiecki, ca. 1789, after C. Le Brun. — Johann Kaspar Lavater; Thomas Holloway; Daniel Nikolaus Chodowiecki; Charles Le Brun c. 1789
Within fifty years of c. 1789 3251 DÉCORATION DU SALON COMPOSÉ DE TRANSPARENTS. Qui a eté élevé sur deux batteaux placés sur la Seine le 29 Aoust 1739, jour de l’illumination et des Feux d’Artifice ordonnez par Monsieur Turgot Prevôt des Marchand et Messieurs les Echevins de la Ville de Paris, Exécutée sur les desseins du Chevalier Servandony, et rempli par les Musiciens qui ont Conserté devant leurs Majestez, aussitost qu’elle ont été placées sur le Trône qui leur avoit été dressé au pavillon du Jardin de l’Infante, vis-à-vis du quel étoit ce Salon François Baillieul, French, 1697? – 1754after 1739 Cooper Hewitt, Smithsonian Design Museum DECORATION EXTERIEURE DE L’EDIFICE DU CÔTÉ DE LA RIVIERE ELEVÉ AU MOIS D’AOUST 1739. Sur la Terrasse ou est placée la Statüe Equestre de Henry IV au Pont Neuf, a l’occasion du mariage de Madame de France et de Dom Philippe II Infant d’Espagne Sous les ordres de Monsieur Turgot Conseiller d’Etat, Prevost des Marchands et Messieurs les Echevins de la Ville de Paris. Sur les Desseins et Conduitte du Chevalier Servandony Architecte et Peintre du Roy. Jacques-François Blondel, French, 1705–1774after 1739 Cooper Hewitt, Smithsonian Design Museum Design for an Ornamental Border Used for the Surround to the General Chart in John Pine's "Tapestry Hangings in the House of Lords" Gravelot, French, 1699 - 1773, active in Englandca. 1739 Cooper Hewitt, Smithsonian Design Museum Study for "The Martyrdom of Saint Sebastian" (for the Augustinian monastery at Diessen, Germany) Giovanni Battista Tiepolo (Italian, 1696–1770)1739 Cleveland Museum of Art Fragment Francec. 1750 The Art Institute of Chicago Drawing, Nude Domenico Corvi, Italian, 1721 - 1803ca. 1740 Cooper Hewitt, Smithsonian Design Museum Floral Design Unknown1740–70 Cooper Hewitt, Smithsonian Design Museum Title-page from Neüe Inventiones von Chinesischen Zierrathen, zu untershiedlichem Gebrauch, Erster Theil Bellay, French, active from 1734ca. 1740-1762 Cooper Hewitt, Smithsonian Design Museum
Also at Wellcome Collection 34 An alchemist stoking a furnace, surrounded by well dressed onlookers: a banquet takes place in the background. Etching by C. Murer, ca. 1600-1614. Christoph Murer1622 Wellcome Collection Farm workers under a tree are making a basket, a plough and other agricultural implements. Engraving by Wenceslaus Hollar after F. Cleyn. Francis Cleyn; Wenceslaus Hollar; Carnarvon, Elizabeth Dormer, Countess of, 1633-1678.[1654] Wellcome Collection An anatomy theatre with statues of the anatomists Vesalius and Spigelius; a corpse on a table in the background. Engraving, 1672. Isbrand van Diemerbroeck1672 Wellcome Collection Muscles of the face and neck. Engraving, 1686. Steven Blankaart; Govert Bidloo[1686] Wellcome Collection A skeleton leaning on a spade. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543. Andreas Vesalius; John Tinney1842 Wellcome Collection An écorché figure seen from the front. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543. Andreas Vesalius; John Tinney1842 Wellcome Collection An écorché figure seen from behind, with an additional seated figure in the bottom left-hand corner. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543. Andreas Vesalius; John Tinney1842 Wellcome Collection A skeleton leaning on an inscribed tombstone, resting his right hand on a skull. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543. Andreas Vesalius; John Tinney1842 Wellcome Collection Add a connection Propose a reading
Next Made in the eighteenth century, like Eight physiognomies. Drawings by D.N. Chodowiecki, ca. 1789, after C. Le Brun..
