Painted Wall Decoration — Unknown, 1730–60

Painted Wall Decoration, Unknown

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Rights

Credit: Museum purchase through gift of various donors and from Eleanor G. Hewitt Fund
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1938-88-193 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/62254

Also by Unknown

5442

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of 1730–60

1686

Small desk with folding top (bureau brisé), Alexandre-Jean Oppenordt — Small desk with folding top (bureau brisé)Alexandre-Jean Oppenordtca. 1685Metropolitan Museum of Art, New York, NY

Trade card of Louis Roupert, master goldsmith of Metz, Louis Cossin, French, 1627 - 1704 — Trade card of Louis Roupert, master goldsmith of MetzLouis Cossin, French, 1627 - 17041680Cooper Hewitt, Smithsonian Design Museum

Petit Impiger Ortus, Abraham Genoels, Flemish, 1640 - 1723 — Petit Impiger OrtusAbraham Genoels, Flemish, 1640 - 1723ca. 1680Cooper Hewitt, Smithsonian Design Museum

Design for Grotesque Ornament, Jean Berain, the elder, French, 1640-1711 — Design for Grotesque OrnamentJean Berain, the elder, French, 1640-1711ca. 1680Cooper Hewitt, Smithsonian Design Museum

Portrait of a Gentleman, Caspar Netscher — Portrait of a GentlemanCaspar Netscher1680The Art Institute of Chicago

Mundus Symbolicus, in emblematum universitate formatus, explicatus, et tam sacris, quam profanis eruditionibus ac sententiis illustratus, Picinelli, Filippo — Mundus Symbolicus, in emblematum universitate formatus, explicatus, et tam sacris, quam profanis eruditionibus ac sententiis illustratusPicinelli, Filippo1681Stiftung der Werke von C.G.Jung, Zürich

Renewal of the Alliance Between the French and the Swiss in 1663, Sébastien Le Clerc, the elder — Renewal of the Alliance Between the French and the Swiss in 1663Sébastien Le Clerc, the elder1682The Art Institute of Chicago

Ornament Designs for Hinges, Jean Louis Durant, Swiss, 1654–1718 — Ornament Designs for HingesJean Louis Durant, Swiss, 1654–1718ca. 1682Cooper Hewitt, Smithsonian Design Museum

Also at Cooper Hewitt, Smithsonian Design Museum

3647

Ornament Panel with Bird Cage, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with Bird CageNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel Inscribed "Victoria Augusta", Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel Inscribed "Victoria Augusta"Nicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel with Mars, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with MarsNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Abraham and the Three Angels, Lucas van Leyden, Netherlandish, ca. 1494–1533 — Abraham and the Three AngelsLucas van Leyden, Netherlandish, ca. 1494–15331513Cooper Hewitt, Smithsonian Design Museum

Study of a Rearing Horse after Leonardo da Vinci, Francesco Melzi, Italian, 1491 – 1570 — Study of a Rearing Horse after Leonardo da VinciFrancesco Melzi, Italian, 1491 – 1570ca. 1520–25Cooper Hewitt, Smithsonian Design Museum

Portrait of Albrecht of Brandenburg, Albrecht Dürer, German, 1471–1528 — Portrait of Albrecht of BrandenburgAlbrecht Dürer, German, 1471–15281524Cooper Hewitt, Smithsonian Design Museum

Grotesque Ornament with Satyrs, from a set of twenty ornament panels, Agostino Veneziano, Italian, ca. 1490 - after 1536 — Grotesque Ornament with Satyrs, from a set of twenty ornament panelsAgostino Veneziano, Italian, ca. 1490 - after 1536ca. 1530–1535Cooper Hewitt, Smithsonian Design Museum

Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork), Léonard Thiry, Flemish, 1550 — Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork)Léonard Thiry, Flemish, 15501540–1560Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Staircase to Arcade in Bishop’s Palace, Giovanni Battista Natali III, Italian, 1698 - 1765 — Staircase to Arcade in Bishop’s PalaceGiovanni Battista Natali III, Italian, 1698 - 1765ca. 1750Cooper Hewitt, Smithsonian Design Museum

0.92

Architectural Fantasy, Wendel Dietterlinn the Elder, 1551 – 1599 — Architectural FantasyWendel Dietterlinn the Elder, 1551 – 1599late 16th centuryCooper Hewitt, Smithsonian Design Museum

0.92

Design of Wall Decoration and Equestrian Monument for Law Courts, Naples, Italy, Giovanni Battista Natali III, Italian, 1698 - 1765 — Design of Wall Decoration and Equestrian Monument for Law Courts, Naples, ItalyGiovanni Battista Natali III, Italian, 1698 - 1765ca. 1750Cooper Hewitt, Smithsonian Design Museum

0.91

Stage Design; Palace Court, Follower of Antonio or Carlo Galli Bibiena — Stage Design; Palace CourtFollower of Antonio or Carlo Galli Bibienalate 17th centuryCooper Hewitt, Smithsonian Design Museum

0.91

Elevation of a Royal Catafalque, Luca Arinelli, Italian, active 1770 — Elevation of a Royal CatafalqueLuca Arinelli, Italian, active 1770late 18th centuryCooper Hewitt, Smithsonian Design Museum

0.91

Print, Unknown — PrintUnknownCooper Hewitt, Smithsonian Design Museum

0.91

Design for a Tabernacle, Unknown — Design for a TabernacleUnknownca. 1570Cooper Hewitt, Smithsonian Design Museum

0.91

Elevation of the Nave of a Church, Unknown — Elevation of the Nave of a ChurchUnknown18th centuryCooper Hewitt, Smithsonian Design Museum

0.91

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Made in the eighteenth century, like Painted Wall Decoration.

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