Shah Jahan, Rembrandt van Rijn (Dutch, 1606–1669)

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Rights

Credit
Leonard C. Hanna Jr. Fund
Licence
CC0-1.0
Evidence
openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 149378 (read 2026-09-01)
Record
https://clevelandart.org/art/1978.38
Shah Jahan, Rembrandt van Rijn (Dutch, 1606–1669)
Shah Jahan — Rembrandt van Rijn (Dutch, 1606–1669)c. 1656–61

Also by Rembrandt van Rijn (Dutch, 1606–1669)

8
The Strolling Musicians, Rembrandt van Rijn (Dutch, 1606–1669)
The Strolling MusiciansRembrandt van Rijn (Dutch, 1606–1669)c. 1635Cleveland Museum of Art
Rembrandt and His Wife Saskia, Rembrandt van Rijn (Dutch, 1606–1669)
Rembrandt and His Wife SaskiaRembrandt van Rijn (Dutch, 1606–1669)1636Cleveland Museum of Art
Christ Preaching ('La Petite Tombe'), Rembrandt van Rijn (Dutch, 1606–1669)
Christ Preaching ('La Petite Tombe')Rembrandt van Rijn (Dutch, 1606–1669)c. 1652Cleveland Museum of Art
Self-Portrait Drawing at a Window, Rembrandt van Rijn (Dutch, 1606–1669)
Self-Portrait Drawing at a WindowRembrandt van Rijn (Dutch, 1606–1669)1648Cleveland Museum of Art
The Presentation in the Temple, Rembrandt van Rijn (Dutch, 1606–1669)
The Presentation in the TempleRembrandt van Rijn (Dutch, 1606–1669)c. 1654Cleveland Museum of Art
The Blindness of Tobit: The Large Plate, Rembrandt van Rijn (Dutch, 1606–1669)
The Blindness of Tobit: The Large PlateRembrandt van Rijn (Dutch, 1606–1669)1651Cleveland Museum of Art
St. Francis Beneath a Tree Praying, Rembrandt van Rijn (Dutch, 1606–1669)
St. Francis Beneath a Tree PrayingRembrandt van Rijn (Dutch, 1606–1669)1657Cleveland Museum of Art
Woman Bathing Her Feet in a Brook, Rembrandt van Rijn (Dutch, 1606–1669)
Woman Bathing Her Feet in a BrookRembrandt van Rijn (Dutch, 1606–1669)1658Cleveland Museum of Art

Within fifty years of c. 1656–61

1144
The Crucifixion of Saint Andrew, Caravaggio (Italian, 1571–1610)
The Crucifixion of Saint AndrewCaravaggio (Italian, 1571–1610)1606–7Cleveland Museum of Art
Disquisitio de helia artium ..., Eglin, Raphael
Disquisitio de helia artium ...Eglin, Raphael1606Stiftung der Werke von C.G.Jung, Zürich, online
Alchymia Andreae Libavii, recognita, emendata, et aucta; tum dogmatibus & experimentis nonnullis ... : tum commentario medico physico chymico ..., Libavius, Andreas
Alchymia Andreae Libavii, recognita, emendata, et aucta; tum dogmatibus & experimentis nonnullis ... : tum commentario medico physico chymico ...Libavius, Andreas1606Stiftung der Werke von C.G.Jung, Zürich, online
Wooded landscape with the sacrifice of Isaac (Genesis 22), Abraham Govaerts
Wooded landscape with the sacrifice of Isaac (Genesis 22)Abraham Govaerts1607Bavarian State Painting Collections
Sacrifice of Isaac, Cigoli
Sacrifice of IsaacCigoli1607Galleria Palatina
The Dormition of the Virgin, Carlo Saraceni
The Dormition of the VirginCarlo Saracenica. 1612Metropolitan Museum of Art, New York, NY
The Expulsion from Paradise, Jan Wierix (Flemish, c. 1549–after 1615)
The Expulsion from ParadiseJan Wierix (Flemish, c. 1549–after 1615)c. 1606Cleveland Museum of Art
Oracula magica Zoroastris cum scholiis Plethonis et Pselli nunc primum editi ..., Opsopäus, Johannes
Oracula magica Zoroastris cum scholiis Plethonis et Pselli nunc primum editi ...Opsopäus, Johannes1607Stiftung der Werke von C.G.Jung, Zürich

Also at Cleveland Museum of Art

595
Relief of Nyankhnesut Seated, Unknown
Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art
Stele of Shemai, Unknown
Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art
Relief of Hatshepsut or Tuthmosis III, Unknown
Relief of Hatshepsut or Tuthmosis IIIUnknown1479–1425 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Nefertiti Offers to the Aten, Unknown
Talatat: Nefertiti Offers to the AtenUnknown1353–1347 BCECleveland Museum of Art
Tomb Relief of the Chief Physician Amenhotep and Family, Unknown
Tomb Relief of the Chief Physician Amenhotep and FamilyUnknownc. 1279–1257 BCECleveland Museum of Art
Stele of the High Priest of Ptah, Shedsunefertem, Unknown
Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

The Actress Ellen Andrée, Edgar Degas
The Actress Ellen AndréeEdgar Degas1879National Gallery of Art
0.87
St. Francis from façade of S. Silvestro in Capite, Vincenzo Felice
St. Francis from façade of S. Silvestro in CapiteVincenzo Feliceca. 1759–70Cooper Hewitt, Smithsonian Design Museum
0.87
Male figure in Renaissance dress, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773
Male figure in Renaissance dressJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum
0.87
Man, Robert Frederick Blum, American, 1857–1903
ManRobert Frederick Blum, American, 1857–19031880Cooper Hewitt, Smithsonian Design Museum
0.86
Soldier Marching, Winslow Homer, American, 1836–1910
Soldier MarchingWinslow Homer, American, 1836–19101862Cooper Hewitt, Smithsonian Design Museum
0.86
Study of a Teamster, Winslow Homer, American, 1836–1910
Study of a TeamsterWinslow Homer, American, 1836–19101862Cooper Hewitt, Smithsonian Design Museum
0.86
Sketch of a Girl with a Frog, Louise Howland King Cox, American, 1865–1945
Sketch of a Girl with a FrogLouise Howland King Cox, American, 1865–1945ca. 1895–1910Cooper Hewitt, Smithsonian Design Museum
0.86
St. Ignatius Loyola from St. Peter's colonnade, Giovanni Maria de Rossi
St. Ignatius Loyola from St. Peter's colonnadeGiovanni Maria de Rossica. 1759–70Cooper Hewitt, Smithsonian Design Museum
0.86

In the stacks

Not yet checked2

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. Seven Discourses on Art · Joshua, Sir Reynolds

    By this mode of reasoning Rembrandt has a higher place than Raffaelle. But a very little reflection will serve to show us that these particularities cannot be nature: for how can that be the nature of man, in which no two individuals are the same? It plainly appears that as a work is conducted under the influence of general ideas or partial it is principally to be considered as the effect of a good or a bad taste. As beauty therefore does not consist in taking what lies immediately before
    0.69

  2. principles of art history · heinrich wolfflin

    PAINTING 95 Rembrandt The great Ecce Homo (etching of 1650) is an analogous case. As is known, the schema of the composition dates back to a Cinquecentist, Lucas van Leyden. A house wall and a terrace before it, seen frontally; people who have taken up their stand side by side in rows on and in front of the terrace—how are we to get a baroque picture out of all that? We learn with Rembrandt that it is not the subject but the treatment which matters. While Lucas van Leyden exhausts
    0.68

Next

Made in the seventeenth century, like Shah Jahan.

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