maker

Unknown

5,464 works · 2465 BCE to 1990 · ulan:500125274

10 of 997 ids checked against the Met and Wikidata named a different concept (1.0%), read 2026-09-08

Unknown
Cooper Hewitt, Smithsonian Design Museum, Metropolitan Museum of Art, New York, NY, Cleveland Museum of Art, Library of Congress, Stiftung der Werke von C.G.Jung, Zürich, Wellcome Collection, Stiftung der Werke von C.G.Jung, Zürich, online, Rijksmuseum, The Art Institute of Chicago, Amsterdam Museum, Medobčinski muzej Kamnik, National Postal Museum, National Museum of Asian Art and Stiftung der Werke von C.G.Jung, Zürich, B Qa 15,464 as in Unknown, Italian, Unknown, Austrian, Unknown, American, Unknown, English and 2 more
Getty
unknownUnion List of Artist Names 500125274
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Relief of Nyankhnesut Seated, Unknown
Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, a Double-Falconhead Shank Pierced Transversally on the Back, Device showing Two Hares Head-to-tail, Unknown
Design Amulet, a Double-Falconhead Shank Pierced Transversally on the Back, Device showing Two Hares Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY
Stele of Shemai, Unknown
Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art
Relief of Hatshepsut or Tuthmosis III, Unknown
Relief of Hatshepsut or Tuthmosis IIIUnknown1479–1425 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Nefertiti Offers to the Aten, Unknown
Talatat: Nefertiti Offers to the AtenUnknown1353–1347 BCECleveland Museum of Art
Sword of the Achtkantschwert Type, Unknown
Sword of the Achtkantschwert TypeUnknown13th century BCEMetropolitan Museum of Art, New York, NY
Tomb Relief of the Chief Physician Amenhotep and Family, Unknown
Tomb Relief of the Chief Physician Amenhotep and FamilyUnknownc. 1279–1257 BCECleveland Museum of Art
Stele of the High Priest of Ptah, Shedsunefertem, Unknown
Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art
Terracotta oinochoe (jug), Unknown
Terracotta oinochoe (jug)Unknownlate 10th–early 9th century BCEMetropolitan Museum of Art, New York, NY
Decorative Plaque: Cow Nursing Its Calf, Unknown
Decorative Plaque: Cow Nursing Its CalfUnknown900–800 BCECleveland Museum of Art
Decorative Plaque: Man; and Griffin in Combat, Unknown
Decorative Plaque: Man; and Griffin in CombatUnknown900–800 BCECleveland Museum of Art
Decorative Plaque: Ram-Headed Sphinxes Flanking a Sacred Tree, Unknown
Decorative Plaque: Ram-Headed Sphinxes Flanking a Sacred TreeUnknown900–800 BCECleveland Museum of Art
Decorative Plaque: Winged Sphinx, Unknown
Decorative Plaque: Winged SphinxUnknown900–800 BCECleveland Museum of Art
Decorative Plaque: Browsing Stag, Unknown
Decorative Plaque: Browsing StagUnknown900–800 BCECleveland Museum of Art
Human-headed winged lion (lamassu), Unknown
Human-headed winged lion (lamassu)Unknownca. 883–859 BCEMetropolitan Museum of Art, New York, NY
Relief panel, Unknown
Relief panelUnknownca. 883–859 BCEMetropolitan Museum of Art, New York, NY
Relief panel, Unknown
Relief panelUnknownca. 883–859 BCEMetropolitan Museum of Art, New York, NY
Relief panel, Unknown
Relief panelUnknownca. 883–859 BCEMetropolitan Museum of Art, New York, NY
Saluting Protective Spirit, Unknown
Saluting Protective SpiritUnknown883–859 BCECleveland Museum of Art
Bronze man and centaur, Unknown
Bronze man and centaurUnknownca. 750 BCEMetropolitan Museum of Art, New York, NY
Relief fragment: cavalryman leading his horse beside a stream, Unknown
Relief fragment: cavalryman leading his horse beside a streamUnknownca. 704–681 BCEMetropolitan Museum of Art, New York, NY
Terracotta loutrophoros (ceremonial vase for water), Unknown
Terracotta loutrophoros (ceremonial vase for water)Unknownlate 6th century BCEMetropolitan Museum of Art, New York, NY
Helmet of the Corinthian Type and Pair of Greaves, Unknown
Helmet of the Corinthian Type and Pair of GreavesUnknownearly 5th century BCEMetropolitan Museum of Art, New York, NY
Sword (Falcata), Unknown
Sword (Falcata)Unknown5th–1st century BCEMetropolitan Museum of Art, New York, NY
Fragment of a Wall Decoration from the Palace of Xerxes: "Guardsman" in Procession, Unknown
Fragment of a Wall Decoration from the Palace of Xerxes: "Guardsman" in ProcessionUnknown486–465 BCECleveland Museum of Art
Mirror with Jade Disk Inset, Unknown
Mirror with Jade Disk InsetUnknown475 BCE–9 CECleveland Museum of Art
Helmet of the Italo-Chalcidian Type, Anatomical Cuirass, and Left Greave, Unknown
Helmet of the Italo-Chalcidian Type, Anatomical Cuirass, and Left GreaveUnknownlate 5th–4th century BCEMetropolitan Museum of Art, New York, NY
Terracotta oinochoe (jug), Unknown
Terracotta oinochoe (jug)Unknownmid-4th century BCEMetropolitan Museum of Art, New York, NY
Head of a Foreign Warrior, Unknown
Head of a Foreign WarriorUnknown300–200 BCECleveland Museum of Art
The Hunt, Unknown
The HuntUnknown300–100 BCECleveland Museum of Art
The Kill, Unknown
The KillUnknown300–100 BCECleveland Museum of Art
Terracotta Hadra hydria (water jar), Unknown
Terracotta Hadra hydria (water jar)Unknown3rd century BCEMetropolitan Museum of Art, New York, NY
Standing Horse, Unknown
Standing HorseUnknown206 BCE–220 CECleveland Museum of Art
Horse's Head, Unknown
Horse's HeadUnknown206 BCE–220 CECleveland Museum of Art
Pair of Owl-shaped Jars, Unknown
Pair of Owl-shaped JarsUnknown206 BCE–9 CECleveland Museum of Art
Owl-shaped Jar, Unknown
Owl-shaped JarUnknown206 BCE–9 CECleveland Museum of Art
Horse, Unknown
HorseUnknown202 BCE–220 CECleveland Museum of Art
Mat Weight in the Form of a Bear, Unknown
Mat Weight in the Form of a BearUnknown202 BCE–9 CECleveland Museum of Art
Jar (Hu), Unknown
Jar (Hu)Unknown202 BCE–9 CECleveland Museum of Art
Chariot Canopy Shaft, Unknown
Chariot Canopy ShaftUnknown202 BCE–9 CECleveland Museum of Art
Inlay, feather pattern, Unknown
Inlay, feather patternUnknownca. 200 BCE–CE 100Metropolitan Museum of Art, New York, NY
Inlay, feather pattern, Unknown
Inlay, feather patternUnknownca. 200 BCE–CE 100Metropolitan Museum of Art, New York, NY
Prick Spur, Unknown
Prick SpurUnknown2nd–1st century BCEMetropolitan Museum of Art, New York, NY
Incense Burner (Boshan Lu), Unknown
Incense Burner (Boshan Lu)Unknown200–100 BCECleveland Museum of Art
Incense Burner (Boshan Lu), Unknown
Incense Burner (Boshan Lu)Unknown200–100 BCECleveland Museum of Art
Incense Burner (Boshan Lu), Unknown
Incense Burner (Boshan Lu)Unknown200–100 BCECleveland Museum of Art
Mirror with Clouds and Nebulae, Unknown
Mirror with Clouds and NebulaeUnknown200–100 BCECleveland Museum of Art
Inlay, pattern of squares, Unknown
Inlay, pattern of squaresUnknown100 BCE–100 CEMetropolitan Museum of Art, New York, NY
Inlay, row of stepped forms, row of rosettes, unclear pattern, Unknown
Inlay, row of stepped forms, row of rosettes, unclear patternUnknown100 BCE–100 CEMetropolitan Museum of Art, New York, NY
Pair of Wild Horses, Unknown
Pair of Wild HorsesUnknownc. 100 BCE–100 CECleveland Museum of Art
Wild Horse, Unknown
Wild HorseUnknownc. 100 BCE–100 CECleveland Museum of Art
Wild Horse, Unknown
Wild HorseUnknownc. 100 BCE–100 CECleveland Museum of Art
Panel from Model Cooking Stove: Lancer Jousting with a Tiger, Unknown
Panel from Model Cooking Stove: Lancer Jousting with a TigerUnknown100–1 BCECleveland Museum of Art
Panel from Model Cooking Stove: Fairy Feeding Lingzhi Fungus to a Dragon, Unknown
Panel from Model Cooking Stove: Fairy Feeding Lingzhi Fungus to a DragonUnknown100–1 BCECleveland Museum of Art
Panel from Model Cooking Stove: Vermilion Bird, Unknown
Panel from Model Cooking Stove: Vermilion BirdUnknown100–1 BCECleveland Museum of Art
Panel from Model Cooking Stove: Raven Flanked by Snake-Entwined Tortoises, Unknown
Panel from Model Cooking Stove: Raven Flanked by Snake-Entwined TortoisesUnknown100–1 BCECleveland Museum of Art
Mirror with Concentric Circles and Linked Arcs, Unknown
Mirror with Concentric Circles and Linked ArcsUnknown100–1 BCECleveland Museum of Art
Wall painting from the west wall of Room L of the Villa of P. Fannius Synistor at Boscoreale, Unknown
Wall painting from the west wall of Room L of the Villa of P. Fannius Synistor at BoscorealeUnknownca. 50–40 BCEMetropolitan Museum of Art, New York, NY
Wall painting from Room H of the Villa of P. Fannius Synistor at Boscoreale, Unknown
Wall painting from Room H of the Villa of P. Fannius Synistor at BoscorealeUnknownca. 50–40 BCEMetropolitan Museum of Art, New York, NY
Wall painting from Room H of the Villa of P. Fannius Synistor at Boscoreale, Unknown
Wall painting from Room H of the Villa of P. Fannius Synistor at BoscorealeUnknownca. 50–40 BCEMetropolitan Museum of Art, New York, NY
Wall painting: Polyphemus and Galatea in a landscape, from the imperial villa at Boscotrecase, Unknown
Wall painting: Polyphemus and Galatea in a landscape, from the imperial villa at BoscotrecaseUnknownlast decade of the 1st century BCEMetropolitan Museum of Art, New York, NY
Wall painting on red ground: candelabrum with frieze, from the imperial villa at Boscotrecase, Unknown
Wall painting on red ground: candelabrum with frieze, from the imperial villa at BoscotrecaseUnknownlast decade of the 1st century BCEMetropolitan Museum of Art, New York, NY
Wall painting: Perseus and Andromeda in landscape, from the imperial villa at Boscotrecase, Unknown
Wall painting: Perseus and Andromeda in landscape, from the imperial villa at BoscotrecaseUnknownlast decade of the 1st century BCEMetropolitan Museum of Art, New York, NY
Wall painting on black ground: landscape, from the imperial villa at Boscotrecase, Unknown
Wall painting on black ground: landscape, from the imperial villa at BoscotrecaseUnknownlast decade of the 1st century BCEMetropolitan Museum of Art, New York, NY
Wall painting on black ground: Aedicula with small landscape, from the imperial villa at Boscotrecase, Unknown
Wall painting on black ground: Aedicula with small landscape, from the imperial villa at BoscotrecaseUnknownlast decade of the 1st century BCEMetropolitan Museum of Art, New York, NY
Wall painting on black ground: Egyptianizing scene and pair of swans, from the imperial villa at Boscotrecase, Unknown
Wall painting on black ground: Egyptianizing scene and pair of swans, from the imperial villa at BoscotrecaseUnknownlast decade of the 1st century BCEMetropolitan Museum of Art, New York, NY
Brooch with Assyrian human-headed winged bull, Unknown
Brooch with Assyrian human-headed winged bullUnknownca. 1873Metropolitan Museum of Art, New York, NY
Mirror with Deities, Chariot, and the White Tiger, Unknown
Mirror with Deities, Chariot, and the White TigerUnknown100–200 CECleveland Museum of Art
Frieze Fragment with Chariot Procession, Unknown
Frieze Fragment with Chariot ProcessionUnknown100s CECleveland Museum of Art
Prick Spur, Unknown
Prick SpurUnknown2nd–4th centuryMetropolitan Museum of Art, New York, NY
Bust of a Bodhisattva, Unknown
Bust of a BodhisattvaUnknownca. 4th–5th centuryMetropolitan Museum of Art, New York, NY
Dish with King Hormizd II or Hormizd III Hunting Lions, Unknown
Dish with King Hormizd II or Hormizd III Hunting LionsUnknown400–600 CECleveland Museum of Art
Gaja Lakshmi, Goddess of Fortune, Unknown
Gaja Lakshmi, Goddess of FortuneUnknown6th centuryMetropolitan Museum of Art, New York, NY
Fragment of a Floor Mosaic with a Personification of Ktisis, Unknown
Fragment of a Floor Mosaic with a Personification of KtisisUnknown500–550, with modern restorationMetropolitan Museum of Art, New York, NY
Mother Goddess, Unknown
Mother GoddessUnknownc. 600Cleveland Museum of Art
Double Whistle, Unknown
Double WhistleUnknown7th–9th centuryMetropolitan Museum of Art, New York, NY
Feathered Panel, Unknown
Feathered PanelUnknown600–900Cleveland Museum of Art
Buddha Preaching, Unknown
Buddha PreachingUnknown8th centuryMetropolitan Museum of Art, New York, NY
Bodhisattva Avalokiteshvara, Unknown
Bodhisattva AvalokiteshvaraUnknownsecond quarter of the 8th centuryMetropolitan Museum of Art, New York, NY
Animal-Spouted Pitcher, Unknown
Animal-Spouted PitcherUnknown9th–10th centuryMetropolitan Museum of Art, New York, NY
Qur'an Manuscript Folio (recto); left side of bifolio, Unknown
Qur'an Manuscript Folio (recto); left side of bifolioUnknown800sCleveland Museum of Art
Bowl Emulating Chinese Stoneware, Unknown
Bowl Emulating Chinese StonewareUnknown9th centuryMetropolitan Museum of Art, New York, NY
Brahma-Shiva, Unknown
Brahma-ShivaUnknown900sCleveland Museum of Art
Enthroned planetary deity, Unknown
Enthroned planetary deityUnknown850–75Cleveland Museum of Art
Folio from a Qur'an Manuscript, Unknown
Folio from a Qur'an ManuscriptUnknownlate 9th–early 10th centuryMetropolitan Museum of Art, New York, NY
Standing Shiva or Temple Guardian (Dvarapala), Unknown
Standing Shiva or Temple Guardian (Dvarapala)Unknownca. first half of the 10th centuryMetropolitan Museum of Art, New York, NY
Standing Parvati, Unknown
Standing ParvatiUnknownca. first quarter 10th centuryMetropolitan Museum of Art, New York, NY

And the rest

600

The first 600 of 5,368; the other 4,768 stand on their era and collection shelves, each with a record.

  1. Icon with the Crucifixionmid-10th centuryMetropolitan Museum of Art, New York, NY
  2. Icon with the Koimesislate 900sMetropolitan Museum of Art, New York, NY
  3. Frieze with Dancer and Musiciansc. 973Cleveland Museum of Art
  4. Manuscript11th–12th centuryMetropolitan Museum of Art, New York, NY
  5. Tiraz fragmentca. 1000Cooper Hewitt, Smithsonian Design Museum
  6. Textile700–1000Cooper Hewitt, Smithsonian Design Museum
  7. Textile500–1000Cooper Hewitt, Smithsonian Design Museum
  8. Textile1000–1450Cooper Hewitt, Smithsonian Design Museum
  9. Vessel500–1000Cooper Hewitt, Smithsonian Design Museum
  10. Vessel500–1000Cooper Hewitt, Smithsonian Design Museum
  11. Shiva as Lord of Dance (Nataraja)ca. late 11th centuryMetropolitan Museum of Art, New York, NY
  12. Leaf from a Greek Psalter and New Testament1084Cleveland Museum of Art
  13. Jaharis Byzantine Lectionaryca. 1100Metropolitan Museum of Art, New York, NY
  14. Buddha Shakyamuni12th centuryMetropolitan Museum of Art, New York, NY
  15. Textile1100–1400Cooper Hewitt, Smithsonian Design Museum
  16. Textile1100–1500Cooper Hewitt, Smithsonian Design Museum
  17. Spindle1100–1400Cooper Hewitt, Smithsonian Design Museum
  18. Lotus-shaped cupca. 1100 BCCooper Hewitt, Smithsonian Design Museum
  19. Medallion with Christ from an Icon Frameca. 1100Metropolitan Museum of Art, New York, NY
  20. Medallion with Saint Peter from an Icon Frameca. 1100Metropolitan Museum of Art, New York, NY
  21. Medallion with Saint Matthew from an Icon Frameca. 1100Metropolitan Museum of Art, New York, NY
  22. Medallion with Saint George from an Icon Frameca. 1100Metropolitan Museum of Art, New York, NY
  23. Page from a Qur'an, Sura al-Nisa 4, Verses 157–581100sCleveland Museum of Art
  24. Double-Sided Leaf from a Qur'an1100sCleveland Museum of Art
  25. Page from a Qur'an, Sura al-Nisa 4, verses 159–601100sCleveland Museum of Art
  26. Bowl with two boys and lotusesearly 12th centuryMetropolitan Museum of Art, New York, NY
  27. Wine Ewer with Incised Bamboo Shoot Design1100sCleveland Museum of Art
  28. Pitcher1100sCleveland Museum of Art
  29. Vase in the Form of a Melon1100sCleveland Museum of Art
  30. Floral-shaped Cup with Incised Chrysanthemum Design1100s–1200sCleveland Museum of Art
  31. Architectural Sculpture: Face of Time (Kala-mukha)1100s–1300sCleveland Museum of Art
  32. Plaque with the Journey to Emmaus and Noli Me Tangereca. 1115–20Metropolitan Museum of Art, New York, NY
  33. Folio from a Qur'an Manuscriptdated 531 AH/1137 CEMetropolitan Museum of Art, New York, NY
  34. Maebyeong (plum bottle) decorated with cranes and cloudssecond half 12th centuryMetropolitan Museum of Art, New York, NY
  35. Folio from a Qur'an Manuscriptca. 1180Metropolitan Museum of Art, New York, NY
  36. Leaf from a Beatus Manuscript: at the Clarion of the Fifth Angel's Trumpet, a Star Falls from the Sky; the Bottomless Pit is Opened with a Key; Emerging from the Smoke, Locusts Come Upon the Earth and Torment the Deathlessca. 1180Metropolitan Museum of Art, New York, NY
  37. Illuminated Psalterlate 1100sMetropolitan Museum of Art, New York, NY
  38. Leaf from a Beatus Manuscript: the Lamb at the Foot of the Cross, Flanked by Two Angels; The Calling of Saint John with the Enthroned Christ flanked by Angels and a Man Holding a Bookca. 1180Metropolitan Museum of Art, New York, NY
  39. Capital with the Presentation of Christ in the Temple (from Saint-Guilhem Cloister)late 12th–early 13th centuryMetropolitan Museum of Art, New York, NY
  40. Relief with the Annunciationca. 1180–1200Metropolitan Museum of Art, New York, NY
  41. Lionafter 1200Metropolitan Museum of Art, New York, NY
  42. Manuscript Leaf from a Royal Psalter13th centuryMetropolitan Museum of Art, New York, NY
  43. Textile1200–1500Cooper Hewitt, Smithsonian Design Museum
  44. Textile1200–1500Cooper Hewitt, Smithsonian Design Museum
  45. Textile1200–1500Cooper Hewitt, Smithsonian Design Museum
  46. Textile1200–1500Cooper Hewitt, Smithsonian Design Museum
  47. Weight800–1200Cooper Hewitt, Smithsonian Design Museum
  48. Bottle vase13th centuryMetropolitan Museum of Art, New York, NY
  49. Wine Ewer with Chrysanthemums and Lotus Flowersfirst half of the 13th centuryMetropolitan Museum of Art, New York, NY
  50. Cup with handle13th centuryMetropolitan Museum of Art, New York, NY
  51. Bottle with Chrysanthemum Design1200s-1300sCleveland Museum of Art
  52. Celadon Bowl1200sCleveland Museum of Art
  53. A Guardian of Shiva1200sCleveland Museum of Art
  54. Carved Tubec. 1200–1519Cleveland Museum of Art
  55. Cameo with Hercules and the Nemean Lion within a Garlandca. 1220–40Metropolitan Museum of Art, New York, NY
  56. Manuscript Leaf with the Crucifixion, from a Missalca. 1270–80Metropolitan Museum of Art, New York, NY
  57. Maebyeong (plum bottle) decorated with cranes and cloudslate 13th centuryMetropolitan Museum of Art, New York, NY
  58. Shrine of the Virginca. 1300Metropolitan Museum of Art, New York, NY
  59. Portrait Study of Seigen1300sCleveland Museum of Art
  60. Textileca. 1300Cooper Hewitt, Smithsonian Design Museum
  61. Textileca. 1300Cooper Hewitt, Smithsonian Design Museum
  62. Vessel1300–1400Cooper Hewitt, Smithsonian Design Museum
  63. Portable Icon with the Virgin Eleousaearly 1300sMetropolitan Museum of Art, New York, NY
  64. Vase with Inlaid Lotus, Plum, and Bamboo Design1300sCleveland Museum of Art
  65. Bowl with Inlaid Waterfowl, Willow, and Reed Design1300sCleveland Museum of Art
  66. Ocarina1300–1500Metropolitan Museum of Art, New York, NY
  67. Box with Romance Scenesca. 1310–30Metropolitan Museum of Art, New York, NY
  68. Leaf Excised from an Antiphonary: Initial Q with Saints Peter and Paulc. 1325Cleveland Museum of Art
  69. The Cloisters Apocalypseca. 1330Metropolitan Museum of Art, New York, NY
  70. The Annunciation1380sCleveland Museum of Art
  71. The Agony in the Gardenca. 1390Metropolitan Museum of Art, New York, NY
  72. Adoration of the Magi from Seven Scenes from the Life of Christca. 1390Metropolitan Museum of Art, New York, NY
  73. Diptych with the Passion of Christ (right wing): Crowning with Thorns and Agony on the Garden c. 1400Cleveland Museum of Art
  74. Fork15th centuryMetropolitan Museum of Art, New York, NY
  75. Wine Cask with Stamped Floral Decoration1400sCleveland Museum of Art
  76. Textile1400–1600Cooper Hewitt, Smithsonian Design Museum
  77. Crib of the Infant Jesus15th centuryMetropolitan Museum of Art, New York, NY
  78. ["A warning to usurers" - man showing open book to usurers seated around table. 15th Century?][15th century?]Library of Congress
  79. Manuscript Leaf with Initial A, from a Gradualsecond quarter 15th centuryMetropolitan Museum of Art, New York, NY
  80. Pietàc. 1460Cleveland Museum of Art
  81. Bifolio from a Book of Hours: Initial V with Floral Border (recto); Text (verso)c. 1460–1500Cleveland Museum of Art
  82. [Printed vellum page from the first book printed in small type. 1459]1459.Library of Congress
  83. Bifolio from a Book of Hours: Initial V with Floral Border (recto)c. 1460–1500Cleveland Museum of Art
  84. A Bridal Couplec. 1470Cleveland Museum of Art
  85. Crucified Christc. 1480–1500Cleveland Museum of Art
  86. [Woodcuts used to illus. Fables from incunabula...1966: the fox and the crane, ca. 1479 - item 57]ca. 1479.Library of Congress
  87. Candelabrum as part of a decoration1480–1500Cooper Hewitt, Smithsonian Design Museum
  88. Candelabrum as part of decorationca. 1480–1500Cooper Hewitt, Smithsonian Design Museum
  89. Altar Frontal: Scenes from the Childhood of Christc. 1500Cleveland Museum of Art
  90. In disem teütschen kalender vindet man gar hübsch nach einander die zwelff zeychen unnd die siben planeten, wie yegklicher regieren sol. Dar nach vindet man die guldin zal und wie man den sunteglichen buchstaben suchen soll und zu welicher adern man lassen soll1495Stiftung der Werke von C.G.Jung, Zürich
  91. Princess with Wine Bottle and Cup (recto)c. 1550–1600Cleveland Museum of Art
  92. Textileca. 1500Cooper Hewitt, Smithsonian Design Museum
  93. Dishca. 1500Cooper Hewitt, Smithsonian Design Museum
  94. Adoration of the Magi1500–50Cooper Hewitt, Smithsonian Design Museum
  95. Qur'an Manuscript Folio (Recto); Illuminated Page1500sCleveland Museum of Art
  96. Christ Is Born as Man's Redeemer (Episode from the Story of the Redemption of Man)1500–1520Metropolitan Museum of Art, New York, NY
  97. Panel with the Crucifixion of Christearly 16th centuryMetropolitan Museum of Art, New York, NY
  98. Leaf from a Book of Hours: Calendar Page for May (recto) and Calendar Page for June (verso) (2 of 3 Excised Leaves)c. 1510Cleveland Museum of Art
  99. [Incunabula illustrations, 1505]1505.Library of Congress
  100. [Incunabula illustrations, 1505]1505.Library of Congress
  101. [Incunabula illustrations, 1505]1505.Library of Congress
  102. [Incunabula illustrations, 1505]1505.Library of Congress
  103. Design for a Steeple1508Cooper Hewitt, Smithsonian Design Museum
  104. Entombment of Christca. 1515Metropolitan Museum of Art, New York, NY
  105. The Annunciation1516.Library of Congress
  106. [Incunabula illus. of woman (St. Bridget) in prayer]1517.Library of Congress
  107. Leaf from a Psalter and Prayerbook: Initial E with Ornamental Border Containing a Seated Satyr and a Bird Eating Grapes (recto) and Ornamental Border with Flowers and Squirrel (verso) (2 of 3 Excised Leaves)c. 1524Cleveland Museum of Art
  108. Leaf from a Psalter and Prayerbook: Ornamental Border with Pea Vines and a Girl Kneading Bread (recto) and Ornamental Boarder with Carnations, a Thistle, and a Cook Ladling Soup (verso) (1 of 3 Excised Leaves)c. 1524Cleveland Museum of Art
  109. Leaf from a Psalter and Prayerbook: Calendar Page with Labors (recto)c. 1524Cleveland Museum of Art
  110. Design for a Candelabrum1520–50Cooper Hewitt, Smithsonian Design Museum
  111. Design for a Pitcher1520–50Cooper Hewitt, Smithsonian Design Museum
  112. Finialca. 1525Cooper Hewitt, Smithsonian Design Museum
  113. Elevation of a Saltcellar1530–60Cooper Hewitt, Smithsonian Design Museum
  114. Designs for Composite Capitals and Bases1530–1540Cooper Hewitt, Smithsonian Design Museum
  115. Fragmentary Loom Width with Wavy-Vine Patternca. 1565–80Metropolitan Museum of Art, New York, NY
  116. Design for a ewerca. 1540Cooper Hewitt, Smithsonian Design Museum
  117. Buffe (etched with bands of trophies)c. 1550–1600Cleveland Museum of Art
  118. Abrahams offering1549Amsterdam Museum
  119. Nushirwan Listens to the Owls (recto): Illustration and Text, Persian Verses, from a Manuscript of the Khamsa of Nizami, Makhzan al-Asrar [Treasure of Secrets]1555–65Cleveland Museum of Art
  120. Page of a drawing book1550–1575Cooper Hewitt, Smithsonian Design Museum
  121. Skeletonca. 1550Cooper Hewitt, Smithsonian Design Museum
  122. Project for a Frieze1550–1600Cooper Hewitt, Smithsonian Design Museum
  123. Rosarium philosophorum. Secunda pars alchimiae de lapide philosophico vero modo praeparando, continens exactam eius scientiae progressionem. Cum figuris rei perfectionem ostendentibus1550Stiftung der Werke von C.G.Jung, Zürich
  124. Rosarium philosophorum, page [7]1550Stiftung der Werke von C.G.Jung, Zürich
  125. Rosarium philosophorum, page [14]1550Stiftung der Werke von C.G.Jung, Zürich
  126. Rosarium philosophorum, page [23]1550Stiftung der Werke von C.G.Jung, Zürich
  127. Rosarium philosophorum, page [31]1550Stiftung der Werke von C.G.Jung, Zürich
  128. Rosarium philosophorum, page [40]1550Stiftung der Werke von C.G.Jung, Zürich
  129. Rosarium philosophorum, page [50]1550Stiftung der Werke von C.G.Jung, Zürich
  130. Rosarium philosophorum, page [59]1550Stiftung der Werke von C.G.Jung, Zürich
  131. Rosarium philosophorum, page [68]1550Stiftung der Werke von C.G.Jung, Zürich
  132. Rosarium philosophorum, page [81]1550Stiftung der Werke von C.G.Jung, Zürich
  133. Rosarium philosophorum, page [89]1550Stiftung der Werke von C.G.Jung, Zürich
  134. Rosarium philosophorum, page [99]1550Stiftung der Werke von C.G.Jung, Zürich
  135. Rosarium philosophorum, page [101]1550Stiftung der Werke von C.G.Jung, Zürich
  136. Rosarium philosophorum, page [106]1550Stiftung der Werke von C.G.Jung, Zürich
  137. Rosarium philosophorum, page [112]1550Stiftung der Werke von C.G.Jung, Zürich
  138. Rosarium philosophorum, page [124]1550Stiftung der Werke von C.G.Jung, Zürich
  139. Rosarium philosophorum, page [133]1550Stiftung der Werke von C.G.Jung, Zürich
  140. Rosarium philosophorum, page [138]1550Stiftung der Werke von C.G.Jung, Zürich
  141. Rosarium philosophorum, page [151]1550Stiftung der Werke von C.G.Jung, Zürich
  142. Rosarium philosophorum, page [161]1550Stiftung der Werke von C.G.Jung, Zürich
  143. Rosarium philosophorum, page [171]1550Stiftung der Werke von C.G.Jung, Zürich
  144. Rosarium philosophorum, page [178]1550Stiftung der Werke von C.G.Jung, Zürich
  145. Rosarium philosophorum, page [187]1550Stiftung der Werke von C.G.Jung, Zürich
  146. Rosarium philosophorum, page [196]1550Stiftung der Werke von C.G.Jung, Zürich
  147. De alchimia opuscula complura veterum philosophorum, quorum catalogum sequens pagella indicabit1550Stiftung der Werke von C.G.Jung, Zürich
  148. Horse Armor Probably Made for Count Antonio IV Collalto (1548–1620)ca. 1580–90 and laterMetropolitan Museum of Art, New York, NY
  149. The Parrot Addresses Khujasta at the Beginning of the Seventh Night, from a Tuti-nama (Tales of a Parrot)c. 1560Cleveland Museum of Art
  150. Pair of Gauntletsca. 1585Metropolitan Museum of Art, New York, NY
  151. Philonis Judaei ... operum, quotquot ad hunc diem haberi potuerunt, tomus prior[-alter] / Tomus prior.1561Stiftung der Werke von C.G.Jung, Zürich
  152. Philonis Judaei ... operum, quotquot ad hunc diem haberi potuerunt, tomus prior[-alter] / Tomus alter.1561Stiftung der Werke von C.G.Jung, Zürich
  153. Design for a Tabernacleca. 1570Cooper Hewitt, Smithsonian Design Museum
  154. A Cantharusca. 1575Cooper Hewitt, Smithsonian Design Museum
  155. Elevation of a Gatewayca. 1575Cooper Hewitt, Smithsonian Design Museum
  156. Design for a Door Frameca. 1575Cooper Hewitt, Smithsonian Design Museum
  157. Persian Couplets (recto), Calligraphy, Persian Verses; Single Page Manuscriptlate 1500s–early 1600sCleveland Museum of Art
  158. Powder Flaskc. 1580Cleveland Museum of Art
  159. Design for the Stucco Decoration of a Ceiling1578–1600Cooper Hewitt, Smithsonian Design Museum
  160. CRADLEca. 1580Cooper Hewitt, Smithsonian Design Museum
  161. Design for a Sculptured Coat of Arms; Verso: Sketches of Architectural Designs1580–1600Cooper Hewitt, Smithsonian Design Museum
  162. Stage Design: Architectural Perspectiveca. 1580Cooper Hewitt, Smithsonian Design Museum
  163. Lovers parting, page from a book of fablesc. 1590–95Cleveland Museum of Art
  164. Calligraphy: Preface to the Anvar-i Suhailic. 1590Cleveland Museum of Art
  165. Erster [- zehender] Theil der Bücher und Schrifften des edlen, hochgelehrten und bewehrten philosophi und medici Philippi Theophrasti Bombast von Hohenheim ... / [Erster bis sechster Theil.]1589Stiftung der Werke von C.G.Jung, Zürich
  166. Erster [- zehender] Theil der Bücher und Schrifften des edlen, hochgelehrten und bewehrten philosophi und medici Philippi Theophrasti Bombast von Hohenheim ... / [Siebender bis zehender Theil.]1589Stiftung der Werke von C.G.Jung, Zürich
  167. Page of a drawing book; Elderly man in classical attireca. 1590Cooper Hewitt, Smithsonian Design Museum
  168. Projects for Decorations of Panelsca. 1590Cooper Hewitt, Smithsonian Design Museum
  169. An Escutcheonca. 1590Cooper Hewitt, Smithsonian Design Museum
  170. Drawing: A) Rhea and the infant Jupiter. B) St. Francis of Assisi1590–1620Cooper Hewitt, Smithsonian Design Museum
  171. Drawing: A) Personification of charity, B) A terrified woman1590–1620Cooper Hewitt, Smithsonian Design Museum
  172. Artis auriferae quam chemiam vocant, volumen primum [- secundum]1593Stiftung der Werke von C.G.Jung, Zürich
  173. Hercules and the Nemean Lionearly 17th centuryMetropolitan Museum of Art, New York, NY
  174. Hat17th centuryMetropolitan Museum of Art, New York, NY
  175. Album of Illustrations for the Tale of Genji1600sCleveland Museum of Art
  176. Rack of Clouds from Album of Illustrations for the Tale of Genji1600sCleveland Museum of Art
  177. Gatehouse from Album of Illustrations for the Tale of Genji1600sCleveland Museum of Art
  178. Butterflies from Album of Illustrations for the Tale of Genji1600sCleveland Museum of Art
  179. Morning Glory from Album of Illustrations for the Tale of Genji1600sCleveland Museum of Art
  180. Wild Carnation from Album of Illustrations for the Tale of Genji1600sCleveland Museum of Art
  181. Shell of the Locust from Album of Illustrations for the Tale of Genji1600sCleveland Museum of Art
  182. Autumn Excursion from Album of Illustrations for the Tale of Genji1600sCleveland Museum of Art
  183. Branch of Plum from Album of Illustrations for the Tale of Genji1600sCleveland Museum of Art
  184. Tileca. 1600Cooper Hewitt, Smithsonian Design Museum
  185. Drawing project: the elevation of a chest1600–1650Cooper Hewitt, Smithsonian Design Museum
  186. Figure Crowned by Angel with Putti1600–1800Cooper Hewitt, Smithsonian Design Museum
  187. The Risen Christ1600–1900Cooper Hewitt, Smithsonian Design Museum
  188. Frieze with Playing Children1600–1625Cooper Hewitt, Smithsonian Design Museum
  189. A Grotesque Beastca. 1600Cooper Hewitt, Smithsonian Design Museum
  190. Frieze with Hunting Children1600–1625Cooper Hewitt, Smithsonian Design Museum
  191. Design for a Frieze1600–1625Cooper Hewitt, Smithsonian Design Museum
  192. Frieze with Dancing Children1600–1625Cooper Hewitt, Smithsonian Design Museum
  193. Study: Saint Mary Magdalene1600–1650Cooper Hewitt, Smithsonian Design Museum
  194. Grotesque Design1600–1625Cooper Hewitt, Smithsonian Design Museum
  195. Landscape1600–1625Cooper Hewitt, Smithsonian Design Museum
  196. Design for a Frieze1600–1625Cooper Hewitt, Smithsonian Design Museum
  197. Design for a Frieze1600–1625Cooper Hewitt, Smithsonian Design Museum
  198. Design for a Frieze1600–1625Cooper Hewitt, Smithsonian Design Museum
  199. Design for a Frieze1600–1625Cooper Hewitt, Smithsonian Design Museum
  200. Drawing1600–1625Cooper Hewitt, Smithsonian Design Museum
  201. Design for Garden Architecture with Colonna Arms1600–1750Cooper Hewitt, Smithsonian Design Museum
  202. Details of Decorative Architecture1600–1625Cooper Hewitt, Smithsonian Design Museum
  203. Miniature tabard1600–1700Metropolitan Museum of Art, New York, NY
  204. Textile fragment1600–1799Metropolitan Museum of Art, New York, NY
  205. Textile fragment1600–1799Metropolitan Museum of Art, New York, NY
  206. Dagger (Katar) and Sheath17th centuryMetropolitan Museum of Art, New York, NY
  207. The Adoration of the Magi, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier1602–4Cleveland Museum of Art
  208. Theatrum chemicum, praecipuos selectorum auctorum tractatus de chemiae et lapidis philosophici antiquitate, veritate, iure, praestantia, & operationibus, continens: in gratiam verae chemiae, et medicinae chemicae studiosorum ... congestum, et in tres partes seu volumina digestum; singulis voluminibus, suo auctorum et librorum catalogo primis pagellis: rerum vero & verborum indice postremis annexo. Volumen primum [- tertium] / Volumen primum.1602Stiftung der Werke von C.G.Jung, Zürich
  209. Theatrum chemicum, praecipuos selectorum auctorum tractatus de chemiae et lapidis philosophici antiquitate, veritate, iure, praestantia, & operationibus, continens: in gratiam verae chemiae, et medicinae chemicae studiosorum ... congestum, et in tres partes seu volumina digestum; singulis voluminibus, suo auctorum et librorum catalogo primis pagellis: rerum vero & verborum indice postremis annexo. Volumen primum [- tertium] / Volumen secundum.1602Stiftung der Werke von C.G.Jung, Zürich
  210. Theatrum chemicum, praecipuos selectorum auctorum tractatus de chemiae et lapidis philosophici antiquitate, veritate, iure, praestantia, & operationibus, continens: in gratiam verae chemiae, et medicinae chemicae studiosorum ... congestum, et in tres partes seu volumina digestum; singulis voluminibus, suo auctorum et librorum catalogo primis pagellis: rerum vero & verborum indice postremis annexo. Volumen primum [- tertium] / Volumen tertium.1602Stiftung der Werke von C.G.Jung, Zürich
  211. Missale Constantiense ad Romani formam & normam revocatum, atque a ... Clemente VIII. approbatum ... Ioan. Georgii, episcopi Constantiensis, & domini Augiae Maioris, &c. auctoritate & iussu editum1603Stiftung der Werke von C.G.Jung, Zürich
  212. Dagger with Scabbard1605–27Metropolitan Museum of Art, New York, NY
  213. Gemma gemmarum alchimistarum oder Erleuterung der parabolischen und philosophischen Schrifften Fratris Basilii, der zwölff Schlüssel von dem Stein der uhralten Weisen und desselben aussdrücklichen unnd warhafften Praeparation ... : item Ausslegung Rythmorum Basilii von der Materia des Steins der Philosophen ... / Gemma gemmarum alchimistarum oder Erleuterung der parabolischen und philosophischen Schrifften Fratris Basilii.1608Stiftung der Werke von C.G.Jung, Zürich
  214. Gemma gemmarum alchimistarum oder Erleuterung der parabolischen und philosophischen Schrifften Fratris Basilii, der zwölff Schlüssel von dem Stein der uhralten Weisen und desselben aussdrücklichen unnd warhafften Praeparation ... : item Ausslegung Rythmorum Basilii von der Materia des Steins der Philosophen ... / Gründliche Ausslegung und warhafftige Erklerung der rythmorum Fratris Basilii Valentini Monachi.1608Stiftung der Werke von C.G.Jung, Zürich
  215. Project for a Wall Paintingca. 1610Cooper Hewitt, Smithsonian Design Museum
  216. Project for a Frieze1610–1630Cooper Hewitt, Smithsonian Design Museum
  217. Theatrum chemicum, praecipuos selectorum auctorum tractatus de chemiae et lapidis philosophici antiquitate, veritate, iure, praestantia, & operationibus, continens: in gratiam verae chemiae, et medicinae chemicae studiosorum ... congestum, et in quatuor partes seu volumina digestum; singulis voluminibus, suo auctorum et librorum catalogo primis pagellis: rerum vero & verborum indice postremis annexo. Volumen primum [- quartum] / Volumen quartum.1613Stiftung der Werke von C.G.Jung, Zürich
  218. Theatrum chemicum, praecipuos selectorum auctorum tractatus de chemiae et lapidis philosophici antiquitate, veritate, iure, praestantia, & operationibus, continens: in gratiam verae chemiae, et medicinae chemicae studiosorum ... congestum, et in quatuor partes seu volumina digestum; singulis voluminibus, suo auctorum et librorum catalogo primis pagellis: rerum vero & verborum indice postremis annexo. Volumen primum [- quartum] / Volumen quintum.1613Stiftung der Werke von C.G.Jung, Zürich
  219. Textile1614–1868Cooper Hewitt, Smithsonian Design Museum
  220. Mourning Virgin from a Crucifixion Groupabout 1620/40Cleveland Museum of Art
  221. Inkstand1625–50Cooper Hewitt, Smithsonian Design Museum
  222. Corner View of Composite Capital1625–1650Cooper Hewitt, Smithsonian Design Museum
  223. A Man with Tongs1625–1650Cooper Hewitt, Smithsonian Design Museum
  224. Design for a Book Illustration1625–1650Cooper Hewitt, Smithsonian Design Museum
  225. Molding and Ornamentation1625–50Cooper Hewitt, Smithsonian Design Museum
  226. A Civic Guardsman Holding a Berkemeier, known as 'The Merry Drinker'c. 1628 - c. 1630Rijksmuseum
  227. Project for the Coat of Arms of a Prelateca. 1630Cooper Hewitt, Smithsonian Design Museum
  228. Design for a Wall Painting1630-1670Cooper Hewitt, Smithsonian Design Museum
  229. Book with embroidered cover1635Cooper Hewitt, Smithsonian Design Museum
  230. Figural Studies1635–1650Cooper Hewitt, Smithsonian Design Museum
  231. Schets van een man1636 - 1679Rijksmuseum
  232. Book with embroidered cover1639Cooper Hewitt, Smithsonian Design Museum
  233. Purse1640–1700Cooper Hewitt, Smithsonian Design Museum
  234. Mountca. 1640Cooper Hewitt, Smithsonian Design Museum
  235. Sancti Dionysii Areopagitae operum omnium quae extant, et commentariorum quibus illustrantur, tomus primus, in quo universus sancti textus, et Georgii Pachymerae paraphrasis Graece et Latine, cum adnotationibus Balt. Corderii... continentur, omnia studio ... eiusdem Balthasaris Corderii ... tomus II, in quo S. Maximi scholia, Pachymerae paraphrasis in epistolas, et authores varii qui aut vitam S. Dionysii descripserunt, aut dignitatem ipsius areopagiticam asseruerunt, continentur, opera ... Petri Lansselii et Balthasaris Corderii : accessit nunc primum Areopagitae defensio adversus haereticum calvinistam, per... D. Ioannem de Chaumont / Tomus primus.1644Stiftung der Werke von C.G.Jung, Zürich
  236. Sancti Dionysii Areopagitae operum omnium quae extant, et commentariorum quibus illustrantur, tomus primus, in quo universus sancti textus, et Georgii Pachymerae paraphrasis Graece et Latine, cum adnotationibus Balt. Corderii... continentur, omnia studio ... eiusdem Balthasaris Corderii ... tomus II, in quo S. Maximi scholia, Pachymerae paraphrasis in epistolas, et authores varii qui aut vitam S. Dionysii descripserunt, aut dignitatem ipsius areopagiticam asseruerunt, continentur, opera ... Petri Lansselii et Balthasaris Corderii : accessit nunc primum Areopagitae defensio adversus haereticum calvinistam, per... D. Ioannem de Chaumont / Tomus II.1644Stiftung der Werke von C.G.Jung, Zürich
  237. Self Portrait?1648 - 1649Rijksmuseum
  238. De kleine brug1650 - 1655Rijksmuseum
  239. Elevation of a Fountain1650–1700Cooper Hewitt, Smithsonian Design Museum
  240. Drawing: Sketch of a woman walking and carrying a basket1650–1700Cooper Hewitt, Smithsonian Design Museum
  241. Drawing1650 - 1700Cooper Hewitt, Smithsonian Design Museum
  242. Decoration detail of a coach1650–75Cooper Hewitt, Smithsonian Design Museum
  243. Wall painting with alternate suggestions1650–75Cooper Hewitt, Smithsonian Design Museum
  244. Picture inventory with 5 table pieces1650Cooper Hewitt, Smithsonian Design Museum
  245. Drawing1650–75Cooper Hewitt, Smithsonian Design Museum
  246. Decoration of a lateral panel of a coach1650–75Cooper Hewitt, Smithsonian Design Museum
  247. Decoration of a coach panel1650–75Cooper Hewitt, Smithsonian Design Museum
  248. Diana1650-1700Cooper Hewitt, Smithsonian Design Museum
  249. Altar with Cr che1650–1700Cooper Hewitt, Smithsonian Design Museum
  250. Three Trophies1650–1700Cooper Hewitt, Smithsonian Design Museum
  251. Sketches of a Villa and Tree1650–1700Cooper Hewitt, Smithsonian Design Museum
  252. Escutcheonca. 1650Cooper Hewitt, Smithsonian Design Museum
  253. Fork with Amber and Bone Figural Handleca. 1650Cooper Hewitt, Smithsonian Design Museum
  254. Stumpwork Panel: Story of David and Bathsheba1658Cleveland Museum of Art
  255. Theatrum chemicum, praecipuos selectorum auctorum tractatus de chemiae et lapidis philosophici antiquitate, veritate, iure, praestantia, & operationibus, continens: in gratiam verae chemiae, et medicinae chemicae studiosorum ... congestum, et in sex partes seu volumina digestum; singulis voluminibus, suo auctorum et librorum catalogo primis pagellis: rerum vero & verborum indice postremis annexo. Volumen primum [- sextum] / Volumen primum.1659Stiftung der Werke von C.G.Jung, Zürich
  256. Theatrum chemicum, praecipuos selectorum auctorum tractatus de chemiae et lapidis philosophici antiquitate, veritate, iure, praestantia, & operationibus, continens: in gratiam verae chemiae, et medicinae chemicae studiosorum ... congestum, et in sex partes seu volumina digestum; singulis voluminibus, suo auctorum et librorum catalogo primis pagellis: rerum vero & verborum indice postremis annexo. Volumen primum [- sextum] / Volumen secundum.1659Stiftung der Werke von C.G.Jung, Zürich
  257. Theatrum chemicum, praecipuos selectorum auctorum tractatus de chemiae et lapidis philosophici antiquitate, veritate, iure, praestantia, & operationibus, continens: in gratiam verae chemiae, et medicinae chemicae studiosorum ... congestum, et in sex partes seu volumina digestum; singulis voluminibus, suo auctorum et librorum catalogo primis pagellis: rerum vero & verborum indice postremis annexo. Volumen primum [- sextum] / Volumen tertium.1659Stiftung der Werke von C.G.Jung, Zürich
  258. Theatrum chemicum, praecipuos selectorum auctorum tractatus de chemiae et lapidis philosophici antiquitate, veritate, iure, praestantia, & operationibus, continens: in gratiam verae chemiae, et medicinae chemicae studiosorum ... congestum, et in sex partes seu volumina digestum; singulis voluminibus, suo auctorum et librorum catalogo primis pagellis: rerum vero & verborum indice postremis annexo. Volumen primum [- sextum] / Volumen quartum.1659Stiftung der Werke von C.G.Jung, Zürich
  259. Theatrum chemicum, praecipuos selectorum auctorum tractatus de chemiae et lapidis philosophici antiquitate, veritate, iure, praestantia, & operationibus, continens: in gratiam verae chemiae, et medicinae chemicae studiosorum ... congestum, et in sex partes seu volumina digestum; singulis voluminibus, suo auctorum et librorum catalogo primis pagellis: rerum vero & verborum indice postremis annexo. Volumen primum [- sextum] / Volumen sextum.1659Stiftung der Werke von C.G.Jung, Zürich
  260. Support for the Making of a Woman's Needle Lace Collarca. 1660Cooper Hewitt, Smithsonian Design Museum
  261. Design for the Making of a Man's Needle Lace Collarca. 1660Cooper Hewitt, Smithsonian Design Museum
  262. Vase1660–1720Cooper Hewitt, Smithsonian Design Museum
  263. Large Bowl (Hachi) with Flower Medallionsca. 1660s–80sMetropolitan Museum of Art, New York, NY
  264. Beaker1662–1722Cooper Hewitt, Smithsonian Design Museum
  265. Vase1662–1722Cooper Hewitt, Smithsonian Design Museum
  266. Beaker1662–1722Cooper Hewitt, Smithsonian Design Museum
  267. Pair of bowls1662–1722Cooper Hewitt, Smithsonian Design Museum
  268. Reconditorium ac reclusorium opulentiae sapientiaeque numinis mundi magni, cui deditur in titulum chymica vannus, obtenta quidem & erecta auspice mortale coepto ...1666Stiftung der Werke von C.G.Jung, Zürich
  269. Dish with Cherry Blossoms and Textile Curtainsca. 1670–90Metropolitan Museum of Art, New York, NY
  270. Covered jarca. 1675–1700Metropolitan Museum of Art, New York, NY
  271. Decorations by Lebrun and Mignard at the Palace of Versaillesca. 1672Cooper Hewitt, Smithsonian Design Museum
  272. One of a set of twelve projects for the decoration of a wall to be placed at a height. Preceded by a title page1675-1699Cooper Hewitt, Smithsonian Design Museum
  273. One of a set of projects for a title page and decoration of 15 horizontal panels1675-1699Cooper Hewitt, Smithsonian Design Museum
  274. One of a set of designs for a title page and decoration of a horizontal panel1675–1700Cooper Hewitt, Smithsonian Design Museum
  275. Sidewall1675–99Cooper Hewitt, Smithsonian Design Museum
  276. Jarca. 1675–1700Cooper Hewitt, Smithsonian Design Museum
  277. Stage Design: Side Wing for Garden Architectureca. 1675 - 1690Cooper Hewitt, Smithsonian Design Museum
  278. Architectural Ornaments:1675–1700Cooper Hewitt, Smithsonian Design Museum
  279. Musaeum hermeticum reformatum et amplificatum, omnes sopho-spagyricae artis discipulos fidelissime erudiens, quo pacto summa illa veraque lapidis philosophici medicina, qua res omnes qualemcunque defectum patientes, instaurantur, inveniri & haberi queat : continens tractatus chimicos XXI. Praestantissimos, quorum nomina & seriem versa pagella indicabit; in gratiam filiorum doctrinae, quibus Germanicum idioma ignotum est, Latina lingua ornatum / Aureus tractatus de philosophorum lapide1677Stiftung der Werke von C.G.Jung, Zürich, online
  280. Musaeum hermeticum reformatum et amplificatum, omnes sopho-spagyricae artis discipulos fidelissime erudiens, quo pacto summa illa veraque lapidis philosophici medicina, qua res omnes qualemcunque defectum patientes, instaurantur, inveniri & haberi queat : continens tractatus chimicos XXI. Praestantissimos, quorum nomina & seriem versa pagella indicabit; in gratiam filiorum doctrinae, quibus Germanicum idioma ignotum est, Latina lingua ornatum / Hydrolithus sophicus seu aquarium sapientum, hoc est opusculum chymicum, in quo via monstratur, materia nominatur, & processus describitur, quomodo videlicet ad universalem tincturam perveniendum, hactenus nondum visum ...1677Stiftung der Werke von C.G.Jung, Zürich, online
  281. Musaeum hermeticum reformatum et amplificatum, omnes sopho-spagyricae artis discipulos fidelissime erudiens, quo pacto summa illa veraque lapidis philosophici medicina, qua res omnes qualemcunque defectum patientes, instaurantur, inveniri & haberi queat : continens tractatus chimicos XXI. Praestantissimos, quorum nomina & seriem versa pagella indicabit; in gratiam filiorum doctrinae, quibus Germanicum idioma ignotum est, Latina lingua ornatum / Via veritatis unicae, hoc est: elegans, perutile et praestans opusculum viam veritatis aperiens1677Stiftung der Werke von C.G.Jung, Zürich, online
  282. Musaeum hermeticum reformatum et amplificatum, omnes sopho-spagyricae artis discipulos fidelissime erudiens, quo pacto summa illa veraque lapidis philosophici medicina, qua res omnes qualemcunque defectum patientes, instaurantur, inveniri & haberi queat : continens tractatus chimicos XXI. Praestantissimos, quorum nomina & seriem versa pagella indicabit; in gratiam filiorum doctrinae, quibus Germanicum idioma ignotum est, Latina lingua ornatum / Gloria mundi, alias, paradysi tabula, hoc est: vera priscae scientiae descriptio, quam Adam ab ipso deo didicit: Noe, Abraham et Salomo, tamquam summorum divinorum donorum unum, usurparunt, omneis sapientes, omnibus temporibus, pro totius mundi thesauro habuerunt, & solis piis post sese reliquerunt, nimirum de lapide philosophicorum1677Stiftung der Werke von C.G.Jung, Zürich, online
  283. Musaeum hermeticum reformatum et amplificatum, omnes sopho-spagyricae artis discipulos fidelissime erudiens, quo pacto summa illa veraque lapidis philosophici medicina, qua res omnes qualemcunque defectum patientes, instaurantur, inveniri & haberi queat : continens tractatus chimicos XXI. Praestantissimos, quorum nomina & seriem versa pagella indicabit; in gratiam filiorum doctrinae, quibus Germanicum idioma ignotum est, Latina lingua ornatum / De lapide philosophico tractatus eximius, a Germanico quodam philosopho A. C. M CCCCXXIII subsequente titulo factus et conscriptus ...1677Stiftung der Werke von C.G.Jung, Zürich, online
  284. Musaeum hermeticum reformatum et amplificatum, omnes sopho-spagyricae artis discipulos fidelissime erudiens, quo pacto summa illa veraque lapidis philosophici medicina, qua res omnes qualemcunque defectum patientes, instaurantur, inveniri & haberi queat : continens tractatus chimicos XXI. Praestantissimos, quorum nomina & seriem versa pagella indicabit; in gratiam filiorum doctrinae, quibus Germanicum idioma ignotum est, Latina lingua ornatum / De lapide philosophico per breve opusculum, quod ab ignoto aliquo Germanico philosopho, pene ante ducentos annos, conscriptum & liber alze nuncupatum fuit, nunc vero in lucem editum1677Stiftung der Werke von C.G.Jung, Zürich, online
  285. Kabbala denudata, seu, doctrina Hebraeorum transcendentalis et metaphysica atque theologica : opus antiquissimae philosophiae barbaricae variis speciminibus refertissimum ... / [Tomus primus.]1677Stiftung der Werke von C.G.Jung, Zürich
  286. Kabbala denudata, seu, doctrina Hebraeorum transcendentalis et metaphysica atque theologica : opus antiquissimae philosophiae barbaricae variis speciminibus refertissimum ... / Tomus secundus.1677Stiftung der Werke von C.G.Jung, Zürich
  287. Decorations by Lebrun and Mignard at the Palace of Versaillesca. 1678Cooper Hewitt, Smithsonian Design Museum
  288. Musaeum hermeticum reformatum et amplificatum, omnes sopho-spagyricae artis discipulos fidelissime erudiens, quo pacto summa illa veraque lapidis philosophici medicina, qua res omnes qualemcunque defectum patientes, instaurantur, inveniri & haberi queat : continens tractatus chimicos XXI. Praestantissimos, quorum nomina & seriem versa pagella indicabit; in gratiam filiorum doctrinae, quibus Germanicum idioma ignotum est, Latina lingua ornatum1678Stiftung der Werke von C.G.Jung, Zürich, online
  289. Design for a Frame1680–1720Cooper Hewitt, Smithsonian Design Museum
  290. Sidewallca. 1680Cooper Hewitt, Smithsonian Design Museum
  291. Sidewallca. 1680Cooper Hewitt, Smithsonian Design Museum
  292. Sidewallca. 1680Cooper Hewitt, Smithsonian Design Museum
  293. Sidewallca. 1680Cooper Hewitt, Smithsonian Design Museum
  294. Sidewall1680Cooper Hewitt, Smithsonian Design Museum
  295. Sidewallca. 1680Cooper Hewitt, Smithsonian Design Museum
  296. Friezeca. 1680Cooper Hewitt, Smithsonian Design Museum
  297. Keyhole escutcheonca. 1680Cooper Hewitt, Smithsonian Design Museum
  298. Knifeca. 1680–1700Cooper Hewitt, Smithsonian Design Museum
  299. Alexander Danilovich Menshikov (1673–1729)probably shortly before 1704Metropolitan Museum of Art, New York, NY
  300. Sampler1688Cooper Hewitt, Smithsonian Design Museum
  301. Sidewall1690–1700Cooper Hewitt, Smithsonian Design Museum
  302. Side Chairca. 1690Cooper Hewitt, Smithsonian Design Museum
  303. Charger1691Cooper Hewitt, Smithsonian Design Museum
  304. Partisan of the Polish Noble Guard of Friedrich August I of Saxony, who twice ruled as king of Poland (1697–1704 and 1709–1733)ca. 1720Metropolitan Museum of Art, New York, NY
  305. Designs for Reliquaries1698Cooper Hewitt, Smithsonian Design Museum
  306. Pledge glass with cover18th centuryMetropolitan Museum of Art, New York, NY
  307. Engraving18th centuryMetropolitan Museum of Art, New York, NY
  308. Engraving18th centuryMetropolitan Museum of Art, New York, NY
  309. Engraving18th centuryMetropolitan Museum of Art, New York, NY
  310. Engraving18th centuryMetropolitan Museum of Art, New York, NY
  311. Engraving18th centuryMetropolitan Museum of Art, New York, NY
  312. Book cover1700–1750Cooper Hewitt, Smithsonian Design Museum
  313. Figural Letter, Capital G from a Story of Louis XIV of Franceca. 1700Cooper Hewitt, Smithsonian Design Museum
  314. Figural Letter, Capital C from a story of Louis XIV of Franceca. 1700Cooper Hewitt, Smithsonian Design Museum
  315. Figural Letter, Capital Aca. 1700Cooper Hewitt, Smithsonian Design Museum
  316. Figural Letter, Capital E from a Story of Louis XIV of Franceca. 1700Cooper Hewitt, Smithsonian Design Museum
  317. Figural Letter, Capital A from a Story of Louis XIV of Franceca. 1700Cooper Hewitt, Smithsonian Design Museum
  318. Figural Letter, Capital B from a Story of Louis XIV of Franceca. 1700Cooper Hewitt, Smithsonian Design Museum
  319. Figural Letter, Capital N from a Story of Louis XIV of Franceca. 1700Cooper Hewitt, Smithsonian Design Museum
  320. Woodblock18th–19th centuryMetropolitan Museum of Art, New York, NY
  321. Textile1700–1750Cooper Hewitt, Smithsonian Design Museum
  322. Textile1700–1775Cooper Hewitt, Smithsonian Design Museum
  323. Textile1700–1750Cooper Hewitt, Smithsonian Design Museum
  324. Textile1700–1750Cooper Hewitt, Smithsonian Design Museum
  325. Textile1700–1750Cooper Hewitt, Smithsonian Design Museum
  326. Textile1700–1750Cooper Hewitt, Smithsonian Design Museum
  327. Textile1700–1750Cooper Hewitt, Smithsonian Design Museum
  328. Textile1700–1750Cooper Hewitt, Smithsonian Design Museum
  329. Textile1700–1750Cooper Hewitt, Smithsonian Design Museum
  330. Textile1700–1750Cooper Hewitt, Smithsonian Design Museum
  331. Textileca. 1700Cooper Hewitt, Smithsonian Design Museum
  332. Textileca. 1700Cooper Hewitt, Smithsonian Design Museum
  333. Textile1700–1750Cooper Hewitt, Smithsonian Design Museum
  334. Drawing study: Narcissus (?)1700–1750Cooper Hewitt, Smithsonian Design Museum
  335. Stage Design: Twenty Different Scenes1700–1750Cooper Hewitt, Smithsonian Design Museum
  336. Naked warrior, seen from behind1700–1750Cooper Hewitt, Smithsonian Design Museum
  337. Standing figure of the Archangel Gabrielca. 1700Cooper Hewitt, Smithsonian Design Museum
  338. Stage Design: Palace Architecture1700–1750Cooper Hewitt, Smithsonian Design Museum
  339. Project for a wall decoration (Female figures and putti support a circular medallion with coat of arms)ca. 1700Cooper Hewitt, Smithsonian Design Museum
  340. A Bowl with Flowers1700–1750Cooper Hewitt, Smithsonian Design Museum
  341. Door of a Tabernacle Intended To Be Executed In Bronze1700-1750Cooper Hewitt, Smithsonian Design Museum
  342. Architectural Sketches1700–1800Cooper Hewitt, Smithsonian Design Museum
  343. Designs for Vases and Architecture1700–1800Cooper Hewitt, Smithsonian Design Museum
  344. Drawing1700–1750Cooper Hewitt, Smithsonian Design Museum
  345. Elevation of a Censer1700–1750Cooper Hewitt, Smithsonian Design Museum
  346. Study: A man's hand holding a stick1700–1750Cooper Hewitt, Smithsonian Design Museum
  347. Design for a Ceiling1700–1750Cooper Hewitt, Smithsonian Design Museum
  348. Saint Hubert1700–1750Cooper Hewitt, Smithsonian Design Museum
  349. Sidewallca. 1700Cooper Hewitt, Smithsonian Design Museum
  350. Sidewallca. 1700Cooper Hewitt, Smithsonian Design Museum
  351. Sidewallca. 1700Cooper Hewitt, Smithsonian Design Museum
  352. Sidewallca. 1700Cooper Hewitt, Smithsonian Design Museum
  353. Sidewallca. 1700Cooper Hewitt, Smithsonian Design Museum
  354. Sidewallca. 1700Cooper Hewitt, Smithsonian Design Museum
  355. Sidewallca. 1700Cooper Hewitt, Smithsonian Design Museum
  356. Sidewallca. 1700Cooper Hewitt, Smithsonian Design Museum
  357. Sidewallca. 1700Cooper Hewitt, Smithsonian Design Museum
  358. Sidewallca. 1700Cooper Hewitt, Smithsonian Design Museum
  359. sidewallca. 1700Cooper Hewitt, Smithsonian Design Museum
  360. Sidewallca. 1700Cooper Hewitt, Smithsonian Design Museum
  361. Sidewallca. 1700Cooper Hewitt, Smithsonian Design Museum
  362. Sidewallca. 1700Cooper Hewitt, Smithsonian Design Museum
  363. Sidewallca. 1700Cooper Hewitt, Smithsonian Design Museum
  364. Sidewallca. 1700Cooper Hewitt, Smithsonian Design Museum
  365. Sidewall1700Cooper Hewitt, Smithsonian Design Museum
  366. Sidewallca. 1700Cooper Hewitt, Smithsonian Design Museum
  367. Sidewallca. 1700Cooper Hewitt, Smithsonian Design Museum
  368. Sidewallca. 1700Cooper Hewitt, Smithsonian Design Museum
  369. Sidewall1700Cooper Hewitt, Smithsonian Design Museum
  370. Sidewallca. 1700Cooper Hewitt, Smithsonian Design Museum
  371. Sidewallca. 1700Cooper Hewitt, Smithsonian Design Museum
  372. Sidewallca. 1700Cooper Hewitt, Smithsonian Design Museum
  373. Sidewallca. 1700Cooper Hewitt, Smithsonian Design Museum
  374. Sidewallca. 1700Cooper Hewitt, Smithsonian Design Museum
  375. Sidewallca. 1700Cooper Hewitt, Smithsonian Design Museum
  376. Sidewallca. 1700Cooper Hewitt, Smithsonian Design Museum
  377. Sidewallca. 1700Cooper Hewitt, Smithsonian Design Museum
  378. Sidewallca. 1700Cooper Hewitt, Smithsonian Design Museum
  379. Sidewallca. 1700Cooper Hewitt, Smithsonian Design Museum
  380. Sidewallca. 1700Cooper Hewitt, Smithsonian Design Museum
  381. Sidewallca. 1700Cooper Hewitt, Smithsonian Design Museum
  382. Plaqueca. 1700–10Cooper Hewitt, Smithsonian Design Museum
  383. Tileca. 1700–25Cooper Hewitt, Smithsonian Design Museum
  384. Balcony grilleca. 1700Cooper Hewitt, Smithsonian Design Museum
  385. Mountca. 1700Cooper Hewitt, Smithsonian Design Museum
  386. Escutcheonca. 1700Cooper Hewitt, Smithsonian Design Museum
  387. Escutcheonca. 1700Cooper Hewitt, Smithsonian Design Museum
  388. Mountca. 1700Cooper Hewitt, Smithsonian Design Museum
  389. Mountca. 1700Cooper Hewitt, Smithsonian Design Museum
  390. Design for an Altar1700–57Cooper Hewitt, Smithsonian Design Museum
  391. Project for a Decorative Pediment1700–1750Cooper Hewitt, Smithsonian Design Museum
  392. Stage Design: Palace Architecture1700–1750Cooper Hewitt, Smithsonian Design Museum
  393. Stage Design: Garden Architectureca. 1700Cooper Hewitt, Smithsonian Design Museum
  394. Stage Design: Palace Architecture with Trophiesca. 1700Cooper Hewitt, Smithsonian Design Museum
  395. Stage Design: Garden Architecture with Fountain and Sculpturesca. 1700Cooper Hewitt, Smithsonian Design Museum
  396. Design for a Setting of the Exhibition of the Hostca. 1700Cooper Hewitt, Smithsonian Design Museum
  397. Design for a Church Festival Settingca. 1700Cooper Hewitt, Smithsonian Design Museum
  398. Design for a Monument with Allegories1700Cooper Hewitt, Smithsonian Design Museum
  399. Stone sculptures in a Shiva templec. 1710Cleveland Museum of Art
  400. A Myriad of Birds1700s–1800sCleveland Museum of Art
  401. Emblem of Folly18th CenturyMetropolitan Museum of Art, New York, NY
  402. Textile fragment1700–1899Metropolitan Museum of Art, New York, NY
  403. Textile fragment1700–1899Metropolitan Museum of Art, New York, NY
  404. Project of a twisted column1701–50Cooper Hewitt, Smithsonian Design Museum
  405. Sampler1702Cooper Hewitt, Smithsonian Design Museum
  406. Sampler1702Cooper Hewitt, Smithsonian Design Museum
  407. Jo. Jacobi Mangeti ... Bibliotheca chemica curiosa, seu rerum ad alchemiam pertinentium thesaurus instructissimus: quo non tantum artis auriferae ... verum etiam tractatus omnes virorum ... ad quorum omnium illustrationem additae sunt quamplurimae figurae aeneae. Tomus primus [-secundus] / Tomus primus.1702Stiftung der Werke von C.G.Jung, Zürich
  408. Jo. Jacobi Mangeti ... Bibliotheca chemica curiosa, seu rerum ad alchemiam pertinentium thesaurus instructissimus: quo non tantum artis auriferae ... verum etiam tractatus omnes virorum ... ad quorum omnium illustrationem additae sunt quamplurimae figurae aeneae. Tomus primus [-secundus] / Tomus secundus.1702Stiftung der Werke von C.G.Jung, Zürich
  409. Drey curieuse chymische Tractätlein. Das erste betitult güldene Rose ... Das ander Brunn der Weissheit ... Das dritte Blut der Natur1706Stiftung der Werke von C.G.Jung, Zürich
  410. Der hermetische Triumph oder der siegende philosophische Stein : ein Tractat völliger und verständlicher eingerichtet als einer iemals bissher gewesen handelnde von der hermetischen Meisterschafft hiebevor in frantzösischer Sprache gedruckt zu Amsterdam bey Henrich Wetstein, Anno 1689 nunmehro gegenwärtig ins Deutsche versetzt1707Stiftung der Werke von C.G.Jung, Zürich
  411. Textileca. 1710–20Cooper Hewitt, Smithsonian Design Museum
  412. Sidewallca. 1710Cooper Hewitt, Smithsonian Design Museum
  413. Sidewallca. 1710Cooper Hewitt, Smithsonian Design Museum
  414. Sidewallca. 1710Cooper Hewitt, Smithsonian Design Museum
  415. Sidewallca. 1710Cooper Hewitt, Smithsonian Design Museum
  416. Sidewallca. 1710Cooper Hewitt, Smithsonian Design Museum
  417. Sidewallca. 1710Cooper Hewitt, Smithsonian Design Museum
  418. Escutcheonca. 1710Cooper Hewitt, Smithsonian Design Museum
  419. Mountca. 1715Cooper Hewitt, Smithsonian Design Museum
  420. Das eröffnete philosophische Vatter-Hertz an seinen Sohn, welches er, wegen hohen Alters, nicht länger wolte vor ihm verschlossen halten, sondern zeigete und erklärte demselben alle das, was zu der völligen Composition und Bereitung des Steins der Weisen vonnöthen war ...1717Stiftung der Werke von C.G.Jung, Zürich
  421. Textileca. 1720–30Cooper Hewitt, Smithsonian Design Museum
  422. Textileca. 1720Cooper Hewitt, Smithsonian Design Museum
  423. Book paper1720–60Cooper Hewitt, Smithsonian Design Museum
  424. Domino paperca. 1720Cooper Hewitt, Smithsonian Design Museum
  425. Domino paperca. 1720Cooper Hewitt, Smithsonian Design Museum
  426. Sidewallca. 1720Cooper Hewitt, Smithsonian Design Museum
  427. Sidewall1720Cooper Hewitt, Smithsonian Design Museum
  428. Sidewall1720Cooper Hewitt, Smithsonian Design Museum
  429. Candlestickca. 1720Cooper Hewitt, Smithsonian Design Museum
  430. Brisé fan1720–29Cooper Hewitt, Smithsonian Design Museum
  431. Geheime Unterredungen zwischen zweyen vertrauten Freunden, einem Theologo philosophizante und Philosopho theologizante, von Magia naturali, deren Ursprung und Principiis, wo bewiesen wird, dass dieselbe eine natürliche, nützliche und zulässige Wissenschafft sey1722Stiftung der Werke von C.G.Jung, Zürich
  432. Medicina metallorum, das ist, gründliche Wissenschafft, die geringen Metalle zu reinigen und zu verbessern, durch welche nicht allein diejenige Materie, vermittelst welcher die Natur und die Kunst des Chymici, Gold und Silber hervor bringet ... entdecket wird, sondern welche auch klärlich weiset, wie vermittelst dieser Materie ... die unschätzbare transmutatio metallorum zu Wege zu bringen sey ...1723Stiftung der Werke von C.G.Jung, Zürich
  433. Cérémonies et coutumes religieuses de tous les peuples du monde : avec une explication historique, & quelques dissertations curieuses / [Volume I.]1723Stiftung der Werke von C.G.Jung, Zürich
  434. Cérémonies et coutumes religieuses de tous les peuples du monde : avec une explication historique, & quelques dissertations curieuses / [Volume II.]1723Stiftung der Werke von C.G.Jung, Zürich
  435. Cérémonies et coutumes religieuses de tous les peuples du monde : avec une explication historique, & quelques dissertations curieuses / [Volume III.]1723Stiftung der Werke von C.G.Jung, Zürich
  436. Cérémonies et coutumes religieuses des peuples idolatres : avec une explication historique, & quelques dissertations curieuses / Tome premier.1723Stiftung der Werke von C.G.Jung, Zürich
  437. Cérémonies et coutumes religieuses des peuples idolatres : avec une explication historique, & quelques dissertations curieuses / Tome second.1723Stiftung der Werke von C.G.Jung, Zürich
  438. Fork with Silver Handle1725–1750Cooper Hewitt, Smithsonian Design Museum
  439. Sidewallca. 1725Cooper Hewitt, Smithsonian Design Museum
  440. Proscenium and Plan for a Stage1725–50Cooper Hewitt, Smithsonian Design Museum
  441. Design for a Hanging Console1725–1750Cooper Hewitt, Smithsonian Design Museum
  442. Drawing1725–1750Cooper Hewitt, Smithsonian Design Museum
  443. Fragment of a wreath with monograph of Christ1725–77Cooper Hewitt, Smithsonian Design Museum
  444. Project for an oblong stucco ceiling: gaines and garlands1725–75Cooper Hewitt, Smithsonian Design Museum
  445. Design for a Pediment1725–1750Cooper Hewitt, Smithsonian Design Museum
  446. Wall Elevation with Alcove1725–50Cooper Hewitt, Smithsonian Design Museum
  447. Design for a Maltese Cross Pendant1725–1750Cooper Hewitt, Smithsonian Design Museum
  448. Martyrdom of a Saint1725–1750Cooper Hewitt, Smithsonian Design Museum
  449. Project for a Fountain1725–1800Cooper Hewitt, Smithsonian Design Museum
  450. Design for Painted Cupola1725–1750Cooper Hewitt, Smithsonian Design Museum
  451. Sidewallca. 1725Cooper Hewitt, Smithsonian Design Museum
  452. Sidewallca. 1725Cooper Hewitt, Smithsonian Design Museum
  453. Project for a Crest with Alternate Suggestions1725–1750Cooper Hewitt, Smithsonian Design Museum
  454. Architectural Sculptures1725–1775Cooper Hewitt, Smithsonian Design Museum
  455. Fragmentca. 1725Cooper Hewitt, Smithsonian Design Museum
  456. Bound print1727Cooper Hewitt, Smithsonian Design Museum
  457. Deutsches theatrum chemicum, auf welchem der berühmtesten Philosophen und Alchymisten Schrifften, die von dem Stein der Weisen, von Verwandlung der schlechten Metalle in bessere ... handeln ... vorgestellet werden / Erster Theil.1728Stiftung der Werke von C.G.Jung, Zürich
  458. Deutsches theatrum chemicum, auf welchem der berühmtesten Philosophen und Alchymisten Schrifften, die von dem Stein der Weisen, von Verwandlung der schlechten Metalle in bessere ... handeln ... vorgestellet werden / Zweyter Theil.1728Stiftung der Werke von C.G.Jung, Zürich
  459. Deutsches theatrum chemicum, auf welchem der berühmtesten Philosophen und Alchymisten Schrifften, die von dem Stein der Weisen, von Verwandlung der schlechten Metalle in bessere ... handeln ... vorgestellet werden / Dritter Theil.1728Stiftung der Werke von C.G.Jung, Zürich
  460. Textile1730–35Cooper Hewitt, Smithsonian Design Museum
  461. Textileca. 1730Cooper Hewitt, Smithsonian Design Museum
  462. Design for Wallpaper: Birds on Standsca. 1730Cooper Hewitt, Smithsonian Design Museum
  463. Cherub and Seraphs1730–60Cooper Hewitt, Smithsonian Design Museum
  464. Painted Wall Decoration1730–60Cooper Hewitt, Smithsonian Design Museum
  465. Project for a frame1730–60Cooper Hewitt, Smithsonian Design Museum
  466. Design for trophy of arms1730Cooper Hewitt, Smithsonian Design Museum
  467. DrawingAbout 1730-1740Cooper Hewitt, Smithsonian Design Museum
  468. Design for trophy of arms1730Cooper Hewitt, Smithsonian Design Museum
  469. Design for a Vase1730–1760Cooper Hewitt, Smithsonian Design Museum
  470. Design for a Vase1730–1740Cooper Hewitt, Smithsonian Design Museum
  471. Overdoor1730–60Cooper Hewitt, Smithsonian Design Museum
  472. Leaf from an ornament suite of arabesquesca. 1730Cooper Hewitt, Smithsonian Design Museum
  473. Leaf for an ornament suite of arabesquesca. 1730Cooper Hewitt, Smithsonian Design Museum
  474. Leaf from an ornament suite of arabesquesca. 1730Cooper Hewitt, Smithsonian Design Museum
  475. Sidewallca. 1730Cooper Hewitt, Smithsonian Design Museum
  476. Sidewallca. 1730Cooper Hewitt, Smithsonian Design Museum
  477. Sidewallca. 1730Cooper Hewitt, Smithsonian Design Museum
  478. Sidewallca. 1730Cooper Hewitt, Smithsonian Design Museum
  479. Various Designs for Decorative Metalworkca. 1730Cooper Hewitt, Smithsonian Design Museum
  480. Napkin1731Cooper Hewitt, Smithsonian Design Museum
  481. Dishca. 1736–96Cooper Hewitt, Smithsonian Design Museum
  482. Vase1736–95Cooper Hewitt, Smithsonian Design Museum
  483. Floral Design1740–70Cooper Hewitt, Smithsonian Design Museum
  484. Figural Letter Vca. 1740Cooper Hewitt, Smithsonian Design Museum
  485. Figural Letter Nca. 1740Cooper Hewitt, Smithsonian Design Museum
  486. Textile1740Cooper Hewitt, Smithsonian Design Museum
  487. Textileca. 1740Cooper Hewitt, Smithsonian Design Museum
  488. Textileca. 1740Cooper Hewitt, Smithsonian Design Museum
  489. Costume Drawing with Female Figure1740–1780Cooper Hewitt, Smithsonian Design Museum
  490. Floral Design1740–1770Cooper Hewitt, Smithsonian Design Museum
  491. Design for a Flower Basket Motif1740–1770Cooper Hewitt, Smithsonian Design Museum
  492. Floral Design1740–1770Cooper Hewitt, Smithsonian Design Museum
  493. Floral Design1740–1770Cooper Hewitt, Smithsonian Design Museum
  494. Floral Design1740–1770Cooper Hewitt, Smithsonian Design Museum
  495. Mountca. 1740Cooper Hewitt, Smithsonian Design Museum
  496. Escutcheonca. 1740–50Cooper Hewitt, Smithsonian Design Museum
  497. Still Life: Bouquet of Flowers Emerging from the Grassc. 1750Cleveland Museum of Art
  498. Bibliothèque des philosophes chimiques / Tome premier.1741Stiftung der Werke von C.G.Jung, Zürich
  499. Bibliothèque des philosophes chimiques / Tome second.1741Stiftung der Werke von C.G.Jung, Zürich
  500. Bibliothèque des philosophes chimiques / Tome troisième.1741Stiftung der Werke von C.G.Jung, Zürich
  501. Origenis opera omnia et quae eius nomine circumferuntur / Tomus primus.1743Stiftung der Werke von C.G.Jung, Zürich
  502. Origenis opera omnia et quae eius nomine circumferuntur / Tomus secundus.1743Stiftung der Werke von C.G.Jung, Zürich
  503. Origenis opera omnia et quae eius nomine circumferuntur / Tomus tertius.1743Stiftung der Werke von C.G.Jung, Zürich
  504. Histoire de la philosophie hermétique : accompagnée d'un catalogue raisonné des écrivains de cette science ... / 11744Stiftung der Werke von C.G.Jung, Zürich
  505. Histoire de la philosophie hermétique : accompagnée d'un catalogue raisonné des écrivains de cette science ... / 21744Stiftung der Werke von C.G.Jung, Zürich
  506. Histoire de la philosophie hermétique : accompagnée d'un catalogue raisonné des écrivains de cette science ... / 31744Stiftung der Werke von C.G.Jung, Zürich
  507. Mountca. 1745Cooper Hewitt, Smithsonian Design Museum
  508. An Enquiry into the Nature of the Human Soul : wherein the Immateriality of the Soul is evinced from the Principles of Reason and Philosophy / Volume I.1745Stiftung der Werke von C.G.Jung, Zürich
  509. An Enquiry into the Nature of the Human Soul : wherein the Immateriality of the Soul is evinced from the Principles of Reason and Philosophy / Volume II.1745Stiftung der Werke von C.G.Jung, Zürich
  510. Snuffbox with Vegetal Patternca. 1750Metropolitan Museum of Art, New York, NY
  511. Embroidered picture1748Cooper Hewitt, Smithsonian Design Museum
  512. Sacrifice of Isaac1750Medobčinski muzej Kamnik
  513. Possible Trade Card for Clothier1750–1800Cooper Hewitt, Smithsonian Design Museum
  514. Elevation of a Chapelca. 1750Cooper Hewitt, Smithsonian Design Museum
  515. Textile with cloth marks1750–1800Cooper Hewitt, Smithsonian Design Museum
  516. Textile1750–1800Cooper Hewitt, Smithsonian Design Museum
  517. Textile1750–1800Cooper Hewitt, Smithsonian Design Museum
  518. Textile1750–1800Cooper Hewitt, Smithsonian Design Museum
  519. Textile1750–1800Cooper Hewitt, Smithsonian Design Museum
  520. Textile1750–1800Cooper Hewitt, Smithsonian Design Museum
  521. Textile1750–1800Cooper Hewitt, Smithsonian Design Museum
  522. Textile1750–1800Cooper Hewitt, Smithsonian Design Museum
  523. Textile1750–1800Cooper Hewitt, Smithsonian Design Museum
  524. Textile1750–1800Cooper Hewitt, Smithsonian Design Museum
  525. Textileca. 1750Cooper Hewitt, Smithsonian Design Museum
  526. Textile1750–1800Cooper Hewitt, Smithsonian Design Museum
  527. Textile1750–1800Cooper Hewitt, Smithsonian Design Museum
  528. Textile1750–1800Cooper Hewitt, Smithsonian Design Museum
  529. Textile1750–1800Cooper Hewitt, Smithsonian Design Museum
  530. Textile1750–1800Cooper Hewitt, Smithsonian Design Museum
  531. Textile1750Cooper Hewitt, Smithsonian Design Museum
  532. Textileca. 1750Cooper Hewitt, Smithsonian Design Museum
  533. Textileca. 1750Cooper Hewitt, Smithsonian Design Museum
  534. Textile1750–1800Cooper Hewitt, Smithsonian Design Museum
  535. Textile1750–1800Cooper Hewitt, Smithsonian Design Museum
  536. Textile1750–1800Cooper Hewitt, Smithsonian Design Museum
  537. Book1750-1800Cooper Hewitt, Smithsonian Design Museum
  538. Project for a Painted Drawing Room1750–1775Cooper Hewitt, Smithsonian Design Museum
  539. Saint John Preaching, Probably a Page from a Drawing Book1750–1780Cooper Hewitt, Smithsonian Design Museum
  540. Drawing: Study of a left hand holding a small disk1750–1775Cooper Hewitt, Smithsonian Design Museum
  541. Design for a Drawing Room1750–75Cooper Hewitt, Smithsonian Design Museum
  542. Study of a Bunch of Roses1750-1775Cooper Hewitt, Smithsonian Design Museum
  543. Design for Silk Brocadeca. 1750Cooper Hewitt, Smithsonian Design Museum
  544. Project for a Cruet Frame1750–75Cooper Hewitt, Smithsonian Design Museum
  545. Design for Silk Brocadeca. 1750Cooper Hewitt, Smithsonian Design Museum
  546. Study of a Bunch of Roses1750-1775Cooper Hewitt, Smithsonian Design Museum
  547. Study of a Cow1750–1800Cooper Hewitt, Smithsonian Design Museum
  548. Hercules Slaying the Hydra1750–1800Cooper Hewitt, Smithsonian Design Museum
  549. Landscape View1750–1825Cooper Hewitt, Smithsonian Design Museum
  550. Design for Silk Brocadeca. 1750Cooper Hewitt, Smithsonian Design Museum
  551. Aedicule with Coat-of-arms1750–1775Cooper Hewitt, Smithsonian Design Museum
  552. Saint Bartholomew1750–1780Cooper Hewitt, Smithsonian Design Museum
  553. An Elderly Saint, Probably Saint Matthew1750–1780Cooper Hewitt, Smithsonian Design Museum
  554. Design for a door1750Cooper Hewitt, Smithsonian Design Museum
  555. Project for the Knob of a Processional Knot1750–1775Cooper Hewitt, Smithsonian Design Museum
  556. Study of a Mourning Womanca. 1750Cooper Hewitt, Smithsonian Design Museum
  557. Study of Saint Joseph Carrying the Christ Child1750–1800Cooper Hewitt, Smithsonian Design Museum
  558. Design for a Frame1750–1775Cooper Hewitt, Smithsonian Design Museum
  559. Sculpture, from a Series of Seated Muses1750–1780Cooper Hewitt, Smithsonian Design Museum
  560. Fragment of ornament for panelca. 1750Cooper Hewitt, Smithsonian Design Museum
  561. Architectural Ornaments1750Cooper Hewitt, Smithsonian Design Museum
  562. Acanthus Ornament1750–1800Cooper Hewitt, Smithsonian Design Museum
  563. Fragments, ornament (3)1750Cooper Hewitt, Smithsonian Design Museum
  564. Sidewall1750Cooper Hewitt, Smithsonian Design Museum
  565. Sidewallca. 1750Cooper Hewitt, Smithsonian Design Museum
  566. Sidewall1750Cooper Hewitt, Smithsonian Design Museum
  567. Sidewall1750Cooper Hewitt, Smithsonian Design Museum
  568. Sidewall1750Cooper Hewitt, Smithsonian Design Museum
  569. Sidewall1750Cooper Hewitt, Smithsonian Design Museum
  570. Sidewallca. 1750Cooper Hewitt, Smithsonian Design Museum
  571. Sidewallca. 1750Cooper Hewitt, Smithsonian Design Museum
  572. Sidewallca. 1750Cooper Hewitt, Smithsonian Design Museum
  573. Sidewall1750Cooper Hewitt, Smithsonian Design Museum
  574. Sidewallca. 1750Cooper Hewitt, Smithsonian Design Museum
  575. Sidewallca. 1750Cooper Hewitt, Smithsonian Design Museum
  576. Sidewallca. 1750Cooper Hewitt, Smithsonian Design Museum
  577. Sidewallca. 1750Cooper Hewitt, Smithsonian Design Museum
  578. Sidewallca. 1750Cooper Hewitt, Smithsonian Design Museum
  579. Sidewall1750Cooper Hewitt, Smithsonian Design Museum
  580. Sidewallca. 1750Cooper Hewitt, Smithsonian Design Museum
  581. Sidewallca. 1750Cooper Hewitt, Smithsonian Design Museum
  582. Sidewall1750Cooper Hewitt, Smithsonian Design Museum
  583. Printed Bookpaper1750–1780Cooper Hewitt, Smithsonian Design Museum
  584. Birdcage1750–1800Cooper Hewitt, Smithsonian Design Museum
  585. Mountca. 1750Cooper Hewitt, Smithsonian Design Museum
  586. Design for a Broochca. 1750Cooper Hewitt, Smithsonian Design Museum
  587. Stage Design: Palace Architecture1750–99Cooper Hewitt, Smithsonian Design Museum
  588. Stage Design: Palace Architecture1750–99Cooper Hewitt, Smithsonian Design Museum
  589. Stage Design: Palace Architecture1750–99Cooper Hewitt, Smithsonian Design Museum
  590. Proportional study of a church façadeca. 1750–75Cooper Hewitt, Smithsonian Design Museum
  591. Architectural Ornaments tca. 1750Cooper Hewitt, Smithsonian Design Museum
  592. Fragments1750–1800Cooper Hewitt, Smithsonian Design Museum
  593. Traité historique et dogmatique sur les apparitions, les visions & les révélations particulières : avec des observations sur les dissertations du R. P. Dom Calmet ... sur les apparitions et les revenans / Tome premier.1751Stiftung der Werke von C.G.Jung, Zürich
  594. Traité historique et dogmatique sur les apparitions, les visions & les révélations particulières : avec des observations sur les dissertations du R. P. Dom Calmet ... sur les apparitions et les revenans / Tome second.1751Stiftung der Werke von C.G.Jung, Zürich
  595. Letter case1753Cooper Hewitt, Smithsonian Design Museum
  596. Curieuse und ganz neue Art zu Punctiren1754Stiftung der Werke von C.G.Jung, Zürich
  597. Black Stork in a Landscapeca. 1780Metropolitan Museum of Art, New York, NY
  598. Textileca. 1755Cooper Hewitt, Smithsonian Design Museum
  599. Sidewall1755–65Cooper Hewitt, Smithsonian Design Museum
  600. Sidewall1755–65Cooper Hewitt, Smithsonian Design Museum
0:00–0:00