Figural Studies — Unknown, 1635–1650

Figural Studies, Unknown

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Rights

Credit: Museum purchase through gift of various donors and from Eleanor G. Hewitt Fund
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1938-88-4447 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/65080

Also by Unknown

5442

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of 1635–1650

930

The Sacrifice of Isaac, Paolo Veronese — The Sacrifice of IsaacPaolo Veronese1585Museo del Prado

Kichik Beg Wounded during Babur's Attack on Qalat, from a copy of the Baburnama (Book of Babur), Mughal — Kichik Beg Wounded during Babur's Attack on Qalat, from a copy of the Baburnama (Book of Babur)Mughalc. 1590The Art Institute of Chicago

Adoration of the Magi, Maarten de Vos (Flemish, 1532–1603) — Adoration of the MagiMaarten de Vos (Flemish, 1532–1603)c. 1590Cleveland Museum of Art

Somniorum synesiorum omnis generis insomnia explicantes, libri IIII : quibus accedunt, eiusdem haec etiam De libris propriis ... ; De curationibus et praedictionibus admirandis ; Neronis encomium ; Geometriae encomium, Cardano, Girolamo — Somniorum synesiorum omnis generis insomnia explicantes, libri IIII : quibus accedunt, eiusdem haec etiam De libris propriis ... ; De curationibus et praedictionibus admirandis ; Neronis encomium ; Geometriae encomiumCardano, Girolamo1585Stiftung der Werke von C.G.Jung, Zürich

Sculptura in Aes, The Workshop of an Engraver, Jan van der Straet, called Johannes Stradanus (Netherlandish, active Italy, 1523–1605); Philip Galle (Flemish, 1537–1612); Philip Galle (Flemish, 1537–1612) — Sculptura in Aes, The Workshop of an EngraverJan van der Straet, called Johannes Stradanus (Netherlandish, active Italy, 1523–1605); Philip Galle (Flemish, 1537–1612); Philip Galle (Flemish, 1537–1612)c. 1591Cleveland Museum of Art

The Sacrifice of Isaac, Paolo Veronese — The Sacrifice of IsaacPaolo Veronese1588Kunsthistorisches Museum

St John the Baptist in the Wilderness, Jan van der Straet, called Stradanus, Flemish, 1523–1605 — St John the Baptist in the WildernessJan van der Straet, called Stradanus, Flemish, 1523–1605ca. 1588Cooper Hewitt, Smithsonian Design Museum

Triumph of Death with three fates in an architectural frame above a wheel of fortune flanked by skeletons; a skull and an hour glass at top and with wheel intended to spin at center, Andrea Andreani, Italian, 1558/1559 - 1629 — Triumph of Death with three fates in an architectural frame above a wheel of fortune flanked by skeletons; a skull and an hour glass at top and with wheel intended to spin at centerAndrea Andreani, Italian, 1558/1559 - 16291588Cooper Hewitt, Smithsonian Design Museum

Also at Cooper Hewitt, Smithsonian Design Museum

4672

Ornament Panel with Bird Cage, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with Bird CageNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel Inscribed "Victoria Augusta", Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel Inscribed "Victoria Augusta"Nicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel with Mars, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with MarsNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Abraham and the Three Angels, Lucas van Leyden, Netherlandish, ca. 1494–1533 — Abraham and the Three AngelsLucas van Leyden, Netherlandish, ca. 1494–15331513Cooper Hewitt, Smithsonian Design Museum

Study of a Rearing Horse after Leonardo da Vinci, Francesco Melzi, Italian, 1491 – 1570 — Study of a Rearing Horse after Leonardo da VinciFrancesco Melzi, Italian, 1491 – 1570ca. 1520–25Cooper Hewitt, Smithsonian Design Museum

Portrait of Albrecht of Brandenburg, Albrecht Dürer, German, 1471–1528 — Portrait of Albrecht of BrandenburgAlbrecht Dürer, German, 1471–15281524Cooper Hewitt, Smithsonian Design Museum

Grotesque Ornament with Satyrs, from a set of twenty ornament panels, Agostino Veneziano, Italian, ca. 1490 - after 1536 — Grotesque Ornament with Satyrs, from a set of twenty ornament panelsAgostino Veneziano, Italian, ca. 1490 - after 1536ca. 1530–1535Cooper Hewitt, Smithsonian Design Museum

Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork), Léonard Thiry, Flemish, 1550 — Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork)Léonard Thiry, Flemish, 15501540–1560Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231810-1815Cooper Hewitt, Smithsonian Design Museum

0.87

Print, Unknown — PrintUnknownCooper Hewitt, Smithsonian Design Museum

0.87

Print, Jean-Baptiste Pillement, French, 1728–1808 — PrintJean-Baptiste Pillement, French, 1728–1808Cooper Hewitt, Smithsonian Design Museum

0.86

Campfire with Soldiers, Winslow Homer, American, 1836–1910 — Campfire with SoldiersWinslow Homer, American, 1836–19101861Cooper Hewitt, Smithsonian Design Museum

0.86

The Little Cavaliers, Édouard Manet — The Little CavaliersÉdouard Manet1867/74The Art Institute of Chicago

0.86

Agamemnon Refuses to Liberate Chryseis; Minerva Appears to Achilles; The Abduction of Briseis: Galerie d'Iliad, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823 — Agamemnon Refuses to Liberate Chryseis; Minerva Appears to Achilles; The Abduction of Briseis: Galerie d'Iliad, Palazzo Milzetti, FaenzaFelice Giani, Italian, 1758–18231802–05Cooper Hewitt, Smithsonian Design Museum

0.86

Figure studies for a design of a clavichord cover, Unknown — Figure studies for a design of a clavichord coverUnknownlate 19th centuryCooper Hewitt, Smithsonian Design Museum

0.86

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–1823Cooper Hewitt, Smithsonian Design Museum

0.86

Next

Made in the seventeenth century, like Figural Studies.

Abraham's Sacrifice1635
The Last Supper, after Leonardo da Vinci1634
The Baptism of Christ1641
The Crucifixion1627

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