Vase — Unknown, 1662–1722

Vase, Unknown

Seen

Not described yet.

Of

No subject recorded yet.

Means

No reading yet.

Rights

Credit: Bequest of Mary Hearn Greims
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1927-5-54 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/43354

Also by Unknown

5442

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of 1662–1722

991

Lame Beggar Asking for Alms, from T is al verwart-gaern (It's already confusing), Pieter Jansz. Quast — Lame Beggar Asking for Alms, from T is al verwart-gaern (It's already confusing)Pieter Jansz. Quastn.d.The Art Institute of Chicago

The sacrifice of Abraham, Pieter Lastman — The sacrifice of AbrahamPieter Lastman1612Rijksmuseum

The Sacrifice of Isaac, Peter Paul Rubens — The Sacrifice of IsaacPeter Paul Rubens1612The Nelson-Atkins Museum of Art

The Adoration of the Shepherds, El Greco (Domenikos Theotokopoulos) and Workshop — The Adoration of the ShepherdsEl Greco (Domenikos Theotokopoulos) and Workshopca. 1612–14Metropolitan Museum of Art, New York, NY

Lexicon alchemiae sive dictionarium alchemisticum, cum obscuriorum verborum, & rerum hermeticarum, tum Theophrast-Paracelsicarum phrasium, planam explicationem continens, Ruland, Martin — Lexicon alchemiae sive dictionarium alchemisticum, cum obscuriorum verborum, & rerum hermeticarum, tum Theophrast-Paracelsicarum phrasium, planam explicationem continensRuland, Martin1612Stiftung der Werke von C.G.Jung, Zürich, online

Veterum sophorum sigilla et imagines magicae, sive sculpturae lapidum et gemmarum secundum nomen dei tetragrammaton, cum signatura planetarum et iuxta certos coeli tractus et constellationes, ad stupendos et mirandos effectus producendos. Additur vera eas conficiendi ratio & pro acuenda memoria ac ingenio erectio signaturae Mercurii stupenda ..., Trithemius, Johannes — Veterum sophorum sigilla et imagines magicae, sive sculpturae lapidum et gemmarum secundum nomen dei tetragrammaton, cum signatura planetarum et iuxta certos coeli tractus et constellationes, ad stupendos et mirandos effectus producendos. Additur vera eas conficiendi ratio & pro acuenda memoria ac ingenio erectio signaturae Mercurii stupenda ...Trithemius, Johannes1612Stiftung der Werke von C.G.Jung, Zürich

Trois traitez de la philosophie naturelle non encore imprimez ... : scavoir le secret livre du ... philosophe Artephius traitant de l'art occulte et transmutation metallique ... ; plus les figures hierogliphiques, Artephius — Trois traitez de la philosophie naturelle non encore imprimez ... : scavoir le secret livre du ... philosophe Artephius traitant de l'art occulte et transmutation metallique ... ; plus les figures hierogliphiquesArtephius1612Stiftung der Werke von C.G.Jung, Zürich

Drunken Silenus Satyr and Nymphs, Nicolas Poussin — Drunken Silenus Satyr and NymphsNicolas Poussinn.d.The Art Institute of Chicago

Also at Cooper Hewitt, Smithsonian Design Museum

4536

Ornament Panel with Bird Cage, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with Bird CageNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel Inscribed "Victoria Augusta", Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel Inscribed "Victoria Augusta"Nicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel with Mars, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with MarsNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Abraham and the Three Angels, Lucas van Leyden, Netherlandish, ca. 1494–1533 — Abraham and the Three AngelsLucas van Leyden, Netherlandish, ca. 1494–15331513Cooper Hewitt, Smithsonian Design Museum

Study of a Rearing Horse after Leonardo da Vinci, Francesco Melzi, Italian, 1491 – 1570 — Study of a Rearing Horse after Leonardo da VinciFrancesco Melzi, Italian, 1491 – 1570ca. 1520–25Cooper Hewitt, Smithsonian Design Museum

Portrait of Albrecht of Brandenburg, Albrecht Dürer, German, 1471–1528 — Portrait of Albrecht of BrandenburgAlbrecht Dürer, German, 1471–15281524Cooper Hewitt, Smithsonian Design Museum

Grotesque Ornament with Satyrs, from a set of twenty ornament panels, Agostino Veneziano, Italian, ca. 1490 - after 1536 — Grotesque Ornament with Satyrs, from a set of twenty ornament panelsAgostino Veneziano, Italian, ca. 1490 - after 1536ca. 1530–1535Cooper Hewitt, Smithsonian Design Museum

Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork), Léonard Thiry, Flemish, 1550 — Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork)Léonard Thiry, Flemish, 15501540–1560Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Vase in the Form of a Melon, Unknown — Vase in the Form of a MelonUnknown1100sCleveland Museum of Art

0.92

Bottle vase, Unknown — Bottle vaseUnknown13th centuryMetropolitan Museum of Art, New York, NY

0.91

Vase, Fulper Pottery Company, founded 1805 — VaseFulper Pottery Company, founded 1805ca. 1915Cooper Hewitt, Smithsonian Design Museum

0.91

Plum Vase (Maebyeong) with Clouds, Cranes, and Children Motifs, Korea — Plum Vase (Maebyeong) with Clouds, Cranes, and Children MotifsKoreaGoryeo dynasty (918–1392), late 12th centuryThe Art Institute of Chicago

0.90

Vase, Ernest Chaplet, French, 1935 – 1909 — VaseErnest Chaplet, French, 1935 – 1909ca. 1885–89Cooper Hewitt, Smithsonian Design Museum

0.87

Jug, Christopher Dresser, Scottish, 1834–1904 — JugChristopher Dresser, Scottish, 1834–1904ca. 1872Cooper Hewitt, Smithsonian Design Museum

0.87

Tumbler, Jules-Paul Brateau, French, 1844 – 1923 — TumblerJules-Paul Brateau, French, 1844 – 1923ca. 1890–1900Cooper Hewitt, Smithsonian Design Museum

0.87

Vase, The Gates Potteries, 1890 – 1930 — VaseThe Gates Potteries, 1890 – 19301905–20Cooper Hewitt, Smithsonian Design Museum

0.87

Next

Made in the seventeenth century, like Vase.

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