Floral Design — Unknown, 1740–70

Floral Design, Unknown

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Rights

Credit: Gift of Eleanor and Sarah Hewitt
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1914-21-129 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/19896

Also by Unknown

5442

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of 1740–70

1750

Stage Design: Proscenium and Palace Staircase, Girolamo Fontana, Italian, 1668 - 1701 — Stage Design: Proscenium and Palace StaircaseGirolamo Fontana, Italian, 1668 - 17011690–1710Cooper Hewitt, Smithsonian Design Museum

Furniture Design: Elevation of a Pedestal or Case, Gilles-Marie Oppenord, French, 1672–1742 — Furniture Design: Elevation of a Pedestal or CaseGilles-Marie Oppenord, French, 1672–1742ca. 1690Cooper Hewitt, Smithsonian Design Museum

Habit de Fontainier from "Habits de Métier et Professions", Nicolas Larmessin III, French, 1656–1725 — Habit de Fontainier from "Habits de Métier et Professions"Nicolas Larmessin III, French, 1656–1725ca. 1690Cooper Hewitt, Smithsonian Design Museum

The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors, Sir James Thornhill — The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoorsSir James ThornhillundatedYale Center for British Art

Collectanea medico-physica, oder Holländisch Jahr-Register, sonderbarer Anmerckungen, die so wol in der Artzney-Kunst, als Wissenschaft der Natur in gantz Europa vorgefallen, auf das Jahr 1680 [- 1682] ..., Blankaart, Steven — Collectanea medico-physica, oder Holländisch Jahr-Register, sonderbarer Anmerckungen, die so wol in der Artzney-Kunst, als Wissenschaft der Natur in gantz Europa vorgefallen, auf das Jahr 1680 [- 1682] ...Blankaart, Steven1690Stiftung der Werke von C.G.Jung, Zürich

Drawing for the Rear of the Third Carriage of the Prince of Liechtenstein, Antonio Creccolini, Italian, 1671 – ca. 1725 — Drawing for the Rear of the Third Carriage of the Prince of LiechtensteinAntonio Creccolini, Italian, 1671 – ca. 17251691–1694Cooper Hewitt, Smithsonian Design Museum

Johannis Ticinensis, eines böhmischen Priesters Anthonii de Abbatia, eines in der Kunst erfahrnen Mönchs und Edoardi Kellaei eines welt-berühmten Engeländers vortreffliche und aussführliche chymische Bücher ..., Tetzen, Johann von — Johannis Ticinensis, eines böhmischen Priesters Anthonii de Abbatia, eines in der Kunst erfahrnen Mönchs und Edoardi Kellaei eines welt-berühmten Engeländers vortreffliche und aussführliche chymische Bücher ...Tetzen, Johann von1691Stiftung der Werke von C.G.Jung, Zürich

La lumière sortant par soi-mesme des ténèbres ou veritable théorie de la pierre des philosophes, écrite en vers italiens, avec un commentaire ..., Tachenius, Otto — La lumière sortant par soi-mesme des ténèbres ou veritable théorie de la pierre des philosophes, écrite en vers italiens, avec un commentaire ...Tachenius, Otto1693Stiftung der Werke von C.G.Jung, Zürich, online

Also at Cooper Hewitt, Smithsonian Design Museum

3605

Ornament Panel with Bird Cage, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with Bird CageNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel Inscribed "Victoria Augusta", Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel Inscribed "Victoria Augusta"Nicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel with Mars, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with MarsNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Abraham and the Three Angels, Lucas van Leyden, Netherlandish, ca. 1494–1533 — Abraham and the Three AngelsLucas van Leyden, Netherlandish, ca. 1494–15331513Cooper Hewitt, Smithsonian Design Museum

Study of a Rearing Horse after Leonardo da Vinci, Francesco Melzi, Italian, 1491 – 1570 — Study of a Rearing Horse after Leonardo da VinciFrancesco Melzi, Italian, 1491 – 1570ca. 1520–25Cooper Hewitt, Smithsonian Design Museum

Portrait of Albrecht of Brandenburg, Albrecht Dürer, German, 1471–1528 — Portrait of Albrecht of BrandenburgAlbrecht Dürer, German, 1471–15281524Cooper Hewitt, Smithsonian Design Museum

Grotesque Ornament with Satyrs, from a set of twenty ornament panels, Agostino Veneziano, Italian, ca. 1490 - after 1536 — Grotesque Ornament with Satyrs, from a set of twenty ornament panelsAgostino Veneziano, Italian, ca. 1490 - after 1536ca. 1530–1535Cooper Hewitt, Smithsonian Design Museum

Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork), Léonard Thiry, Flemish, 1550 — Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork)Léonard Thiry, Flemish, 15501540–1560Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Studies, Raimundo de Madrazo, Spanish, 1841–1920 — StudiesRaimundo de Madrazo, Spanish, 1841–1920Cooper Hewitt, Smithsonian Design Museum

0.87

Floral Design, Unknown — Floral DesignUnknown1740–1770Cooper Hewitt, Smithsonian Design Museum

0.87

Man, Robert Frederick Blum, American, 1857–1903 — ManRobert Frederick Blum, American, 1857–19031876–1877Cooper Hewitt, Smithsonian Design Museum

0.87

Figure, Robert Frederick Blum, American, 1857–1903 — FigureRobert Frederick Blum, American, 1857–19031880Cooper Hewitt, Smithsonian Design Museum

0.87

A bunch of four carnations, Unknown — A bunch of four carnationsUnknownca. 1840Cooper Hewitt, Smithsonian Design Museum

0.87

Lilac, Robert Frederick Blum, American, 1857–1903 — LilacRobert Frederick Blum, American, 1857–19031877Cooper Hewitt, Smithsonian Design Museum

0.87

Print, Jean-Baptiste Pillement, French, 1728–1808 — PrintJean-Baptiste Pillement, French, 1728–1808Cooper Hewitt, Smithsonian Design Museum

0.87

Print, Jean-Baptiste Pillement, French, 1728–1808 — PrintJean-Baptiste Pillement, French, 1728–1808Cooper Hewitt, Smithsonian Design Museum

0.86

Next

Made in the eighteenth century, like Floral Design.

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