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Stumpwork Panel: Story of David and Bathsheba — Unknown1658Also by Unknown
5442
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NYWithin fifty years of 1658
957
The Vision of Saint JohnEl Greco (Domenikos Theotokopoulos)ca. 1608–14Metropolitan Museum of Art, New York, NY
Das Valete: uber den Tractat der Arcanorum Basilii Valentini zusammen gesetzten Hauptschluss Puncten dess Liechts der NaturReinhart, Hans Christoph1608Stiftung der Werke von C.G.Jung, Zürich, online
Rosarium novum olympicum et benedictum ...Figulus, Benedictus1608Stiftung der Werke von C.G.Jung, Zürich
Rodolphi Goclenii uranoscopiae, chiroscopiae, metoposcopiae, et ophtalmoscopiae, contemplatio, qua probatur, divinationem ex astris, lineisque manuum, fronte, facie & oculis nec impiam esse nec superstitiosamGoclenius, Rudolph1608Stiftung der Werke von C.G.Jung, Zürich
Q. Septimii Florentis Tertulliani Carthaginiensis presbyteri, Opera quae hactenus reperiri potuerunt omnia : Iam postremum, ad exemplaria manuscripta collatione facta, quam accuratiss. recognita, aliquot etiam libris auctiora nunc primum in capita, & certo ordine, habita quantum fieri potuit temporum ratione, in quinque tomos distincta. : Cum Jacobi Pamelii ... argumentis & adnotationibus toti operi interiectis, quibus tum loci obscuriores explicantur, tum quicquid ad antiquitatem ecclesiasticam spectat, illustratur. Ab eodem Pamelio recens adiecta Tertulliani vita, scripturarum citatarum index locupletiss. aliaque prolegomena. : Accessere & loci ex coniectura Latini Latinii Viterbiensis restituti, & erudita in lib. De Pallio Joannis Mercerii antecessoris Bituricensis commentaria. Catalogum totius operis inveniet lector post epistolas dedicatorias, & in singulis tomis praefatiunculas de librorum ordineTertullianus, Quintus Septimius Florens1608Stiftung der Werke von C.G.Jung, Zürich
Writing Example from Spieghel der Schrijfkonste. Tweede Deel (The Mirror of Art Writing, Second Part)Jan van de Velde I, Netherlandish, 1569–16231609Cooper Hewitt, Smithsonian Design Museum
The Capture of SamsonPeter Paul Rubens1609–10The Art Institute of Chicago
Amphitheatrum sapientiae aeternae, solius verae, christiano-kabalisticum, divino-magicum, nec non physico-chymicum, tertriunum, catholiconKhunrath, Heinrich1609Stiftung der Werke von C.G.Jung, Zürich, onlineAlso at Cleveland Museum of Art
484
Black-Figure Nikosthenic Amphora (Storage Vessel): Dancing Youths; Sphinxes and Lions; Satyrs and MaenadsNikosthenes (Greek, Attic, active c. 545–510 BCE); Painter N, Thiasos Group (Greek, c. 530–510 BC)c. 530–510 BCECleveland Museum of Art
Black-Figure Dinos (Mixing Vessel): Warships (Int.); Heroic Scenes (Top)Antimenes Painter (Greek, Attic, active c. 530–510 BCE)c. 520–515 BCECleveland Museum of Art
White-Ground Lekythos (Oil Vessel): Atalanta and ErotesDouris (Greek, Attic, active c. 500–470 BCE)c. 500–490 BCECleveland Museum of Art
Black-Figure White-Ground Lekythos (Oil Vessel): Athena between Cocks and Hieropoioi (Officials)Athena Painter (Greek, c. 500–475 BCE)500–485 BCECleveland Museum of Art
Red-Figure Lekythos (Oil Vessel): Athena Slaying Giant (body); Satyr between Maenads (shoulder)Berlin Painter (Greek, Attic, active c. 505–460 BC); Painter of Goluchow 37 (Greek, Attic, active c. 490–460 BC)c. 490 BCECleveland Museum of Art
Red-Figure Lekythos (Oil Vessel): Warrior Cutting HairOionokles Painter (Greek, Attic, active c. 480–460 BCE)c. 480–470 BCECleveland Museum of Art
Red-Figure Column Krater (Mixing Vessel): Apollo and Goddesses with Chariot (A); Komos (Revel) (B)Cleveland Painter (name vase; Greek, Attic, active c. 470–460 BCE)c. 470–460 BCECleveland Museum of Art
Fragment from Red-Figure Oinochoe (Wine Jug) or Hydria (Water Jar): Woman Holding BoxShuvalov Painter (Greek, Attic, active c. 440–410 BCE)c. 425–420 BCECleveland Museum of Art
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Made in the seventeenth century, like Stumpwork Panel: Story of David and Bathsheba.