Letter case — Unknown, 1753

Letter case, Unknown

Seen

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Rights

Credit: Gift of Mrs. Henry J. Bernheim
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1947-47-6 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/96809

Also by Unknown

5442

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of 1753

1973

Print, Torii Kiyonobu I — PrintTorii Kiyonobu I1703Metropolitan Museum of Art, New York, NY

Title Page, Pierre Bourdon, French, ca. 1656 – 1708 after — Title PagePierre Bourdon, French, ca. 1656 – 1708 after1703Cooper Hewitt, Smithsonian Design Museum

Title Page, Pierre Bourdon, French, ca. 1656 – 1708 after — Title PagePierre Bourdon, French, ca. 1656 – 1708 afterca. 1703Cooper Hewitt, Smithsonian Design Museum

Ornament Designs for Watchmakers, Goldsmiths, Chasers, Engravers and Other Curious Persons, Pierre Bourdon, French, ca. 1656 – 1708 after — Ornament Designs for Watchmakers, Goldsmiths, Chasers, Engravers and Other Curious PersonsPierre Bourdon, French, ca. 1656 – 1708 after1703Cooper Hewitt, Smithsonian Design Museum

Designs for Ornament, Roundels, Watch Keys, and Fobs, Pierre Bourdon, French, ca. 1656 – 1708 after — Designs for Ornament, Roundels, Watch Keys, and FobsPierre Bourdon, French, ca. 1656 – 1708 afterafter 1703Cooper Hewitt, Smithsonian Design Museum

Designs for Ornament and Roundels, Pierre Bourdon, French, ca. 1656 – 1708 after — Designs for Ornament and RoundelsPierre Bourdon, French, ca. 1656 – 1708 after1703Cooper Hewitt, Smithsonian Design Museum

Print in a book entitled "Receuil de Fontaines.", François Boucher, French, 1703–1770 — Print in a book entitled "Receuil de Fontaines."François Boucher, French, 1703–17701703–70Cooper Hewitt, Smithsonian Design Museum

The Risen Christ Appearing to the Virgin, Francesco Solimena (Italian, 1657–1747) — The Risen Christ Appearing to the VirginFrancesco Solimena (Italian, 1657–1747)c. 1708Cleveland Museum of Art

Also at Cooper Hewitt, Smithsonian Design Museum

3442

Ornament Panel with Bird Cage, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with Bird CageNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel Inscribed "Victoria Augusta", Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel Inscribed "Victoria Augusta"Nicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel with Mars, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with MarsNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Abraham and the Three Angels, Lucas van Leyden, Netherlandish, ca. 1494–1533 — Abraham and the Three AngelsLucas van Leyden, Netherlandish, ca. 1494–15331513Cooper Hewitt, Smithsonian Design Museum

Study of a Rearing Horse after Leonardo da Vinci, Francesco Melzi, Italian, 1491 – 1570 — Study of a Rearing Horse after Leonardo da VinciFrancesco Melzi, Italian, 1491 – 1570ca. 1520–25Cooper Hewitt, Smithsonian Design Museum

Portrait of Albrecht of Brandenburg, Albrecht Dürer, German, 1471–1528 — Portrait of Albrecht of BrandenburgAlbrecht Dürer, German, 1471–15281524Cooper Hewitt, Smithsonian Design Museum

Grotesque Ornament with Satyrs, from a set of twenty ornament panels, Agostino Veneziano, Italian, ca. 1490 - after 1536 — Grotesque Ornament with Satyrs, from a set of twenty ornament panelsAgostino Veneziano, Italian, ca. 1490 - after 1536ca. 1530–1535Cooper Hewitt, Smithsonian Design Museum

Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork), Léonard Thiry, Flemish, 1550 — Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork)Léonard Thiry, Flemish, 15501540–1560Cooper Hewitt, Smithsonian Design Museum

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Made in the eighteenth century, like Letter case.

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