Feathered Panel — Unknown, 600–900

Feathered Panel, Unknown

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Not described yet.

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Rights

Credit: Andrew R. and Martha Holden Jennings Fund
Licence: CC0-1.0
Evidence: openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 162398 (read 2026-09-01)
Record: https://clevelandart.org/art/2002.93

Also by Unknown

5442

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of 600–900

10

Pilgrimage Jug with Christian Symbols, Byzantine — Pilgrimage Jug with Christian SymbolsByzantine578–636The Art Institute of Chicago

Bowl with Abstract and Geometric Designs, Jalisco — Bowl with Abstract and Geometric DesignsJalisco600–900The Art Institute of Chicago

Vessel with mythological scene, Metropolitan Painter — Vessel with mythological sceneMetropolitan Painter600–800 CEMetropolitan Museum of Art, New York, NY

Hacha head, Classic Veracruz artist(s) — Hacha headClassic Veracruz artist(s)600–900 CEMetropolitan Museum of Art, New York, NY

Vessel with mythological scene, Maya artist(s) — Vessel with mythological sceneMaya artist(s)600–800 CEMetropolitan Museum of Art, New York, NY

Buddha with Attendants on Mythical Animal, Pre-Angkorean — Buddha with Attendants on Mythical AnimalPre-AngkoreanDvaravati period, 7th‒8th centuryThe Art Institute of Chicago

Standing Bodhisattva, Pre-Angkorean — Standing BodhisattvaPre-AngkoreanPre-Angkor period, 7th‒8th centuryThe Art Institute of Chicago

Horse-Headed Incarnation of God Vishnu (Vajimukha), Pre-Angkorean — Horse-Headed Incarnation of God Vishnu (Vajimukha)Pre-AngkoreanPre–Angkor period, 7th–8th centuryThe Art Institute of Chicago

Also at Cleveland Museum of Art

531

Black-Figure Nikosthenic Amphora (Storage Vessel): Dancing Youths; Sphinxes and Lions; Satyrs and Maenads, Nikosthenes (Greek, Attic, active c. 545–510 BCE); Painter N, Thiasos Group (Greek, c. 530–510 BC) — Black-Figure Nikosthenic Amphora (Storage Vessel): Dancing Youths; Sphinxes and Lions; Satyrs and MaenadsNikosthenes (Greek, Attic, active c. 545–510 BCE); Painter N, Thiasos Group (Greek, c. 530–510 BC)c. 530–510 BCECleveland Museum of Art

Black-Figure Dinos (Mixing Vessel): Warships (Int.); Heroic Scenes (Top), Antimenes Painter (Greek, Attic, active c. 530–510 BCE) — Black-Figure Dinos (Mixing Vessel): Warships (Int.); Heroic Scenes (Top)Antimenes Painter (Greek, Attic, active c. 530–510 BCE)c. 520–515 BCECleveland Museum of Art

White-Ground Lekythos (Oil Vessel): Atalanta and Erotes, Douris (Greek, Attic, active c. 500–470 BCE) — White-Ground Lekythos (Oil Vessel): Atalanta and ErotesDouris (Greek, Attic, active c. 500–470 BCE)c. 500–490 BCECleveland Museum of Art

Black-Figure White-Ground Lekythos (Oil Vessel): Athena between Cocks and Hieropoioi (Officials), Athena Painter (Greek, c. 500–475 BCE) — Black-Figure White-Ground Lekythos (Oil Vessel): Athena between Cocks and Hieropoioi (Officials)Athena Painter (Greek, c. 500–475 BCE)500–485 BCECleveland Museum of Art

Red-Figure Lekythos (Oil Vessel): Athena Slaying Giant (body); Satyr between Maenads (shoulder), Berlin Painter (Greek, Attic, active c. 505–460 BC); Painter of Goluchow 37 (Greek, Attic, active c. 490–460 BC) — Red-Figure Lekythos (Oil Vessel): Athena Slaying Giant (body); Satyr between Maenads (shoulder)Berlin Painter (Greek, Attic, active c. 505–460 BC); Painter of Goluchow 37 (Greek, Attic, active c. 490–460 BC)c. 490 BCECleveland Museum of Art

Red-Figure Lekythos (Oil Vessel): Warrior Cutting Hair, Oionokles Painter (Greek, Attic, active c. 480–460 BCE) — Red-Figure Lekythos (Oil Vessel): Warrior Cutting HairOionokles Painter (Greek, Attic, active c. 480–460 BCE)c. 480–470 BCECleveland Museum of Art

Red-Figure Column Krater (Mixing Vessel): Apollo and Goddesses with Chariot (A); Komos (Revel) (B), Cleveland Painter (name vase; Greek, Attic, active c. 470–460 BCE) — Red-Figure Column Krater (Mixing Vessel): Apollo and Goddesses with Chariot (A); Komos (Revel) (B)Cleveland Painter (name vase; Greek, Attic, active c. 470–460 BCE)c. 470–460 BCECleveland Museum of Art

Fragment from Red-Figure Oinochoe (Wine Jug) or Hydria (Water Jar): Woman Holding Box, Shuvalov Painter (Greek, Attic, active c. 440–410 BCE) — Fragment from Red-Figure Oinochoe (Wine Jug) or Hydria (Water Jar): Woman Holding BoxShuvalov Painter (Greek, Attic, active c. 440–410 BCE)c. 425–420 BCECleveland Museum of Art

Similar picturesFound by visual likeness

5 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Border, Unknown — BorderUnknown1850–1900Cooper Hewitt, Smithsonian Design Museum

0.84

Album of Headpieces from Charles-François Saint-Lambert’s Les Saisons, Poëme, Pierre-Philippe Choffard, French, 1730–1809 — Album of Headpieces from Charles-François Saint-Lambert’s Les Saisons, PoëmePierre-Philippe Choffard, French, 1730–18091769–75Cooper Hewitt, Smithsonian Design Museum

0.84

Sidewall, Unknown — SidewallUnknownca. 1886Cooper Hewitt, Smithsonian Design Museum

0.83

Textile, Unknown — TextileUnknown19th centuryCooper Hewitt, Smithsonian Design Museum

0.83

Paper Sample, Unknown — Paper SampleUnknown19th centuryCooper Hewitt, Smithsonian Design Museum

0.83

Next

Made in the seventh century, like Feathered Panel.

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