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Mourning Virgin from a Crucifixion Group — Unknownabout 1620/40Also by Unknown
5442
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NYWithin fifty years of about 1620/40
802
The Prophet JoelGiorgio Ghisi (Italian, 1520–1582); Michelangelo Buonarroti (Italian, 1475–1564)early 1570sCleveland Museum of Art
from a series of 12 "Ornaments for Goldsmiths" GrotesquesPhilip Galle, Flemish, 1537 - 1612ca. 1570Cooper Hewitt, Smithsonian Design Museum
Wild Animal Hunt (frieze)Etienne Delaune, French, 1519 - 1583ca. 1570Cooper Hewitt, Smithsonian Design Museum
"The Angel Gabriel meets 'Amr ibn Zaid (the Shepherd)", Folio from a Siyer-i Nebi (the Life of the Prophet)Mustafa ibn Valica. 1595Metropolitan Museum of Art, New York, NY
The Birth of ChristCherubino Alberti (Zaccaria Mattia)1570–1615Metropolitan Museum of Art, New York, NY
Traumbuch Artemidori ... darinnen Ursprung, Unterscheid und Bedeutung, allerhand Träumen ... : sambt eyner Erinnerung Philippi Melanchtonis von Unterscheid der Träume unnd angehencktem Bericht, was von Träumen zu halten seieArtemidorus1570Stiftung der Werke von C.G.Jung, Zürich
Pauli principis de la Scala et Hun ... primi tomi miscellaneorum, de rerum caussis & successibus atque secretiori methodo ibidem expressa effigies ac exemplar, nimirum vaticiniorum & imaginum Ioachimi abbatis Florensis Calabriae, & Anselmi episcopi Marsichani, super statu summorum pontificum Rhomanae ecclesiae, contra falsam, iniquam, vanam, confictam & seditiosam cuiusdam pseudomagi, quae nuper nomine Theophrasti Paracelsi in lucem prodiit, pseudomagicam expositionem vera, & certa, & indubitata| explanatioJoachim1570Stiftung der Werke von C.G.Jung, Zürich
Mercurii Trismegisti Pimandras utraque lingua restitutusHermes1574Stiftung der Werke von C.G.Jung, ZürichAlso at Cleveland Museum of Art
475
Black-Figure Nikosthenic Amphora (Storage Vessel): Dancing Youths; Sphinxes and Lions; Satyrs and MaenadsNikosthenes (Greek, Attic, active c. 545–510 BCE); Painter N, Thiasos Group (Greek, c. 530–510 BC)c. 530–510 BCECleveland Museum of Art
Black-Figure Dinos (Mixing Vessel): Warships (Int.); Heroic Scenes (Top)Antimenes Painter (Greek, Attic, active c. 530–510 BCE)c. 520–515 BCECleveland Museum of Art
White-Ground Lekythos (Oil Vessel): Atalanta and ErotesDouris (Greek, Attic, active c. 500–470 BCE)c. 500–490 BCECleveland Museum of Art
Black-Figure White-Ground Lekythos (Oil Vessel): Athena between Cocks and Hieropoioi (Officials)Athena Painter (Greek, c. 500–475 BCE)500–485 BCECleveland Museum of Art
Red-Figure Lekythos (Oil Vessel): Athena Slaying Giant (body); Satyr between Maenads (shoulder)Berlin Painter (Greek, Attic, active c. 505–460 BC); Painter of Goluchow 37 (Greek, Attic, active c. 490–460 BC)c. 490 BCECleveland Museum of Art
Red-Figure Lekythos (Oil Vessel): Warrior Cutting HairOionokles Painter (Greek, Attic, active c. 480–460 BCE)c. 480–470 BCECleveland Museum of Art
Red-Figure Column Krater (Mixing Vessel): Apollo and Goddesses with Chariot (A); Komos (Revel) (B)Cleveland Painter (name vase; Greek, Attic, active c. 470–460 BCE)c. 470–460 BCECleveland Museum of Art
Fragment from Red-Figure Oinochoe (Wine Jug) or Hydria (Water Jar): Woman Holding BoxShuvalov Painter (Greek, Attic, active c. 440–410 BCE)c. 425–420 BCECleveland Museum of Art
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Made in the seventeenth century, like Mourning Virgin from a Crucifixion Group.