Still Life: Bouquet of Flowers Emerging from the Grass, Unknown

Seen

Not described yet.


Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Wikidata depicts
flower

Means

No reading yet.


Rights

Credit
Purchase and partial gift from the Catherine and Ralph Benkaim Collection; Severance and Greta Millikin Purchase Fund
Licence
CC0-1.0
Evidence
openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 314466 (read 2026-09-01)
Record
https://clevelandart.org/art/2018.161
Still Life: Bouquet of Flowers Emerging from the Grass, Unknown
Still Life: Bouquet of Flowers Emerging from the Grass — Unknownc. 1750

Also by Unknown

5442
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Relief of Nyankhnesut Seated, Unknown
Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of c. 1750

1750
Stage Design: Proscenium and Palace Staircase, Girolamo Fontana, Italian, 1668 - 1701
Stage Design: Proscenium and Palace StaircaseGirolamo Fontana, Italian, 1668 - 17011690–1710Cooper Hewitt, Smithsonian Design Museum
Furniture Design: Elevation of a Pedestal or Case, Gilles-Marie Oppenord, French, 1672–1742
Furniture Design: Elevation of a Pedestal or CaseGilles-Marie Oppenord, French, 1672–1742ca. 1690Cooper Hewitt, Smithsonian Design Museum
Habit de Fontainier from "Habits de Métier et Professions", Nicolas Larmessin III, French, 1656–1725
Habit de Fontainier from "Habits de Métier et Professions"Nicolas Larmessin III, French, 1656–1725ca. 1690Cooper Hewitt, Smithsonian Design Museum
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors, Sir James Thornhill
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoorsSir James ThornhillundatedYale Center for British Art
Collectanea medico-physica, oder Holländisch Jahr-Register, sonderbarer Anmerckungen, die so wol in der Artzney-Kunst, als Wissenschaft der Natur in gantz Europa vorgefallen, auf das Jahr 1680 [- 1682] ..., Blankaart, Steven
Collectanea medico-physica, oder Holländisch Jahr-Register, sonderbarer Anmerckungen, die so wol in der Artzney-Kunst, als Wissenschaft der Natur in gantz Europa vorgefallen, auf das Jahr 1680 [- 1682] ...Blankaart, Steven1690Stiftung der Werke von C.G.Jung, Zürich
Drawing for the Rear of the Third Carriage of the Prince of Liechtenstein, Antonio Creccolini, Italian, 1671 – ca. 1725
Drawing for the Rear of the Third Carriage of the Prince of LiechtensteinAntonio Creccolini, Italian, 1671 – ca. 17251691–1694Cooper Hewitt, Smithsonian Design Museum
Johannis Ticinensis, eines böhmischen Priesters Anthonii de Abbatia, eines in der Kunst erfahrnen Mönchs und Edoardi Kellaei eines welt-berühmten Engeländers vortreffliche und aussführliche chymische Bücher ..., Tetzen, Johann von
Johannis Ticinensis, eines böhmischen Priesters Anthonii de Abbatia, eines in der Kunst erfahrnen Mönchs und Edoardi Kellaei eines welt-berühmten Engeländers vortreffliche und aussführliche chymische Bücher ...Tetzen, Johann von1691Stiftung der Werke von C.G.Jung, Zürich
La  lumière sortant par soi-mesme des ténèbres ou veritable théorie de la pierre des philosophes, écrite en vers italiens, avec un commentaire ..., Tachenius, Otto
La lumière sortant par soi-mesme des ténèbres ou veritable théorie de la pierre des philosophes, écrite en vers italiens, avec un commentaire ...Tachenius, Otto1693Stiftung der Werke von C.G.Jung, Zürich, online

Also at Cleveland Museum of Art

489
Black-Figure Nikosthenic Amphora (Storage Vessel): Dancing Youths; Sphinxes and Lions; Satyrs and Maenads, Nikosthenes (Greek, Attic, active c. 545–510 BCE); Painter N, Thiasos Group (Greek, c. 530–510 BC)
Black-Figure Nikosthenic Amphora (Storage Vessel): Dancing Youths; Sphinxes and Lions; Satyrs and MaenadsNikosthenes (Greek, Attic, active c. 545–510 BCE); Painter N, Thiasos Group (Greek, c. 530–510 BC)c. 530–510 BCECleveland Museum of Art
Black-Figure Dinos (Mixing Vessel): Warships (Int.); Heroic Scenes (Top), Antimenes Painter (Greek, Attic, active c. 530–510 BCE)
Black-Figure Dinos (Mixing Vessel): Warships (Int.); Heroic Scenes (Top)Antimenes Painter (Greek, Attic, active c. 530–510 BCE)c. 520–515 BCECleveland Museum of Art
White-Ground Lekythos (Oil Vessel): Atalanta and Erotes, Douris (Greek, Attic, active c. 500–470 BCE)
White-Ground Lekythos (Oil Vessel): Atalanta and ErotesDouris (Greek, Attic, active c. 500–470 BCE)c. 500–490 BCECleveland Museum of Art
Black-Figure White-Ground Lekythos (Oil Vessel): Athena between Cocks and Hieropoioi (Officials), Athena Painter (Greek, c. 500–475 BCE)
Black-Figure White-Ground Lekythos (Oil Vessel): Athena between Cocks and Hieropoioi (Officials)Athena Painter (Greek, c. 500–475 BCE)500–485 BCECleveland Museum of Art
Red-Figure Lekythos (Oil Vessel): Athena Slaying Giant (body); Satyr between Maenads (shoulder), Berlin Painter (Greek, Attic, active c. 505–460 BC); Painter of Goluchow 37 (Greek, Attic, active c. 490–460 BC)
Red-Figure Lekythos (Oil Vessel): Athena Slaying Giant (body); Satyr between Maenads (shoulder)Berlin Painter (Greek, Attic, active c. 505–460 BC); Painter of Goluchow 37 (Greek, Attic, active c. 490–460 BC)c. 490 BCECleveland Museum of Art
Red-Figure Lekythos (Oil Vessel): Warrior Cutting Hair, Oionokles Painter (Greek, Attic, active c. 480–460 BCE)
Red-Figure Lekythos (Oil Vessel): Warrior Cutting HairOionokles Painter (Greek, Attic, active c. 480–460 BCE)c. 480–470 BCECleveland Museum of Art
Red-Figure Column Krater (Mixing Vessel): Apollo and Goddesses with Chariot (A); Komos (Revel) (B), Cleveland Painter (name vase; Greek, Attic, active c. 470–460 BCE)
Red-Figure Column Krater (Mixing Vessel): Apollo and Goddesses with Chariot (A); Komos (Revel) (B)Cleveland Painter (name vase; Greek, Attic, active c. 470–460 BCE)c. 470–460 BCECleveland Museum of Art
Fragment from Red-Figure Oinochoe (Wine Jug) or Hydria (Water Jar): Woman Holding Box, Shuvalov Painter (Greek, Attic, active c. 440–410 BCE)
Fragment from Red-Figure Oinochoe (Wine Jug) or Hydria (Water Jar): Woman Holding BoxShuvalov Painter (Greek, Attic, active c. 440–410 BCE)c. 425–420 BCECleveland Museum of Art

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Design for a Woven Fabric Motif, Unknown
Design for a Woven Fabric MotifUnknown1815–30Cooper Hewitt, Smithsonian Design Museum
0.89
Textile, Unknown
TextileUnknownmid–late 18th centuryCooper Hewitt, Smithsonian Design Museum
0.88
Textile, Unknown
TextileUnknown1700–1750Cooper Hewitt, Smithsonian Design Museum
0.88
Design for a Woven Fabric Motif, Unknown
Design for a Woven Fabric MotifUnknown1815–30Cooper Hewitt, Smithsonian Design Museum
0.87
Sidewall, Unknown
SidewallUnknown1760–65Cooper Hewitt, Smithsonian Design Museum
0.87
Textile, Unknown
TextileUnknown1820–40Cooper Hewitt, Smithsonian Design Museum
0.87
Floral design for printed textiles, Louis-Albert DuBois, Swiss, 1752–1818
Floral design for printed textilesLouis-Albert DuBois, Swiss, 1752–18181800–1818Cooper Hewitt, Smithsonian Design Museum
0.87
Floral design for printed textiles, Louis-Albert DuBois, Swiss, 1752–1818
Floral design for printed textilesLouis-Albert DuBois, Swiss, 1752–18181800–1818Cooper Hewitt, Smithsonian Design Museum
0.87

Next

Made in the eighteenth century, like Still Life: Bouquet of Flowers Emerging from the Grass.

0:00–0:00