Princess with Wine Bottle and Cup (recto) — Unknown, c. 1550–1600

Princess with Wine Bottle and Cup (recto), Unknown

Seen

Not described yet.

Of

No subject recorded yet.

Means

No reading yet.

Rights

Credit: Edward L. Whittemore Fund
Licence: CC0-1.0
Evidence: openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 125565 (read 2026-08-27)
Record: https://clevelandart.org/art/1947.496.a

Also by Unknown

5442

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of c. 1550–1600

302

Madonna and Child with Angels, Antonio Rossellino — Madonna and Child with AngelsAntonio Rossellinoca. 1455–60Metropolitan Museum of Art, New York, NY

Minature Handled Bowl with Textile-like Design, Inca — Minature Handled Bowl with Textile-like DesignInca1450–1532The Art Institute of Chicago

Ritual Impersonator of the Deity Xipe Totec, Mexica (Aztec) — Ritual Impersonator of the Deity Xipe TotecMexica (Aztec)1450–1500The Art Institute of Chicago

Manuscript Leaf with the Trinity in an Initial G, from an Antiphonary, Master of the Riccardiana Lactantius — Manuscript Leaf with the Trinity in an Initial G, from an AntiphonaryMaster of the Riccardiana Lactantiussecond half 15th centuryMetropolitan Museum of Art, New York, NY

Saint John the Baptist, Jan Crocq (Netherlandish, act. 1486–1510) — Saint John the BaptistJan Crocq (Netherlandish, act. 1486–1510)c. 1500Cleveland Museum of Art

The Adoration of the Shepherds, Andrea Mantegna — The Adoration of the ShepherdsAndrea Mantegnashortly after 1450Metropolitan Museum of Art, New York, NY

Leaf from a Book of Hours: Office of the Dead: Angel Chasing a Devil (recto), Coëtivy Master (French) — Leaf from a Book of Hours: Office of the Dead: Angel Chasing a Devil (recto)Coëtivy Master (French)c. 1460Cleveland Museum of Art

Cassone with painted front panel depicting the Conquest of Trebizond, Apollonio di Giovanni di Tomaso — Cassone with painted front panel depicting the Conquest of TrebizondApollonio di Giovanni di Tomasoafter ca. 1461Metropolitan Museum of Art, New York, NY

Also at Cleveland Museum of Art

442

Black-Figure Nikosthenic Amphora (Storage Vessel): Dancing Youths; Sphinxes and Lions; Satyrs and Maenads, Nikosthenes (Greek, Attic, active c. 545–510 BCE); Painter N, Thiasos Group (Greek, c. 530–510 BC) — Black-Figure Nikosthenic Amphora (Storage Vessel): Dancing Youths; Sphinxes and Lions; Satyrs and MaenadsNikosthenes (Greek, Attic, active c. 545–510 BCE); Painter N, Thiasos Group (Greek, c. 530–510 BC)c. 530–510 BCECleveland Museum of Art

Black-Figure Dinos (Mixing Vessel): Warships (Int.); Heroic Scenes (Top), Antimenes Painter (Greek, Attic, active c. 530–510 BCE) — Black-Figure Dinos (Mixing Vessel): Warships (Int.); Heroic Scenes (Top)Antimenes Painter (Greek, Attic, active c. 530–510 BCE)c. 520–515 BCECleveland Museum of Art

White-Ground Lekythos (Oil Vessel): Atalanta and Erotes, Douris (Greek, Attic, active c. 500–470 BCE) — White-Ground Lekythos (Oil Vessel): Atalanta and ErotesDouris (Greek, Attic, active c. 500–470 BCE)c. 500–490 BCECleveland Museum of Art

Black-Figure White-Ground Lekythos (Oil Vessel): Athena between Cocks and Hieropoioi (Officials), Athena Painter (Greek, c. 500–475 BCE) — Black-Figure White-Ground Lekythos (Oil Vessel): Athena between Cocks and Hieropoioi (Officials)Athena Painter (Greek, c. 500–475 BCE)500–485 BCECleveland Museum of Art

Red-Figure Lekythos (Oil Vessel): Athena Slaying Giant (body); Satyr between Maenads (shoulder), Berlin Painter (Greek, Attic, active c. 505–460 BC); Painter of Goluchow 37 (Greek, Attic, active c. 490–460 BC) — Red-Figure Lekythos (Oil Vessel): Athena Slaying Giant (body); Satyr between Maenads (shoulder)Berlin Painter (Greek, Attic, active c. 505–460 BC); Painter of Goluchow 37 (Greek, Attic, active c. 490–460 BC)c. 490 BCECleveland Museum of Art

Red-Figure Lekythos (Oil Vessel): Warrior Cutting Hair, Oionokles Painter (Greek, Attic, active c. 480–460 BCE) — Red-Figure Lekythos (Oil Vessel): Warrior Cutting HairOionokles Painter (Greek, Attic, active c. 480–460 BCE)c. 480–470 BCECleveland Museum of Art

Red-Figure Column Krater (Mixing Vessel): Apollo and Goddesses with Chariot (A); Komos (Revel) (B), Cleveland Painter (name vase; Greek, Attic, active c. 470–460 BCE) — Red-Figure Column Krater (Mixing Vessel): Apollo and Goddesses with Chariot (A); Komos (Revel) (B)Cleveland Painter (name vase; Greek, Attic, active c. 470–460 BCE)c. 470–460 BCECleveland Museum of Art

Fragment from Red-Figure Oinochoe (Wine Jug) or Hydria (Water Jar): Woman Holding Box, Shuvalov Painter (Greek, Attic, active c. 440–410 BCE) — Fragment from Red-Figure Oinochoe (Wine Jug) or Hydria (Water Jar): Woman Holding BoxShuvalov Painter (Greek, Attic, active c. 440–410 BCE)c. 425–420 BCECleveland Museum of Art

Similar picturesFound by visual likeness

4 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

The House of Bijapur, Kamal Muhammad — The House of BijapurKamal Muhammadca. 1680Metropolitan Museum of Art, New York, NY

0.84

Portrait of Raja Jagat Singh of Nurpur (reigned 1618–46), Bichitr (Indian, active c. 1615–50) — Portrait of Raja Jagat Singh of Nurpur (reigned 1618–46)Bichitr (Indian, active c. 1615–50)probably 1619Cleveland Museum of Art

0.84

"Misbah the Grocer Brings the Spy Parran to his House", Folio from a Hamzanama (The Adventures of Hamza), Dasavanta — "Misbah the Grocer Brings the Spy Parran to his House", Folio from a Hamzanama (The Adventures of Hamza)Dasavantaca. 1570Metropolitan Museum of Art, New York, NY

0.83

Sleeping Youth (verso), Illustration from a Single Page Manuscript, Riza-yi Abbasi (Iranian) — Sleeping Youth (verso), Illustration from a Single Page ManuscriptRiza-yi Abbasi (Iranian)early 1600sCleveland Museum of Art

0.83

Next

Made in the sixteenth century, like Princess with Wine Bottle and Cup (recto).

0:00–0:00