Adoration of the Magi from Seven Scenes from the Life of Christ, Unknown

When Jesus therefore was born in Bethlehem of Juda, in the days of king Herod, behold,…Matthew 2:1

  1. Shrine of the Virgin, Unknownca. 1300Unknown
  2. The Adoration of the Magi, Giotto di Bondonepossibly ca. 1320Giotto di Bondone
  3. The Hours of Jeanne d'Evreux, Queen of France, Jean Pucelleca. 1324–28Jean Pucelle
  4. The Adoration of the Magi, Bartolo di Fredica. 1390Bartolo di Fredi
  5. Adoration of the Magi from Seven Scenes from the Life of Christ, Unknownca. 1390UnknownThis record
  6. Crib of the Infant Jesus, Unknown15th centuryUnknown
  7. The Adoration of the Magi, Joos van Wassenhove1472–74Joos van Wassenhove

What it depicts

Matthew 2:1-12Opened by a notation lookup, not by an editor. Iconclass 73B5 glosses this subject as “the story of the three Wise Men (kings or Magi) (Matthew 2:1-12)”, and this library reads the Douay-Rheims, where the passage stands at Matthew 2:1-12. Named the Adoration of the Magi by Abe Garcia, 2026-09-07. Iconclass hedges its title because the gospel does not say how many the wise men were or that they were kings. The hedge is right and it is not a name.

1When Jesus therefore was born in Bethlehem of Juda, in the days of king Herod, behold, there came wise men from the east to Jerusalem.

2Saying, Where is he that is born king of the Jews? For we have seen his star in the east, and are come to adore him.

3And king Herod hearing this, was troubled, and all Jerusalem with him.

4And assembling together all the chief priests and the scribes of the people, he inquired of them where Christ should be born.

5But they said to him: In Bethlehem of Juda. For so it is written by the prophet:

6And thou Bethlehem the land of Juda art not the least among the princes of Juda: for out of thee shall come forth the captain that shall rule my people Israel.

7Then Herod, privately calling the wise men, learned diligently of them the time of the star which appeared to them;

8And sending them into Bethlehem, said: Go and diligently inquire after the child, and when you have found him, bring me word again, that I also may come to adore him.

9Who having heard the king, went their way; and behold the star which they had seen in the east, went before them, until it came and stood over where the child was.

10And seeing the star they rejoiced with exceeding great joy.

11And entering into the house, they found the child with Mary his mother, and falling down they adored him; and opening their treasures, they offered him gifts; gold, frankincense, and myrrh.

12And having received an answer in sleep that they should not return to Herod, they went back another way into their country.

Read it in Matthew


Seen

Not described yet.


Of

The subjects are the library’s own joins, each marked with who made it. The other rows are claims by the holder and by Wikidata, read 2026-09-17, and join nothing until an editor confirms them.

Subject
The Adoration of the MagiMatthew 2:1-12joined by editor pass delegated by Abe Garcia, 2026-09-18
Iconclass
73B57
Holder's headings
Adoration of the Magi
Wikidata depicts
adoration of the Magi, Christ Child

Means

No reading yet.


Rights

Credit
The Cloisters Collection, 1986
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 469959 (read 2026-09-16)
Record
https://www.metmuseum.org/art/collection/search/469959
Adoration of the Magi from Seven Scenes from the Life of Christ, Unknown
Adoration of the Magi from Seven Scenes from the Life of Christ — Unknownca. 1390

How this join was made

Metropolitan Museum of Art, New York, NY gives this object the Iconclass notation73B57, and the library's map reads that notation as Matthew 2:1-12. An editor has checked the picture against the passage and confirmed it.

Confirmed: the object's own title names the scene and the matched notation or heading is specific to it.

Also by Unknown

5442
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Relief of Nyankhnesut Seated, Unknown
Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of ca. 1390

37
Book of the Gospels, Northern Highlands artist
Book of the GospelsNorthern Highlands artistlate 14th–early 15th centuryMetropolitan Museum of Art, New York, NY
Saint Benedict Presenting his Rule to Benedictine and Cistercian Monks in a Historiated Initial "O" from a Choirbook, Martino di Bartolomeo di Biagio
Saint Benedict Presenting his Rule to Benedictine and Cistercian Monks in a Historiated Initial "O" from a ChoirbookMartino di Bartolomeo di Biagio1394/95The Art Institute of Chicago
The Nativity in a Historiated Initial "P" from a Choir Book, Master of the Brussels Initials
The Nativity in a Historiated Initial "P" from a Choir BookMaster of the Brussels Initialsc. 1390The Art Institute of Chicago
Speculum Humanae Salvationis, English
from the Abbey of Great Missenden
Speculum Humanae SalvationisEnglish from the Abbey of Great Missenden1382/1406The Art Institute of Chicago
The Adoration of the Magi, Bartolo di Fredi
The Adoration of the MagiBartolo di Fredica. 1390Metropolitan Museum of Art, New York, NY
Corpus of Christ, from the Altarpiece of the Crucifixion, Jacques de Baerze
Corpus of Christ, from the Altarpiece of the CrucifixionJacques de Baerze1391–99The Art Institute of Chicago
A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de Conty, Master of the Second Roman de la Rose of the Duke of Berry,
A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de ContyMaster of the Second Roman de la Rose of the Duke of Berry,ca. 1400Metropolitan Museum of Art, New York, NY
St. Francis of Assisi with Donors in a Historiated Initial from an Unidentified Manuscript, Italian (Florence)
St. Francis of Assisi with Donors in a Historiated Initial from an Unidentified ManuscriptItalian (Florence)c. 1400The Art Institute of Chicago

Also at Metropolitan Museum of Art, New York, NY

620
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Terracotta aryballos (oil flask), Nearchos
Terracotta aryballos (oil flask)Nearchosca. 570 BCEMetropolitan Museum of Art, New York, NY
Terracotta psykter (vase for cooling wine), Oltos
Terracotta psykter (vase for cooling wine)Oltosca. 520–510 BCEMetropolitan Museum of Art, New York, NY
Terracotta amphora (jar), Berlin Painter
Terracotta amphora (jar)Berlin Painterca. 490 BCEMetropolitan Museum of Art, New York, NY
Terracotta kylix (drinking cup), Hieron
Terracotta kylix (drinking cup)Hieronca. 480 BCEMetropolitan Museum of Art, New York, NY
Terracotta lekythos (oil flask), Achilles Painter
Terracotta lekythos (oil flask)Achilles Painterca. 440 BCEMetropolitan Museum of Art, New York, NY
Mask, Condorhuasi-Alamito artist(s)
MaskCondorhuasi-Alamito artist(s)400 BCE–700 CEMetropolitan Museum of Art, New York, NY
Mask, Condorhuasi-Alamito artist(s)
MaskCondorhuasi-Alamito artist(s)400 BCE–500 CEMetropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

2 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

The Agony in the Garden, Unknown
The Agony in the GardenUnknownca. 1390Metropolitan Museum of Art, New York, NY
0.92
Crucified Christ, Unknown
Crucified ChristUnknownc. 1480–1500Cleveland Museum of Art
0.87

Connections

Depicts

  • The Adoration of the MagiConfirmed: the object's own title names the scene and the matched notation or heading is specific to it.

Next

Made in the fourteenth century, like Adoration of the Magi from Seven Scenes from the Life of Christ.

0:00–0:00