Vase — Unknown, 1736–95

Vase, Unknown

Seen

Not described yet.

Of

No subject recorded yet.

Means

No reading yet.

Rights

Credit: Bequest of Mary Hearn Greims
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1927-5-43 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/43346

Also by Unknown

5442

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of 1736–95

1655

Venus and Adonis from a set of Mythological Subjects after Raphael, Raphael (Raffaello Sanzio or Santi) — Venus and Adonis from a set of Mythological Subjects after RaphaelRaphael (Raffaello Sanzio or Santi)designed 1686, woven 1686–90Metropolitan Museum of Art, New York, NY

Album of Architectural Interior Wall Elevations, Plans, and Door Designs, Jean Mariette, French, 1660–1742 — Album of Architectural Interior Wall Elevations, Plans, and Door DesignsJean Mariette, French, 1660–17421686–1740Cooper Hewitt, Smithsonian Design Museum

Reminiscence of Jinling, Wang Gai — Reminiscence of JinlingWang Gai1686Metropolitan Museum of Art, New York, NY

Muscles of the face and neck. Engraving, 1686., Steven Blankaart; Govert Bidloo — Muscles of the face and neck. Engraving, 1686.Steven Blankaart; Govert Bidloo[1686]Wellcome Collection

Escalier des sages ou la philosophie des anciens, Coenders van Helpen, Barent — Escalier des sages ou la philosophie des anciensCoenders van Helpen, Barent1686Stiftung der Werke von C.G.Jung, Zürich

LE PONT ROIAL DES THUILERIES, Livens, unknown, active 1687 – 1703 — LE PONT ROIAL DES THUILERIESLivens, unknown, active 1687 – 17031687–1703Cooper Hewitt, Smithsonian Design Museum

Design in Second Livre de Tableaux de Ornemens et Rocailles (Second Book of Ornaments and Rocailles), Jacques de Lajoüe, French, 1687–1761 — Design in Second Livre de Tableaux de Ornemens et Rocailles (Second Book of Ornaments and Rocailles)Jacques de Lajoüe, French, 1687–17611687–1761Cooper Hewitt, Smithsonian Design Museum

Michaelis Maieri ... secretioris naturae secretorum scrutinium chymicum, per oculis et intellectui accurate accommodata, figuris cupro appositissime incisa, ingeniosissima emblemata, hisque confines, & ad rem egregie facientes sententias, doctissimaque item epigrammata, illustratum. Opusculum ingeniis altioribus ..., Maier, Michael — Michaelis Maieri ... secretioris naturae secretorum scrutinium chymicum, per oculis et intellectui accurate accommodata, figuris cupro appositissime incisa, ingeniosissima emblemata, hisque confines, & ad rem egregie facientes sententias, doctissimaque item epigrammata, illustratum. Opusculum ingeniis altioribus ...Maier, Michael1687Stiftung der Werke von C.G.Jung, Zürich, online

Also at Cooper Hewitt, Smithsonian Design Museum

3681

Ornament Panel with Bird Cage, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with Bird CageNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel Inscribed "Victoria Augusta", Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel Inscribed "Victoria Augusta"Nicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel with Mars, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with MarsNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Abraham and the Three Angels, Lucas van Leyden, Netherlandish, ca. 1494–1533 — Abraham and the Three AngelsLucas van Leyden, Netherlandish, ca. 1494–15331513Cooper Hewitt, Smithsonian Design Museum

Study of a Rearing Horse after Leonardo da Vinci, Francesco Melzi, Italian, 1491 – 1570 — Study of a Rearing Horse after Leonardo da VinciFrancesco Melzi, Italian, 1491 – 1570ca. 1520–25Cooper Hewitt, Smithsonian Design Museum

Portrait of Albrecht of Brandenburg, Albrecht Dürer, German, 1471–1528 — Portrait of Albrecht of BrandenburgAlbrecht Dürer, German, 1471–15281524Cooper Hewitt, Smithsonian Design Museum

Grotesque Ornament with Satyrs, from a set of twenty ornament panels, Agostino Veneziano, Italian, ca. 1490 - after 1536 — Grotesque Ornament with Satyrs, from a set of twenty ornament panelsAgostino Veneziano, Italian, ca. 1490 - after 1536ca. 1530–1535Cooper Hewitt, Smithsonian Design Museum

Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork), Léonard Thiry, Flemish, 1550 — Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork)Léonard Thiry, Flemish, 15501540–1560Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Creamer, Royal Worcester, English, established 1751 — CreamerRoyal Worcester, English, established 1751ca. 1770Cooper Hewitt, Smithsonian Design Museum

0.89

Plum Vase (Maebyeong) with Clouds, Cranes, and Children Motifs, Korea — Plum Vase (Maebyeong) with Clouds, Cranes, and Children MotifsKoreaGoryeo dynasty (918–1392), late 12th centuryThe Art Institute of Chicago

0.87

Beaker, Unknown — BeakerUnknown1662–1722Cooper Hewitt, Smithsonian Design Museum

0.87

Vase, Unknown — VaseUnknown1662–1722Cooper Hewitt, Smithsonian Design Museum

0.86

Cruet with cover, Unknown — Cruet with coverUnknown18th centuryCooper Hewitt, Smithsonian Design Museum

0.85

Mug, Royal Worcester, English, established 1751 — MugRoyal Worcester, English, established 1751late 18th centuryCooper Hewitt, Smithsonian Design Museum

0.85

Jug, Unknown — JugUnknown19th centuryCooper Hewitt, Smithsonian Design Museum

0.85

Plate, butter, Unknown — Plate, butterUnknownearly 19th centuryCooper Hewitt, Smithsonian Design Museum

0.84

Next

Made in the eighteenth century, like Vase.

0:00–0:00