medium

black chalk

183 works · 1499 to 1905 · aat:300080058

20 of 442 ids checked against the materials Wikidata records named a different concept (4.5%), read 2026-09-08

black chalk: Cooper Hewitt, Smithsonian Design Museum, The Art Institute of Chicago, Cleveland Museum of Art, Metropolitan Museum of Art, New York, NY and National Gallery of Art183 as in Black chalk on paper, Black chalk, pen and ink on paper, Pen and brown ink, brown wash, over black chalk, on rolled paper., Pen and brown ink, brush and brown wash, over black chalk on white heavy wove paper and 147 more
Getty: black chalkArt & Architecture Thesaurus 300080058

Figure of a Man, after Polidoro da Caravaggio — Figure of a Manafter Polidoro da CaravaggioNational Gallery of Art

Joanna of Aragon, Raphael — Joanna of AragonRaphaeln.d.The Art Institute of Chicago

Lucretia, Raphael (Raffaello Sanzio or Santi) — LucretiaRaphael (Raffaello Sanzio or Santi)1508–10Metropolitan Museum of Art, New York, NY

The Head of the Virgin in Three-Quarter View Facing Right, Leonardo da Vinci — The Head of the Virgin in Three-Quarter View Facing RightLeonardo da Vinci1510–13Metropolitan Museum of Art, New York, NY

Upraised Right Hand, with Palm Facing Outward: Study for Saint Peter, Raphael — Upraised Right Hand, with Palm Facing Outward: Study for Saint PeterRaphael1518/20The Art Institute of Chicago

Battle of the Amazons, Polidoro da Caravaggio — Battle of the AmazonsPolidoro da Caravaggion.d.The Art Institute of Chicago

Sketches of Horses' (or Dromedaries') Legs (recto); Columns (verso), Follower of Leonardo da Vinci — Sketches of Horses' (or Dromedaries') Legs (recto); Columns (verso)Follower of Leonardo da Vincic. 1530The Art Institute of Chicago

Design for a ewer, Unknown — Design for a ewerUnknownca. 1540Cooper Hewitt, Smithsonian Design Museum

Ascending Male Nude, Michelangelo Buonarroti — Ascending Male NudeMichelangelo Buonarrotin.d.The Art Institute of Chicago

Project for a Frieze, Unknown — Project for a FriezeUnknown1550–1600Cooper Hewitt, Smithsonian Design Museum

Design for a Sepulchral Monument for a Medici Cardinal, Francesco da Sangallo, Italian, 1494 - 1576 — Design for a Sepulchral Monument for a Medici CardinalFrancesco da Sangallo, Italian, 1494 - 1576ca. 1560–70Cooper Hewitt, Smithsonian Design Museum

Perseus with the Head of Medusa, Turning Phineus and his Followers to Stone, Polidoro da Caravaggio — Perseus with the Head of Medusa, Turning Phineus and his Followers to StonePolidoro da Caravaggio1567The Art Institute of Chicago

Design for the Stucco Decoration of a Ceiling, Unknown — Design for the Stucco Decoration of a CeilingUnknown1578–1600Cooper Hewitt, Smithsonian Design Museum

Escutcheon, Federico Zuccaro, Italian, 1542 – 1609 — EscutcheonFederico Zuccaro, Italian, 1542 – 1609ca. 1580Cooper Hewitt, Smithsonian Design Museum

Mars, Jan van der Straet, called Stradanus, Flemish, 1523–1605 — MarsJan van der Straet, called Stradanus, Flemish, 1523–1605ca. 1580 – 1605Cooper Hewitt, Smithsonian Design Museum

Design for a Sculptured Coat of Arms; Verso: Sketches of Architectural Designs, Unknown — Design for a Sculptured Coat of Arms; Verso: Sketches of Architectural DesignsUnknown1580–1600Cooper Hewitt, Smithsonian Design Museum

Flight of Celia, Polidoro da Caravaggio — Flight of CeliaPolidoro da Caravaggion.d.The Art Institute of Chicago

Studies of Hands (recto); Sketch of a Child's Head (verso), Carletto Caliari (Italian, 1570–1596) — Studies of Hands (recto); Sketch of a Child's Head (verso)Carletto Caliari (Italian, 1570–1596)c. 1586Cleveland Museum of Art

Projects for Decorations of Panels, Unknown — Projects for Decorations of PanelsUnknownca. 1590Cooper Hewitt, Smithsonian Design Museum

An Escutcheon, Unknown — An EscutcheonUnknownca. 1590Cooper Hewitt, Smithsonian Design Museum

Drawing: A) Rhea and the infant Jupiter. B) St. Francis of Assisi, Unknown — Drawing: A) Rhea and the infant Jupiter. B) St. Francis of AssisiUnknown1590–1620Cooper Hewitt, Smithsonian Design Museum

Drawing: A) Personification of charity, B) A terrified woman, Unknown — Drawing: A) Personification of charity, B) A terrified womanUnknown1590–1620Cooper Hewitt, Smithsonian Design Museum

Female Roman Statue Seen from the Back, Attributed to Nicolas Poussin — Female Roman Statue Seen from the BackAttributed to Nicolas PoussinNational Gallery of Art

Design for a Wall Decoration: Representations of the Ascension and of the Conversion of the Ethiopian Eunuch, Giovanni de' Vecchi — Design for a Wall Decoration: Representations of the Ascension and of the Conversion of the Ethiopian EunuchGiovanni de' Vecchica. 1600Metropolitan Museum of Art, New York, NY

Guard Drawing His Sword, Raphael — Guard Drawing His SwordRaphaeln.d.The Art Institute of Chicago

Design for Escutcheon, with Skulls, Unknown Genoese — Design for Escutcheon, with SkullsUnknown Genoesen.d.The Art Institute of Chicago

Project for a Frieze, Unknown — Project for a FriezeUnknown1610–1630Cooper Hewitt, Smithsonian Design Museum

Drunken Silenus Satyr and Nymphs, Nicolas Poussin — Drunken Silenus Satyr and NymphsNicolas Poussinn.d.The Art Institute of Chicago

Man Kneeling With Jug (recto); Standing Man (verso), Nicolas Poussin — Man Kneeling With Jug (recto); Standing Man (verso)Nicolas Poussinn.d.The Art Institute of Chicago

Italianate Landscape with Castle, Trees and Water in Foreground, School of Nicolas Poussin — Italianate Landscape with Castle, Trees and Water in ForegroundSchool of Nicolas Poussinn.d.The Art Institute of Chicago

A Faun Grasping a Bunch of Grapes, Peter Paul Rubens (Flemish, 1577–1640) — A Faun Grasping a Bunch of GrapesPeter Paul Rubens (Flemish, 1577–1640)after 1616–18Cleveland Museum of Art

Drawing, Leonardo Scaglia, French, active Italy, 1640 – 1650 — DrawingLeonardo Scaglia, French, active Italy, 1640 – 16501620-1630Cooper Hewitt, Smithsonian Design Museum

Drawing, Leonardo Scaglia, French, active Italy, 1640 – 1650 — DrawingLeonardo Scaglia, French, active Italy, 1640 – 16501620-1630Cooper Hewitt, Smithsonian Design Museum

Sheet of a Drawing Book: Two Pitchers and Bowl, Giuseppe Valadier, Italian, 1762–1839 — Sheet of a Drawing Book: Two Pitchers and BowlGiuseppe Valadier, Italian, 1762–18391625–75Cooper Hewitt, Smithsonian Design Museum

Inkstand, Unknown — InkstandUnknown1625–50Cooper Hewitt, Smithsonian Design Museum

Project for an Escutcheon, Leonardo Scaglia, French, active Italy, 1640 – 1650 — Project for an EscutcheonLeonardo Scaglia, French, active Italy, 1640 – 16501625–1650Cooper Hewitt, Smithsonian Design Museum

Corner View of Composite Capital, Unknown — Corner View of Composite CapitalUnknown1625–1650Cooper Hewitt, Smithsonian Design Museum

A Man with Tongs, Unknown — A Man with TongsUnknown1625–1650Cooper Hewitt, Smithsonian Design Museum

Drawing, Leonardo Scaglia, French, active Italy, 1640 – 1650 — DrawingLeonardo Scaglia, French, active Italy, 1640 – 16501630-1640Cooper Hewitt, Smithsonian Design Museum

Study for the Head of St. Michael, Pietro da Cortona (Italian, 1596–1669) — Study for the Head of St. MichaelPietro da Cortona (Italian, 1596–1669)1633Cleveland Museum of Art

Figural Studies, Unknown — Figural StudiesUnknown1635–1650Cooper Hewitt, Smithsonian Design Museum

Modello for a Ceiling: Diana and the Dead Endymion, the Judgment of Paris, and the Death of Adonis, Nicolas Poussin — Modello for a Ceiling: Diana and the Dead Endymion, the Judgment of Paris, and the Death of AdonisNicolas Poussin1640/1642 (?)National Gallery of Art

Decoration detail of a coach, Unknown — Decoration detail of a coachUnknown1650–75Cooper Hewitt, Smithsonian Design Museum

Drawing, Leonardo Scaglia, French, active Italy, 1640 – 1650 — DrawingLeonardo Scaglia, French, active Italy, 1640 – 16501650-1675Cooper Hewitt, Smithsonian Design Museum

Decoration of a lateral panel of a coach, Unknown — Decoration of a lateral panel of a coachUnknown1650–75Cooper Hewitt, Smithsonian Design Museum

Decoration of a coach panel, Unknown — Decoration of a coach panelUnknown1650–75Cooper Hewitt, Smithsonian Design Museum

Study of Two Putti, Francesco Solimena, Italian, 1657–1747 — Study of Two PuttiFrancesco Solimena, Italian, 1657–17471689–94Cooper Hewitt, Smithsonian Design Museum

Stage Design: Palace Architecture, Unknown, Italian — Stage Design: Palace ArchitectureUnknown, Italian1700–1750Cooper Hewitt, Smithsonian Design Museum

Church Triumphant over Falsehood, Paolo de Mattheis, Italian, 1662 - 1728 — Church Triumphant over FalsehoodPaolo de Mattheis, Italian, 1662 - 1728ca. 1700Cooper Hewitt, Smithsonian Design Museum

Design for an Altar, Unknown — Design for an AltarUnknown1700–57Cooper Hewitt, Smithsonian Design Museum

Design for a Setting of the Exhibition of the Host, Unknown — Design for a Setting of the Exhibition of the HostUnknownca. 1700Cooper Hewitt, Smithsonian Design Museum

Fantastic Garden, Carlo Antonio Buffagnotti, Italian, ca. 1660–after 1715 — Fantastic GardenCarlo Antonio Buffagnotti, Italian, ca. 1660–after 1715ca. 1700Cooper Hewitt, Smithsonian Design Museum

Design for a Church Festival Setting, Unknown — Design for a Church Festival SettingUnknownca. 1700Cooper Hewitt, Smithsonian Design Museum

Design for the Lower Portion of a Wall Panel, Gilles-Marie Oppenord, French, 1672–1742 — Design for the Lower Portion of a Wall PanelGilles-Marie Oppenord, French, 1672–17421714Cooper Hewitt, Smithsonian Design Museum

Teatro Filarmonico, Accademia Filarmonica, Verona, Italy: Section and Ceiling, Jean-Joseph Chamant, French, 1699–1768 — Teatro Filarmonico, Accademia Filarmonica, Verona, Italy: Section and CeilingJean-Joseph Chamant, French, 1699–17681715–20Cooper Hewitt, Smithsonian Design Museum

Saint Jadwiga kneeling before the Crucified Christ; preparatory drawing for an altarpiece at the church of San Stanislao dei Polacchi, Rome, Szymon Czechowicz, Polish, 1689 - 1775 — Saint Jadwiga kneeling before the Crucified Christ; preparatory drawing for an altarpiece at the church of San Stanislao dei Polacchi, RomeSzymon Czechowicz, Polish, 1689 - 17751724–1725Cooper Hewitt, Smithsonian Design Museum

Design for a Hanging Console, Unknown — Design for a Hanging ConsoleUnknown1725–1750Cooper Hewitt, Smithsonian Design Museum

Design for a Pediment, Unknown — Design for a PedimentUnknown1725–1750Cooper Hewitt, Smithsonian Design Museum

Design for a Painting, Five Putti, Jacob de Wit, 1695 – 1754 — Design for a Painting, Five PuttiJacob de Wit, 1695 – 17541725–1754Cooper Hewitt, Smithsonian Design Museum

Project for a Crest with Alternate Suggestions, Unknown — Project for a Crest with Alternate SuggestionsUnknown1725–1750Cooper Hewitt, Smithsonian Design Museum

Design for an Ornament Panel, Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750 — Design for an Ornament PanelJuste-Aurèle Meissonnier, French, b. Italy, 1695–1750ca. 1728Cooper Hewitt, Smithsonian Design Museum

Cherub and Seraphs, Unknown — Cherub and SeraphsUnknown1730–60Cooper Hewitt, Smithsonian Design Museum

Designs for Chinoiserie Ornament, François Boucher, French, 1703–1770 — Designs for Chinoiserie OrnamentFrançois Boucher, French, 1703–17701730–60Cooper Hewitt, Smithsonian Design Museum

Flight into Egypt: The Embarkment of the Holy Family, Giovanni Battista Tiepolo (Italian, 1696–1770) — Flight into Egypt: The Embarkment of the Holy FamilyGiovanni Battista Tiepolo (Italian, 1696–1770)c. 1735Cleveland Museum of Art

Chariot of Apollo, Ceiling Design for Count Bielinski's Cabinet, Warsaw, Poland, Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750 — Chariot of Apollo, Ceiling Design for Count Bielinski's Cabinet, Warsaw, PolandJuste-Aurèle Meissonnier, French, b. Italy, 1695–17501734Cooper Hewitt, Smithsonian Design Museum

The Adoration of the Magi, Giovanni Battista Tiepolo (Italian, 1696–1770) — The Adoration of the MagiGiovanni Battista Tiepolo (Italian, 1696–1770)c. 1740Cleveland Museum of Art

Design for a Carved Mirror Frame, Gilles-Marie Oppenord, French, 1672–1742 — Design for a Carved Mirror FrameGilles-Marie Oppenord, French, 1672–1742before 1742Cooper Hewitt, Smithsonian Design Museum

Architectural Fantasy: Bridge and Monuments, Charles Michel-Ange Challe, French, 1718 – 1778 — Architectural Fantasy: Bridge and MonumentsCharles Michel-Ange Challe, French, 1718 – 17781745–50Cooper Hewitt, Smithsonian Design Museum

The Head of a Young Man Looking Upwards to the Right, Giovanni Battista Tiepolo (Italian, 1696–1770) — The Head of a Young Man Looking Upwards to the RightGiovanni Battista Tiepolo (Italian, 1696–1770)before 1752Cleveland Museum of Art

Architectural design around door, Giovanni Battista Natali III, Italian, 1698 - 1765 — Architectural design around doorGiovanni Battista Natali III, Italian, 1698 - 1765ca. 1750Cooper Hewitt, Smithsonian Design Museum

Saint John Preaching, Probably a Page from a Drawing Book, Unknown — Saint John Preaching, Probably a Page from a Drawing BookUnknown1750–1780Cooper Hewitt, Smithsonian Design Museum

Architectural Design Around Door, Giovanni Battista Natali III, Italian, 1698 - 1765 — Architectural Design Around DoorGiovanni Battista Natali III, Italian, 1698 - 1765ca. 1750Cooper Hewitt, Smithsonian Design Museum

Study of a Bunch of Roses, Unknown — Study of a Bunch of RosesUnknown1750-1775Cooper Hewitt, Smithsonian Design Museum

Hercules Slaying the Hydra, Unknown — Hercules Slaying the HydraUnknown1750–1800Cooper Hewitt, Smithsonian Design Museum

Stage Design: Palace Architecture, Unknown, Italian — Stage Design: Palace ArchitectureUnknown, Italian1750–99Cooper Hewitt, Smithsonian Design Museum

Stage Design: Palace Architecture, Unknown, Italian — Stage Design: Palace ArchitectureUnknown, Italian1750–99Cooper Hewitt, Smithsonian Design Museum

Architectural Ornaments t, Unknown — Architectural Ornaments tUnknownca. 1750Cooper Hewitt, Smithsonian Design Museum

Architectural Fantasy with Fountain and Obelisk, Louis-Joseph Le Lorrain, French, 1715–1759 — Architectural Fantasy with Fountain and ObeliskLouis-Joseph Le Lorrain, French, 1715–17591762Cooper Hewitt, Smithsonian Design Museum

A pair of trophies referring to the crafts of the cabinet maker and the carpenter, Jean-Charles Delafosse, French, 1734 – 1789 — A pair of trophies referring to the crafts of the cabinet maker and the carpenterJean-Charles Delafosse, French, 1734 – 17891765Cooper Hewitt, Smithsonian Design Museum

Irlande et sa Religion, (Ireland and its Religion), portal design for plate 44 in the "Nouvelle iconologie historique", Jean-Charles Delafosse, French, 1734 – 1789 — Irlande et sa Religion, (Ireland and its Religion), portal design for plate 44 in the "Nouvelle iconologie historique"Jean-Charles Delafosse, French, 1734 – 17891765Cooper Hewitt, Smithsonian Design Museum

Doorway, Marco Alberoni, Italian, 18th century — DoorwayMarco Alberoni, Italian, 18th centuryca. 1765Cooper Hewitt, Smithsonian Design Museum

Design for a Pair of Trophies, Jean-Charles Delafosse, French, 1734 – 1789 — Design for a Pair of TrophiesJean-Charles Delafosse, French, 1734 – 17891770–80Cooper Hewitt, Smithsonian Design Museum

Design for an Embroidered Motif, Unknown — Design for an Embroidered MotifUnknown1770–1800Cooper Hewitt, Smithsonian Design Museum

Cupid, Unknown — CupidUnknown1770–1800Cooper Hewitt, Smithsonian Design Museum

A Kneeling Angel, Elisabetta Sirani, Italian, 1638–1665 — A Kneeling AngelElisabetta Sirani, Italian, 1638–16651770–1800Cooper Hewitt, Smithsonian Design Museum

Design for Architectural Moldings, Unknown — Design for Architectural MoldingsUnknown1775–1825Cooper Hewitt, Smithsonian Design Museum

View through the Herculaneum Gate, Pompeii, Giovanni Battista Piranesi — View through the Herculaneum Gate, PompeiiGiovanni Battista Piranesi1778Metropolitan Museum of Art, New York, NY

Sheet 15 of a Drawing Book, Group of the Madonna of the Rosary, Carlo Maria Giudici, Italian, 1723 - 1804 — Sheet 15 of a Drawing Book, Group of the Madonna of the RosaryCarlo Maria Giudici, Italian, 1723 - 18041780–1800Cooper Hewitt, Smithsonian Design Museum

Design for a Sculpture of a Prophet or Evangelist, Carlo Maria Giudici, Italian, 1723 - 1804 — Design for a Sculpture of a Prophet or EvangelistCarlo Maria Giudici, Italian, 1723 - 18041780–1800Cooper Hewitt, Smithsonian Design Museum

Design for a Sculpture of a Prophet Beside an Arch, Carlo Maria Giudici, Italian, 1723 - 1804 — Design for a Sculpture of a Prophet Beside an ArchCarlo Maria Giudici, Italian, 1723 - 18041780–1800Cooper Hewitt, Smithsonian Design Museum

Design for an Ovoidal Painting: Temperance, Giacomo Zampa, Italian, 1731 - 1808 — Design for an Ovoidal Painting: TemperanceGiacomo Zampa, Italian, 1731 - 1808ca. 1780Cooper Hewitt, Smithsonian Design Museum

Trophy, Unknown — TrophyUnknownca. 1780Cooper Hewitt, Smithsonian Design Museum

Trophy, Unknown — TrophyUnknownca. 1780Cooper Hewitt, Smithsonian Design Museum

Trophies with Historical Attributes, Pierre Ranson, French, 1736–1786 — Trophies with Historical AttributesPierre Ranson, French, 1736–1786ca. 1780Cooper Hewitt, Smithsonian Design Museum

Trophies with Historical Attributes, Pierre Ranson, French, 1736–1786 — Trophies with Historical AttributesPierre Ranson, French, 1736–1786ca. 1780Cooper Hewitt, Smithsonian Design Museum

Trophies with Historical Attributes, Pierre Ranson, French, 1736–1786 — Trophies with Historical AttributesPierre Ranson, French, 1736–1786ca. 1780Cooper Hewitt, Smithsonian Design Museum

And the rest

87

TrophyPierre Ranson, French, 1736–1786ca. 1780Cooper Hewitt, Smithsonian Design Museum
Astolfo Sails off with Andronica and SofrosinaJean Honoré Fragonardearly 1780sThe Art Institute of Chicago
Study for a Tribute to Giorgio VasariSante Pacini, Italian, 1735–1790ca. 1781Cooper Hewitt, Smithsonian Design Museum
A Sea God Visiting a GirlJohann August Nahl The Younger, German, 1752 - 1825ca. 1781Cooper Hewitt, Smithsonian Design Museum
A Satyr Boy Playing Flute, A Girl with Cymbols, a Woman with a BookJohann August Nahl The Younger, German, 1752 - 1825ca. 1781Cooper Hewitt, Smithsonian Design Museum
Part of Sheet 5 of a Drawing Book, Masks and Part of a TrophyCarlo Maria Giudici, Italian, 1723 - 1804ca. 1785Cooper Hewitt, Smithsonian Design Museum
Pales, Triptolemus, Decoration for a Vault, Sala dei Legislatori, Palazzo Conti-SinibaldiFelice Giani, Italian, 1758–18231787–1802Cooper Hewitt, Smithsonian Design Museum
DrawingFelice Giani, Italian, 1758–18231790-1795Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Ceiling of Irregular Shape: AuroraFlaminio Innocenzi Minozzi, Italian, 1735 – 18171790–1810Cooper Hewitt, Smithsonian Design Museum
Fragment of a cartoon for cotton printing: Neptune or L'Empire des MersPetitpierre & Compe., (Nantes, France, founded 17701794Cooper Hewitt, Smithsonian Design Museum
DrawingFelice Giani, Italian, 1758–18231795–1820Cooper Hewitt, Smithsonian Design Museum
DrawingFelice Giani, Italian, 1758–1823About 1795Cooper Hewitt, Smithsonian Design Museum
An Artist Drawing by LamplightFelice Giani, Italian, 1758–18231800–1820Cooper Hewitt, Smithsonian Design Museum
Two Soldiers and a Kneeling WomanEustache Le Sueur, French, 1616–16551800–20Cooper Hewitt, Smithsonian Design Museum
Figures Attacked by SerpentsRaymond Lafage, French, 1656–16841800–25Cooper Hewitt, Smithsonian Design Museum
Head of an Elderly Bearded ManUnknown1800–20Cooper Hewitt, Smithsonian Design Museum
DrawingFelice Giani, Italian, 1758–1823About 1801Cooper Hewitt, Smithsonian Design Museum
DrawingFelice Giani, Italian, 1758–1823About 1801 (?)Cooper Hewitt, Smithsonian Design Museum
DrawingFelice Giani, Italian, 1758–1823About 1801Cooper Hewitt, Smithsonian Design Museum
DrawingFelice Giani, Italian, 1758–1823About 1801Cooper Hewitt, Smithsonian Design Museum
DrawingFelice Giani, Italian, 1758–1823About 1801Cooper Hewitt, Smithsonian Design Museum
DrawingFelice Giani, Italian, 1758–1823C. 1801Cooper Hewitt, Smithsonian Design Museum
A KraterFelice Giani, Italian, 1758–1823ca. 1805Cooper Hewitt, Smithsonian Design Museum
Two Friezes with Rams, Candelabra, Trophies and PuttiFelice Giani, Italian, 1758–1823ca. 1805Cooper Hewitt, Smithsonian Design Museum
DrawingFelice Giani, Italian, 1758–18231810-1820Cooper Hewitt, Smithsonian Design Museum
A Flying AngelGiacomo Zampa, Italian, 1731 - 1808ca. 1810Cooper Hewitt, Smithsonian Design Museum
Bedroom FurnitureAngelo Mezzetti, Italianca. 1810Cooper Hewitt, Smithsonian Design Museum
Four Studies of Works by Perugino and FranciaFelice Giani, Italian, 1758–18231811–14Cooper Hewitt, Smithsonian Design Museum
Lunette with Allegory of PaintingFelice Giani, Italian, 1758–18231812–13Cooper Hewitt, Smithsonian Design Museum
Lunette with Allegory of ArchitectureFelice Giani, Italian, 1758–18231812–13Cooper Hewitt, Smithsonian Design Museum
Design for a Lunette with Allegory of SculptureFelice Giani, Italian, 1758–18231812–13Cooper Hewitt, Smithsonian Design Museum
The Siren's Grotto at TivoliFelice Giani, Italian, 1758–1823ca. 1813Cooper Hewitt, Smithsonian Design Museum
Four Allegories of Virtue, Villa Aldini, Montmorency, FranceFelice Giani, Italian, 1758–18231813Cooper Hewitt, Smithsonian Design Museum
Octagonal Drawing, Fame with Two Putti, Palazzo Morri, FaenzaFelice Giani, Italian, 1758–18231816Cooper Hewitt, Smithsonian Design Museum
Cornelia, Mother of the Gracchi, Palazzo Cavina, FaenzaFelice Giani, Italian, 1758–18231816Cooper Hewitt, Smithsonian Design Museum
DrawingFelice Giani, Italian, 1758–1823About 1820Cooper Hewitt, Smithsonian Design Museum
DrawingFelice Giani, Italian, 1758–1823About 1820Cooper Hewitt, Smithsonian Design Museum
DrawingFelice Giani, Italian, 1758–1823About 1820 (?)Cooper Hewitt, Smithsonian Design Museum
DrawingFelice Giani, Italian, 1758–1823About 1820. (?)Cooper Hewitt, Smithsonian Design Museum
Classicized Interior Scene with Virgin and Child (?)Fortunato Duranti, Italian, 1787 - 18631820–1850Cooper Hewitt, Smithsonian Design Museum
Mnemosyne, Mother of the MusesFelice Giani, Italian, 1758–1823ca. 1820Cooper Hewitt, Smithsonian Design Museum
Sketch, Seated Allegory in Architectural SettingFortunato Duranti, Italian, 1787 - 18631820–1850Cooper Hewitt, Smithsonian Design Museum
Sketch, Exterior Scene with Figures at Work or in CombatFortunato Duranti, Italian, 1787 - 18631820–1850Cooper Hewitt, Smithsonian Design Museum
Madonna and Child and St. John, Study after Francia; Madonna and Child with St. John, Study after Dossi; Madonna and Child with St. John, Bishop Saint, St. Appolonia; Madonna and Child in Niche, Study after Sculpture by Salvator MundyFelice Giani, Italian, 1758–18231821–22Cooper Hewitt, Smithsonian Design Museum
The Four Evangelists, Study after GiambolognaFelice Giani, Italian, 1758–18231821–22Cooper Hewitt, Smithsonian Design Museum
Four Putti Making Music, Study after Lodovico Carracci; Christ, Study after MassariFelice Giani, Italian, 1758–18231821–22Cooper Hewitt, Smithsonian Design Museum
Saint in Ecstacy, After Franceschini; Classicized Version of Vision of St. Catherine of Vigri, Study after FranceschiniFelice Giani, Italian, 1758–18231821–22Cooper Hewitt, Smithsonian Design Museum
Venus and Cupid, Study after Annibale CarracciFelice Giani, Italian, 1758–18231821–22Cooper Hewitt, Smithsonian Design Museum
Three Herms, Studies after CarracciFelice Giani, Italian, 1758–18231821–22Cooper Hewitt, Smithsonian Design Museum
Madonna and Child in Glory, Study after Mastelletta; Angel Gabriel Driving Lucifer from Heaven, Study after Marcantonio FranceschiniFelice Giani, Italian, 1758–18231821–22Cooper Hewitt, Smithsonian Design Museum
Two Drawings of the Madonna and Child in Ovals, Studies after Giambologna and Alfonzo da Ferrero; Herm and Chimera, after AntiqueFelice Giani, Italian, 1758–18231821–22Cooper Hewitt, Smithsonian Design Museum
Four Herms, Studies after the CarracciFelice Giani, Italian, 1758–18231821–22Cooper Hewitt, Smithsonian Design Museum
Atrium and Staircase in Classical StyleFelice Giani, Italian, 1758–1823ca. 1825Cooper Hewitt, Smithsonian Design Museum
Costumes of Sorrento, Ischia, Procida, and GaëtaSaverio della Gatta, Italian, 1777 - 18291828Cooper Hewitt, Smithsonian Design Museum
Study for Mehmet Ali PashaJohn Frederick Lewis (British, 1805–1876)c. 1844Cleveland Museum of Art
Male Torso From a Plaster CastDaniel Huntington, American, 1816–19061840Cooper Hewitt, Smithsonian Design Museum
Charon and the Souls of the DeadJean-Baptiste Carpeaux (French, 1827–1875)c. 1858Cleveland Museum of Art
The ConnoisseurHonoré Daumierca. 1860–65Metropolitan Museum of Art, New York, NY
Angel Blowing a TrumpetEdgar Degas (French, 1834–1917)1857–59Cleveland Museum of Art
Study for Painting "The Flight into Egypt"Antonio Bellandi, Italianca. 1860Cooper Hewitt, Smithsonian Design Museum
Four Studies of Soldiers' HeadsWinslow Homer, American, 1836–19101863–64Cooper Hewitt, Smithsonian Design Museum
Landscape with Large TreesGustave Courbet (French, 1819–1877)c. 1870Cleveland Museum of Art
MelancholyOdilon Redon1876The Art Institute of Chicago
Workers' Daughters on the Outer Boulevard (Illustration for Émile Zola's "L'Assommoir")Pierre-Auguste Renoir1877/78The Art Institute of Chicago
Design for Front and Spine of Bookbinding for "Spanish Vistas" by George Parsons LathropFrancis Augustus Lathrop, American, 1849–19091882–83Cooper Hewitt, Smithsonian Design Museum
Study for "Seaweed Gatherers, Yport"Claude-Emile Schuffenecker (French, 1851–1934)c. 1888Cleveland Museum of Art
Landscape with WheelbarrowVincent van Gogh (Dutch, 1853–1890)1883Cleveland Museum of Art
Corridor in the AsylumVincent van GoghSeptember 1889Metropolitan Museum of Art, New York, NY
Weeping TreeVincent van Gogh1889The Art Institute of Chicago
Sarah BernhardtAlphonse Marie Muchac. 1898The Art Institute of Chicago
Landscape at LoosduinenPiet Mondrian (Dutch, 1872–1944)1905Cleveland Museum of Art
Costume Design: Diana for a BalletUnknown17th centuryCooper Hewitt, Smithsonian Design Museum
Burning of the Borgo, after RaphaelFelice Giani, Italian, 1758–1823late 18th centuryCooper Hewitt, Smithsonian Design Museum
A ShipwreckFelice Giani, Italian, 1758–1823early 19th centuryCooper Hewitt, Smithsonian Design Museum
A Flying Angel Carrying a Palm BranchUnknownearly 17th centuryCooper Hewitt, Smithsonian Design Museum
Study: the left hand of a young man holding a stick and resting on a bookUnknownlate 18th centuryCooper Hewitt, Smithsonian Design Museum
DrawingFelice Giani, Italian, 1758–1823Cooper Hewitt, Smithsonian Design Museum
Stage Design, Staircase in a Half-Ruined BuildingUnknown18th centuryCooper Hewitt, Smithsonian Design Museum
Beheading of Saint PaulDomenico Mondo, Italian, 1723 - 1806late 18th centuryCooper Hewitt, Smithsonian Design Museum
Male nudeUnknownlate 17th centuryCooper Hewitt, Smithsonian Design Museum
Design for an OrnamentUnknown18th centuryCooper Hewitt, Smithsonian Design Museum
DrawingFelice Giani, Italian, 1758–1823First quarter of 19th century.Cooper Hewitt, Smithsonian Design Museum
Martyrdom of a SaintAndrea Sacchi, Italian, 1599 – 166117th centuryCooper Hewitt, Smithsonian Design Museum
Allegorical CompositionUnknownlate 17th centuryCooper Hewitt, Smithsonian Design Museum
Necklace design: Project for a rincauex to be engraved on metalUnknown16th centuryCooper Hewitt, Smithsonian Design Museum
Design for an EarringUnknownlate 18th centuryCooper Hewitt, Smithsonian Design Museum
Design for a ChimneypieceUnknownlate 16th centuryCooper Hewitt, Smithsonian Design Museum

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