Atrium and Staircase in Classical Style — Felice Giani, Italian, 1758–1823, ca. 1825

Atrium and Staircase in Classical Style, Felice Giani, Italian, 1758–1823

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Rights

Credit: Museum purchase through gift of various donors and from Eleanor G. Hewitt Fund
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1938-88-7465 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/68449

Also by Felice Giani, Italian, 1758–1823

304

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Within fifty years of ca. 1825

3148

Ono no Komachi Washing the Copybook (Soshiarai Komachi), from the series The Seven Ukiyo-e Aspects of Komachi (Ukiyo-e nana Komachi), Torii Kiyonaga — Ono no Komachi Washing the Copybook (Soshiarai Komachi), from the series The Seven Ukiyo-e Aspects of Komachi (Ukiyo-e nana Komachi)Torii KiyonagaEdo period (1615–1868), about 1779The Art Institute of Chicago

Panel (Dress Fabric), France — Panel (Dress Fabric)France1775/1800The Art Institute of Chicago

Title Page and Design for the Letters A and B, N. Bruchon, French, active 18th century — Title Page and Design for the Letters A and BN. Bruchon, French, active 18th century1775–87Cooper Hewitt, Smithsonian Design Museum

The Letter S, Giovanni Battista Betti, Italian, active 1754 - 1777 — The Letter SGiovanni Battista Betti, Italian, active 1754 - 17771775Cooper Hewitt, Smithsonian Design Museum

A Radish Plant, Seed, and Flower, Unknown — A Radish Plant, Seed, and FlowerUnknownlate 18th centuryMetropolitan Museum of Art, New York, NY

Design for a Memorial Tablet, Giuseppe Barberi, Italian, 1746–1809 — Design for a Memorial TabletGiuseppe Barberi, Italian, 1746–18091775–1800Cooper Hewitt, Smithsonian Design Museum

Escutcheon as an overdoor, Giuseppe Barberi, Italian, 1746–1809 — Escutcheon as an overdoorGiuseppe Barberi, Italian, 1746–1809ca. 1775Cooper Hewitt, Smithsonian Design Museum

Chandelier Design (Title Page Before Lettering), Jean François Forty, active 1775 – 1790 — Chandelier Design (Title Page Before Lettering)Jean François Forty, active 1775 – 17901775–94Cooper Hewitt, Smithsonian Design Museum

Also at Cooper Hewitt, Smithsonian Design Museum

7296

Tiraz fragment, Unknown — Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Stage Design, Palace Interior, Angelo Toselli, ca. 1765? – 1826 — Stage Design, Palace InteriorAngelo Toselli, ca. 1765? – 1826early 19th centuryCooper Hewitt, Smithsonian Design Museum

0.93

Stage Design: Architectural Perspective, Unknown — Stage Design: Architectural PerspectiveUnknownca. 1580Cooper Hewitt, Smithsonian Design Museum

0.91

Interior Alcove, Jean Le Pautre, French, 1618–1682 — Interior AlcoveJean Le Pautre, French, 1618–1682ca. 1651Cooper Hewitt, Smithsonian Design Museum

0.91

Stage Design: Palace Garden Architecture, Unknown — Stage Design: Palace Garden ArchitectureUnknownearly 18th centuryCooper Hewitt, Smithsonian Design Museum

0.90

Stage Design, Palace Interior, Unknown — Stage Design, Palace InteriorUnknownearly 19th centuryCooper Hewitt, Smithsonian Design Museum

0.90

Design for a Setting of the Exhibition of the Host, Unknown — Design for a Setting of the Exhibition of the HostUnknownca. 1700Cooper Hewitt, Smithsonian Design Museum

0.90

Stage Design: Atrium of a Villa, Unknown — Stage Design: Atrium of a VillaUnknownlate 18th centuryCooper Hewitt, Smithsonian Design Museum

0.90

Stage Design, Palace Interiors, Unknown — Stage Design, Palace InteriorsUnknownearly 19th centuryCooper Hewitt, Smithsonian Design Museum

0.89

Next

Felice Giani, Italian, 1758–1823 made Atrium and Staircase in Classical Style, and made these too.

Made in the nineteenth century, like Atrium and Staircase in Classical Style.

The Annunciation1887
Genoveva’s Murderers Take Pity1825
Beaker with St. Stephen's Cathedral, Vienna1825
Cup and Saucer1825

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