The Four Evangelists, Study after Giambologna — Felice Giani, Italian, 1758–1823, 1821–22

The Four Evangelists, Study after Giambologna, Felice Giani, Italian, 1758–1823

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Rights

Credit: Museum purchase through gift of various donors
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1901-39-3567-a_b (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/10350

Also by Felice Giani, Italian, 1758–1823

304

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Within fifty years of 1821–22

3020

Portrait of Infante Don Luis de Borbon, Anton Raphael Mengs (German, 1728–1779) — Portrait of Infante Don Luis de BorbonAnton Raphael Mengs (German, 1728–1779)c. 1776Cleveland Museum of Art

Architectural Elevation of La Retraite within its Landscape, François de Cuvilliés the younger, German, 1731 - 1777 — Architectural Elevation of La Retraite within its LandscapeFrançois de Cuvilliés the younger, German, 1731 - 17771771Cooper Hewitt, Smithsonian Design Museum

Title Page, Pierre Moreau, French, 1722 – 1798 — Title PagePierre Moreau, French, 1722 – 17981771Cooper Hewitt, Smithsonian Design Museum

Plan D’Amalienbourg Batie sur la gauche dans le jardin de Nimphenbourg, François de Cuvilliés the Elder, Belgian, 1695 - 1768 — Plan D’Amalienbourg Batie sur la gauche dans le jardin de NimphenbourgFrançois de Cuvilliés the Elder, Belgian, 1695 - 17681771Cooper Hewitt, Smithsonian Design Museum

Title Page, Pierre Moreau, French, 1722 – 1798 — Title PagePierre Moreau, French, 1722 – 17981771Cooper Hewitt, Smithsonian Design Museum

PLAN DE BADENBOURG EXECUTE DANS LE JARDIN DE NYMPHENBOURG. MDCCLXXI, Joseph Effner, German, 1687 – 1745 — PLAN DE BADENBOURG EXECUTE DANS LE JARDIN DE NYMPHENBOURG. MDCCLXXIJoseph Effner, German, 1687 – 1745ca. 1771Cooper Hewitt, Smithsonian Design Museum

Rolltop desk, David Roentgen — Rolltop deskDavid Roentgenca. 1776–79Metropolitan Museum of Art, New York, NY

Drop-front desk (secrétaire à abattant or secrétaire en cabinet), Martin Carlin — Drop-front desk (secrétaire à abattant or secrétaire en cabinet)Martin Carlinca. 1776Metropolitan Museum of Art, New York, NY

Also at Cooper Hewitt, Smithsonian Design Museum

7382

Tiraz fragment, Unknown — Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Thetis in the Workshop of Hephaestus; Thetis Showing the Armor to Achilles: Two Designs for Ceiling Panels in the Galeria d'Iliade, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823 — Thetis in the Workshop of Hephaestus; Thetis Showing the Armor to Achilles: Two Designs for Ceiling Panels in the Galeria d'Iliade, Palazzo Milzetti, FaenzaFelice Giani, Italian, 1758–18231802–05Cooper Hewitt, Smithsonian Design Museum

0.89

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231815-1820Cooper Hewitt, Smithsonian Design Museum

0.89

Two drawings of Sybils and Two Putti, Felice Giani, Italian, 1758–1823 — Two drawings of Sybils and Two PuttiFelice Giani, Italian, 1758–1823recto 1815Cooper Hewitt, Smithsonian Design Museum

0.88

The Holy Family, Felice Giani, Italian, 1758–1823 — The Holy FamilyFelice Giani, Italian, 1758–18231813–18Cooper Hewitt, Smithsonian Design Museum

0.88

Justice and Strength: Project for Two Octagonal Wall Paintings, Felice Giani, Italian, 1758–1823 — Justice and Strength: Project for Two Octagonal Wall PaintingsFelice Giani, Italian, 1758–1823ca. 1813Cooper Hewitt, Smithsonian Design Museum

0.88

Sketchbook: Folio 73; Six Paintings of Bolognese School; Verso: Anatomical Drawings, Felice Giani, Italian, 1758–1823 — Sketchbook: Folio 73; Six Paintings of Bolognese School; Verso: Anatomical DrawingsFelice Giani, Italian, 1758–18231811–14Cooper Hewitt, Smithsonian Design Museum

0.87

Four Studies of Works by Perugino and Francia, Felice Giani, Italian, 1758–1823 — Four Studies of Works by Perugino and FranciaFelice Giani, Italian, 1758–18231811–14Cooper Hewitt, Smithsonian Design Museum

0.87

Design for Palazzo Conti, Felice Giani, Italian, 1758–1823 — Design for Palazzo ContiFelice Giani, Italian, 1758–1823Cooper Hewitt, Smithsonian Design Museum

0.87

Next

Felice Giani, Italian, 1758–1823 made The Four Evangelists, Study after Giambologna, and made these too.

Made in the nineteenth century, like The Four Evangelists, Study after Giambologna.

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