Saint Jadwiga kneeling before the Crucified Christ; preparatory drawing for an altarpiece at the church of San Stanislao dei Polacchi, Rome, Szymon Czechowicz, Polish, 1689 - 1775

Seen

Not described yet.


Of

No subject recorded yet.


Means

No reading yet.


Rights

Credit
Gift of Eleanor and Sarah Hewitt
Licence
CC0-1.0
Evidence
api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1931-64-272 (read 2026-09-01)
Record
https://collection.cooperhewitt.org/view/objects/asitem/id/47706
Saint Jadwiga kneeling before the Crucified Christ; preparatory drawing for an altarpiece at the church of San Stanislao dei Polacchi, Rome, Szymon Czechowicz, Polish, 1689 - 1775
Saint Jadwiga kneeling before the Crucified Christ; preparatory drawing for an altarpiece at the church of San Stanislao dei Polacchi, Rome — Szymon Czechowicz, Polish, 1689 - 17751724–1725

Within fifty years of 1724–1725

1898
Longcase clock with calendar, Joseph Knibb
Longcase clock with calendarJoseph Knibbca. 1680–85Metropolitan Museum of Art, New York, NY
LA BASSIN D’ENCELADE, Adam Perelle, French, 1638 – 1695
LA BASSIN D’ENCELADEAdam Perelle, French, 1638 – 16951675–1703Cooper Hewitt, Smithsonian Design Museum
Drawing, Arnold Houbraken, Dutch, 1660 - 1719
DrawingArnold Houbraken, Dutch, 1660 - 1719ca. 1675–1719Cooper Hewitt, Smithsonian Design Museum
One of a set of trophies of weapons of war as a decoration of a horizontal panel, Francesco Bedeschini, Italian
One of a set of trophies of weapons of war as a decoration of a horizontal panelFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engraved, Francesco Bedeschini, Italian
One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engravedFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
One of a set of trophies of weapons of war as a decoration for a horizontal panel, Francesco Bedeschini, Italian
One of a set of trophies of weapons of war as a decoration for a horizontal panelFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engraved, Francesco Bedeschini, Italian
One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engravedFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum
One set of trophies of weapons of war as a decoration for horizontal panels, Francesco Bedeschini, Italian
One set of trophies of weapons of war as a decoration for horizontal panelsFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum

Also at Cooper Hewitt, Smithsonian Design Museum

8448
Tiraz fragment, Unknown
Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum
Vessel, Unknown
VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Vessel, Unknown
VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Sermon of a Holy Abbot, Francesco Saverio Mergolo, Italian, 1746–1786
Sermon of a Holy AbbotFrancesco Saverio Mergolo, Italian, 1746–1786ca. 1772Cooper Hewitt, Smithsonian Design Museum
0.92
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–1823Cooper Hewitt, Smithsonian Design Museum
0.91
Plate in Nouveaux livres de peintures de salles et d’escaliers (New Books on Paintings for Rooms and Stairs), Daniel Marot, French, active in the Netherlands and England, 1661–1752
Plate in Nouveaux livres de peintures de salles et d’escaliers (New Books on Paintings for Rooms and Stairs)Daniel Marot, French, active in the Netherlands and England, 1661–1752ca. 1700Cooper Hewitt, Smithsonian Design Museum
0.91
Design for Illuminated Initial "F", Gilles-Marie Oppenord, French, 1672–1742
Design for Illuminated Initial "F"Gilles-Marie Oppenord, French, 1672–1742ca. 1695Cooper Hewitt, Smithsonian Design Museum
0.91
The Last Supper, Francesco Saverio Mergolo, Italian, 1746–1786
The Last SupperFrancesco Saverio Mergolo, Italian, 1746–17861746–86Cooper Hewitt, Smithsonian Design Museum
0.90
Frontispiece, Christian Wink, German, 1738 - 1797
FrontispieceChristian Wink, German, 1738 - 1797ca. 1770Cooper Hewitt, Smithsonian Design Museum
0.90
Study for Staircase Decoration, Hanbury Hall, Worchestershire: Achilles Revealing his Identity in the Palace of Lycomedes, Sir James Thornhill, English, 1675 - 1734
Study for Staircase Decoration, Hanbury Hall, Worchestershire: Achilles Revealing his Identity in the Palace of LycomedesSir James Thornhill, English, 1675 - 1734ca. 1710Cooper Hewitt, Smithsonian Design Museum
0.90
Drawing, Leonardo Scaglia, French, active Italy, 1640 – 1650
DrawingLeonardo Scaglia, French, active Italy, 1640 – 1650ca. 1650Cooper Hewitt, Smithsonian Design Museum
0.90

Next

Made in the eighteenth century, like Saint Jadwiga kneeling before the Crucified Christ; preparatory drawing for an altarpiece at the church of San Stanislao dei Polacchi, Rome.

0:00–0:00