Three Herms, Studies after Carracci — Felice Giani, Italian, 1758–1823, 1821–22

Three Herms, Studies after Carracci, Felice Giani, Italian, 1758–1823

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Rights

Credit: Museum purchase through gift of various donors
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1901-39-3586-a_c (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/10389

Also by Felice Giani, Italian, 1758–1823

304

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Within fifty years of 1821–22

3020

Portrait of Infante Don Luis de Borbon, Anton Raphael Mengs (German, 1728–1779) — Portrait of Infante Don Luis de BorbonAnton Raphael Mengs (German, 1728–1779)c. 1776Cleveland Museum of Art

Architectural Elevation of La Retraite within its Landscape, François de Cuvilliés the younger, German, 1731 - 1777 — Architectural Elevation of La Retraite within its LandscapeFrançois de Cuvilliés the younger, German, 1731 - 17771771Cooper Hewitt, Smithsonian Design Museum

Title Page, Pierre Moreau, French, 1722 – 1798 — Title PagePierre Moreau, French, 1722 – 17981771Cooper Hewitt, Smithsonian Design Museum

Plan D’Amalienbourg Batie sur la gauche dans le jardin de Nimphenbourg, François de Cuvilliés the Elder, Belgian, 1695 - 1768 — Plan D’Amalienbourg Batie sur la gauche dans le jardin de NimphenbourgFrançois de Cuvilliés the Elder, Belgian, 1695 - 17681771Cooper Hewitt, Smithsonian Design Museum

Title Page, Pierre Moreau, French, 1722 – 1798 — Title PagePierre Moreau, French, 1722 – 17981771Cooper Hewitt, Smithsonian Design Museum

PLAN DE BADENBOURG EXECUTE DANS LE JARDIN DE NYMPHENBOURG. MDCCLXXI, Joseph Effner, German, 1687 – 1745 — PLAN DE BADENBOURG EXECUTE DANS LE JARDIN DE NYMPHENBOURG. MDCCLXXIJoseph Effner, German, 1687 – 1745ca. 1771Cooper Hewitt, Smithsonian Design Museum

Rolltop desk, David Roentgen — Rolltop deskDavid Roentgenca. 1776–79Metropolitan Museum of Art, New York, NY

Drop-front desk (secrétaire à abattant or secrétaire en cabinet), Martin Carlin — Drop-front desk (secrétaire à abattant or secrétaire en cabinet)Martin Carlinca. 1776Metropolitan Museum of Art, New York, NY

Also at Cooper Hewitt, Smithsonian Design Museum

7382

Tiraz fragment, Unknown — Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Four Herms, Studies after the Carracci, Felice Giani, Italian, 1758–1823 — Four Herms, Studies after the CarracciFelice Giani, Italian, 1758–18231821–22Cooper Hewitt, Smithsonian Design Museum

0.96

Sheet from a Sketchbook: Triumph of Silenus and Triumph of Bacchus and Ariadne, Felice Giani, Italian, 1758–1823 — Sheet from a Sketchbook: Triumph of Silenus and Triumph of Bacchus and AriadneFelice Giani, Italian, 1758–18231800–1802Cooper Hewitt, Smithsonian Design Museum

0.89

Three Putti with Garland; Romulus and Remus Breastfeeding from She-Wolf; Two Putti Playing Cymbals, Felice Giani, Italian, 1758–1823 — Three Putti with Garland; Romulus and Remus Breastfeeding from She-Wolf; Two Putti Playing CymbalsFelice Giani, Italian, 1758–18231818Cooper Hewitt, Smithsonian Design Museum

0.89

Venus and Cupid, Study after Annibale Carracci, Felice Giani, Italian, 1758–1823 — Venus and Cupid, Study after Annibale CarracciFelice Giani, Italian, 1758–18231821–22Cooper Hewitt, Smithsonian Design Museum

0.88

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–1823About 1820.Cooper Hewitt, Smithsonian Design Museum

0.88

Four Putti Making Music, Study after Lodovico Carracci; Christ, Study after Massari, Felice Giani, Italian, 1758–1823 — Four Putti Making Music, Study after Lodovico Carracci; Christ, Study after MassariFelice Giani, Italian, 1758–18231821–22Cooper Hewitt, Smithsonian Design Museum

0.88

Sketchbook: Folio 73; Six Paintings of Bolognese School; Verso: Anatomical Drawings, Felice Giani, Italian, 1758–1823 — Sketchbook: Folio 73; Six Paintings of Bolognese School; Verso: Anatomical DrawingsFelice Giani, Italian, 1758–18231811–14Cooper Hewitt, Smithsonian Design Museum

0.88

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231795-1800Cooper Hewitt, Smithsonian Design Museum

0.88

Next

Felice Giani, Italian, 1758–1823 made Three Herms, Studies after Carracci, and made these too.

Made in the nineteenth century, like Three Herms, Studies after Carracci.

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