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Design for an Embroidered Motif — Unknown1770–1800Also by Unknown
5442
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NYWithin fifty years of 1770–1800
2149
Ornamental Design for the Letter BGilles-Marie Oppenord, French, 1672–1742ca. 1720Cooper Hewitt, Smithsonian Design Museum
Ornamental Design for the Letter BGilles-Marie Oppenord, French, 1672–1742ca. 1720Cooper Hewitt, Smithsonian Design Museum
Ornamental Design for the Letter BGilles-Marie Oppenord, French, 1672–1742ca. 1720Cooper Hewitt, Smithsonian Design Museum
Title PageJohann Leonhard Eisler, German, 1672 – 17331720–25Cooper Hewitt, Smithsonian Design Museum
Saint Francis Receiving the StigmataDonato Creti, Italian, 1671–1749ca. 1720Cooper Hewitt, Smithsonian Design Museum
Decorated Cartouche with Classical ArchitecturePierre Edme Babel, French, 1720–17751720–1775Cooper Hewitt, Smithsonian Design Museum
Section of the House and ProsceniumSaverio Avesani, Italian, b. 1690ca. 1720Cooper Hewitt, Smithsonian Design Museum
SamplerSarah Fenn, English1721Cooper Hewitt, Smithsonian Design MuseumAlso at Cooper Hewitt, Smithsonian Design Museum
3329
Ornament Panel with Bird CageNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum
Ornament Panel Inscribed "Victoria Augusta"Nicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum
Ornament Panel with MarsNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum
Abraham and the Three AngelsLucas van Leyden, Netherlandish, ca. 1494–15331513Cooper Hewitt, Smithsonian Design Museum
Study of a Rearing Horse after Leonardo da VinciFrancesco Melzi, Italian, 1491 – 1570ca. 1520–25Cooper Hewitt, Smithsonian Design Museum
Portrait of Albrecht of BrandenburgAlbrecht Dürer, German, 1471–15281524Cooper Hewitt, Smithsonian Design Museum
Grotesque Ornament with Satyrs, from a set of twenty ornament panelsAgostino Veneziano, Italian, ca. 1490 - after 1536ca. 1530–1535Cooper Hewitt, Smithsonian Design Museum
Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork)Léonard Thiry, Flemish, 15501540–1560Cooper Hewitt, Smithsonian Design MuseumSimilar picturesFound by visual likeness
8 picturesVisual resemblances suggested by the model. A match does not establish a shared subject or historical connection.
PrintJean-Baptiste Pillement, French, 1728–1808Cooper Hewitt, Smithsonian Design Museum0.91
Floral DesignUnknown1740–1770Cooper Hewitt, Smithsonian Design Museum0.90
FriezeFrederick Beck & Co., 18601905–1915Cooper Hewitt, Smithsonian Design Museum0.89
Design for a EwerNoritake, Japan and New York, New York, USA1880–1910Cooper Hewitt, Smithsonian Design Museum0.89
TextileUnknownlate 19th centuryCooper Hewitt, Smithsonian Design Museum0.89
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Made in the eighteenth century, like Design for an Embroidered Motif.
