Workers' Daughters on the Outer Boulevard (Illustration for Émile Zola's "L'Assommoir") — Pierre-Auguste Renoir, 1877/78

Workers' Daughters on the Outer Boulevard (Illustration for Émile Zola's "L'Assommoir"), Pierre-Auguste Renoir

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: women, circles, urban life

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Credit: The Regenstein Collection. CC0.
Licence: CC0-1.0
Evidence: api.artic.edu artworks api: is_public_domain=true on artwork 105461 (read 2026-08-27)
Record: https://www.artic.edu/artworks/105461
IIIF: manifest

Also by Pierre-Auguste Renoir

9

Woman at the Piano, Pierre-Auguste Renoir — Woman at the PianoPierre-Auguste Renoir1875–76The Art Institute of Chicago

Lunch at the Restaurant Fournaise (The Rowers' Lunch), Pierre-Auguste Renoir — Lunch at the Restaurant Fournaise (The Rowers' Lunch)Pierre-Auguste Renoir1875The Art Institute of Chicago

Alfred Sisley, Pierre-Auguste Renoir — Alfred SisleyPierre-Auguste Renoir1876The Art Institute of Chicago

Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg), Pierre-Auguste Renoir — Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg)Pierre-Auguste Renoir1879The Art Institute of Chicago

Seascape, Pierre-Auguste Renoir — SeascapePierre-Auguste Renoir1879The Art Institute of Chicago

Near the Lake, Pierre-Auguste Renoir — Near the LakePierre-Auguste Renoir1879–80The Art Institute of Chicago

Two Sisters (On the Terrace), Pierre-Auguste Renoir — Two Sisters (On the Terrace)Pierre-Auguste Renoir1881The Art Institute of Chicago

Chrysanthemums, Pierre-Auguste Renoir — ChrysanthemumsPierre-Auguste Renoir1881–82The Art Institute of Chicago

Within fifty years of 1877/78

4077

Water color; Performers of a Commedia dell'Arte, Saverio della Gatta, Italian, 1777 - 1829 — Water color; Performers of a Commedia dell'ArteSaverio della Gatta, Italian, 1777 - 18291827Cooper Hewitt, Smithsonian Design Museum

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The New Parliament Pudding or John Bull's Treat, Anonymous, British, 19th century — The New Parliament Pudding or John Bull's TreatAnonymous, British, 19th centuryca. 1832Metropolitan Museum of Art, New York, NY

Design for a Cruet Stand, Joseph Anton Seethaler II, German, 1799–1868 — Design for a Cruet StandJoseph Anton Seethaler II, German, 1799–1868ca. 1827–35Cooper Hewitt, Smithsonian Design Museum

Currants, Unknown — CurrantsUnknownOctober 2, 1827Cooper Hewitt, Smithsonian Design Museum

Friezes, Panels and Ornam, Gottfried Engelmann, 1788 – 1839 — Friezes, Panels and OrnamGottfried Engelmann, 1788 – 18391827Cooper Hewitt, Smithsonian Design Museum

Lafayette Theater, New York, James Eddy — Lafayette Theater, New YorkJames Eddy1827Cooper Hewitt, Smithsonian Design Museum

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Also at The Art Institute of Chicago

483

Statuette of a Female Figure, Ancient Greek — Statuette of a Female FigureAncient GreekEarly Bronze Age, 2600–2400 BCEThe Art Institute of Chicago

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Fragment of a Stela of Neferhotep, Ancient Egyptian — Fragment of a Stela of NeferhotepAncient EgyptianNew Kingdom, mid-Dynasty 19, about 1240-1195 BCEThe Art Institute of Chicago

Funerary Papyrus of Tayuhenutmut, Ancient Egyptian — Funerary Papyrus of TayuhenutmutAncient EgyptianThird Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)The Art Institute of Chicago

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Altar, Ancient Greek — AltarAncient GreekGeometric Period (800–600 BCE)The Art Institute of Chicago

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8 pictures

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Next

Pierre-Auguste Renoir made Workers' Daughters on the Outer Boulevard (Illustration for Émile Zola's "L'Assommoir"), and made these too.

Studies of Pierre Renoir; His Mother, Aline Charigot; Nudes; and Landscape1885

Made in the nineteenth century, like Workers' Daughters on the Outer Boulevard (Illustration for Émile Zola's "L'Assommoir").

The Annunciation1887
Teakettle and Stand1877
Arrival of the Normandy Train, Gare Saint-Lazare1877
Study of Leaves1877

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