Flight of Celia, Polidoro da Caravaggio

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Rights

Credit
The Leonora Hall Gurley Memorial Collection. CC0.
Licence
CC0-1.0
Evidence
api.artic.edu artworks api: is_public_domain=true on artwork 4063 (read 2026-09-01)
Record
https://www.artic.edu/artworks/4063
IIIF
manifest
Flight of Celia, Polidoro da Caravaggio
Flight of Celia — Polidoro da Caravaggion.d.

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6
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Within fifty years of n.d.

611
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Grotesque Ornament with Satyrs, from a set of twenty ornament panels, Agostino Veneziano, Italian, ca. 1490 - after 1536
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Also at The Art Institute of Chicago

770
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Cauldron, China
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Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Drawing, Felice Giani, Italian, 1758–1823
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0.89
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The Massacre of the Innocents (Without the Fir Tree), Marcantonio Raimondi (Italian, 1470/82–1527/34); Raphael (Italian, 1483–1520)
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Alexander the Great and Diogenes, Felice Giani, Italian, 1758–1823
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The Death of Archimedes, Felice Giani, Italian, 1758–1823
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In the stacks

Not yet checked
1

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. Vision and Design · Roger Fry

    But here we come to another curious want of correspondence between art and life, for in art we have a violent revolution, followed by a bitter internecine struggle among artists. This revolution was inaugurated by Caravaggio, who first discovered the surprising emotional possibilities of chiaroscuro and who combined with this a new idea of realism--realism in the modern sense, viz., the literal acceptance of what is coarse, common, squalid or undistinguished in life--realism in the sense of the novelists of Zola’s time. To Caravaggio’s influence we might trace not only
    0.69

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Made in the sixteenth century, like Flight of Celia.

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