Mnemosyne, Mother of the Muses — Felice Giani, Italian, 1758–1823, ca. 1820

Mnemosyne, Mother of the Muses, Felice Giani, Italian, 1758–1823

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Rights

Credit: Museum purchase through gift of various donors
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1901-39-523 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/10667

Also by Felice Giani, Italian, 1758–1823

304

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Within fifty years of ca. 1820

3090

The Island of San Michele, Venice, Francesco Guardi — The Island of San Michele, VeniceFrancesco Guardi1770sMetropolitan Museum of Art, New York, NY

Watch case, George Harrison — Watch caseGeorge Harrisonprobably ca. 1770Metropolitan Museum of Art, New York, NY

Design for the Trade Card of Arrivet, Paris, Unfinished, J. Arrivet, French, active 1776 - 1779 — Design for the Trade Card of Arrivet, Paris, UnfinishedJ. Arrivet, French, active 1776 - 1779ca. 1770Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknownca. 1770Cooper Hewitt, Smithsonian Design Museum

Design for a Pair of Trophies, Jean-Charles Delafosse, French, 1734 – 1789 — Design for a Pair of TrophiesJean-Charles Delafosse, French, 1734 – 17891770–80Cooper Hewitt, Smithsonian Design Museum

Chinoiserie Fantasy, Jean-Baptiste Pillement, French, 1728–1808 — Chinoiserie FantasyJean-Baptiste Pillement, French, 1728–18081770–90Cooper Hewitt, Smithsonian Design Museum

ART DU BRODEUR, Charles-Germain de Saint-Aubin, French, 1721–1786 — ART DU BRODEURCharles-Germain de Saint-Aubin, French, 1721–17861770Cooper Hewitt, Smithsonian Design Museum

ART DU BRODEUR, Charles-Germain de Saint-Aubin, French, 1721–1786 — ART DU BRODEURCharles-Germain de Saint-Aubin, French, 1721–17861770Cooper Hewitt, Smithsonian Design Museum

Also at Cooper Hewitt, Smithsonian Design Museum

7307

Tiraz fragment, Unknown — Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Seated allegorical figure, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Seated allegorical figureJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

0.88

Seated figure with tablet, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Seated figure with tabletJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

0.88

Design for Magazine Cover, Kenyon Cox, American, 1856–1919 — Design for Magazine CoverKenyon Cox, American, 1856–1919ca. 1900Cooper Hewitt, Smithsonian Design Museum

0.87

Print, Unknown — PrintUnknownCooper Hewitt, Smithsonian Design Museum

0.87

Running female figure, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Running female figureJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

0.87

Heavenly Ganymede, from Specimens of Polyautography, Henry Fuseli — Heavenly Ganymede, from Specimens of PolyautographyHenry Fuseli1804 (published 1806-07)The Art Institute of Chicago

0.87

Two putti, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Two puttiJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

0.87

Drawing, Leonardo Scaglia, French, active Italy, 1640 – 1650 — DrawingLeonardo Scaglia, French, active Italy, 1640 – 16501650-1675Cooper Hewitt, Smithsonian Design Museum

0.87

Next

Felice Giani, Italian, 1758–1823 made Mnemosyne, Mother of the Muses, and made these too.

Made in the nineteenth century, like Mnemosyne, Mother of the Muses.

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