Architectural Fantasy with Fountain and Obelisk, Louis-Joseph Le Lorrain, French, 1715–1759

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Credit
Purchased for the Museum by the Advisory Council
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CC0-1.0
Evidence
api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1911-28-507 (read 2026-09-01)
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https://collection.cooperhewitt.org/view/objects/asitem/id/18572
Architectural Fantasy with Fountain and Obelisk, Louis-Joseph Le Lorrain, French, 1715–1759
Architectural Fantasy with Fountain and Obelisk — Louis-Joseph Le Lorrain, French, 1715–17591762

Also by Louis-Joseph Le Lorrain, French, 1715–1759

1
Page of Text, Printed on Recto and Verso, Louis-Joseph Le Lorrain, French, 1715–1759
Page of Text, Printed on Recto and VersoLouis-Joseph Le Lorrain, French, 1715–17591751Cooper Hewitt, Smithsonian Design Museum

Within fifty years of 1762

2808
Study for the Memorial to Giovanni Domenico Milano, Duca di San Giorgio, in the Sacristy of S. Domenico Maggiore, Naples, Italy, Giacomo del Po, Italian, 1652 - 1726
Study for the Memorial to Giovanni Domenico Milano, Duca di San Giorgio, in the Sacristy of S. Domenico Maggiore, Naples, ItalyGiacomo del Po, Italian, 1652 - 1726ca. 1712Cooper Hewitt, Smithsonian Design Museum
vase stand, Cornelius Funcke
vase standCornelius Funckeca. 1712Cooper Hewitt, Smithsonian Design Museum
The Theory and Practice of Gardening : Wherein is Fully Handled all that Relates to Fine Gardens, Commonly called Pleasure-Gardens, as Parterres, Groves, Bowling-Greens &c. ...., Antoine Joseph Dézallier d'Argenville
The Theory and Practice of Gardening : Wherein is Fully Handled all that Relates to Fine Gardens, Commonly called Pleasure-Gardens, as Parterres, Groves, Bowling-Greens &c. ....Antoine Joseph Dézallier d'Argenville1712Metropolitan Museum of Art, New York, NY
Sancta veritas hermetica, seu concordantia philosophorum, consistens in sale et sole vel mercurio et sulphure, das ist die ehemals excerpirte und darauf mit eigener Hand experimentirte Sonnen-klare Wahrheit der Philosophen Schrifften, Naxagoras, Ehrd de
Sancta veritas hermetica, seu concordantia philosophorum, consistens in sale et sole vel mercurio et sulphure, das ist die ehemals excerpirte und darauf mit eigener Hand experimentirte Sonnen-klare Wahrheit der Philosophen SchrifftenNaxagoras, Ehrd de1712Stiftung der Werke von C.G.Jung, Zürich, online
Face du Train de derrière du Premier Carrosse doré, Bernard Picart, 1673–1733
Face du Train de derrière du Premier Carrosse doréBernard Picart, 1673–17331713Cooper Hewitt, Smithsonian Design Museum
Design for the Lower Portion of a Wall Panel, Gilles-Marie Oppenord, French, 1672–1742
Design for the Lower Portion of a Wall PanelGilles-Marie Oppenord, French, 1672–17421714Cooper Hewitt, Smithsonian Design Museum
Ausserlesenster Curiositäten merck-würdiger Traum-Tempel nebst seinen denk-würdigen Neben-Zimmern von allerhand sonderbaren Träumen ..., Männling, Johann Christoph
Ausserlesenster Curiositäten merck-würdiger Traum-Tempel nebst seinen denk-würdigen Neben-Zimmern von allerhand sonderbaren Träumen ...Männling, Johann Christoph1714Stiftung der Werke von C.G.Jung, Zürich, online
Speculum imaginum veritatis occultae, exhibens symbola, emblemata, hieroglyphica, aenigmata, omni tam materiae, quam forma varietate ..., Masen, Jacob
Speculum imaginum veritatis occultae, exhibens symbola, emblemata, hieroglyphica, aenigmata, omni tam materiae, quam forma varietate ...Masen, Jacob1714Stiftung der Werke von C.G.Jung, Zürich, online

Also at Cooper Hewitt, Smithsonian Design Museum

7632
Tiraz fragment, Unknown
Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum
Vessel, Unknown
VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Vessel, Unknown
VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Title Page, Before Lettering, Gilles-Marie Oppenord, French, 1672–1742
Title Page, Before LetteringGilles-Marie Oppenord, French, 1672–17421749-1761Cooper Hewitt, Smithsonian Design Museum
0.88
Architectural Fantasy, Wendel Dietterlinn the Elder, 1551 – 1599
Architectural FantasyWendel Dietterlinn the Elder, 1551 – 1599late 16th centuryCooper Hewitt, Smithsonian Design Museum
0.88
Architectural Design Around Door, Giovanni Battista Natali III, Italian, 1698 - 1765
Architectural Design Around DoorGiovanni Battista Natali III, Italian, 1698 - 1765ca. 1750Cooper Hewitt, Smithsonian Design Museum
0.87
Architectural Fantasy with Fountain, Jean-Charles Delafosse, French, 1734 – 1789
Architectural Fantasy with FountainJean-Charles Delafosse, French, 1734 – 17891770Cooper Hewitt, Smithsonian Design Museum
0.87
Timepieces, Giuseppe Barberi, Italian, 1746–1809
TimepiecesGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum
0.87
Sketchbook Page, Folio 64: Study after Bolognese Architecture and Monuments, Including Arch of San Domenico; Verso: Geometric Studies, Felice Giani, Italian, 1758–1823
Sketchbook Page, Folio 64: Study after Bolognese Architecture and Monuments, Including Arch of San Domenico; Verso: Geometric StudiesFelice Giani, Italian, 1758–18231811Cooper Hewitt, Smithsonian Design Museum
0.87
Design for a Tomb, Giuseppe Barberi, Italian, 1746–1809
Design for a TombGiuseppe Barberi, Italian, 1746–1809ca. 1795Cooper Hewitt, Smithsonian Design Museum
0.87
Elevation of a Censer, Unknown
Elevation of a CenserUnknown1700–1750Cooper Hewitt, Smithsonian Design Museum
0.87

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Made in the eighteenth century, like Architectural Fantasy with Fountain and Obelisk.

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