maker


Felice Giani

305 works · 1780 to 1835 · ulan:500027353

10 of 997 ids checked against the Met and Wikidata named a different concept (1.0%), read 2026-09-08

Felice Giani
Cooper Hewitt, Smithsonian Design Museum305 as in Felice Giani, Italian, 1758–1823
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Giani, FeliceUnion List of Artist Names 500027353
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–1823About 1787Cooper Hewitt, Smithsonian Design Museum
Pales, Triptolemus, Decoration for a Vault, Sala dei Legislatori, Palazzo Conti-Sinibaldi, Felice Giani, Italian, 1758–1823
Pales, Triptolemus, Decoration for a Vault, Sala dei Legislatori, Palazzo Conti-SinibaldiFelice Giani, Italian, 1758–18231787–1802Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–1823About 1790Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–1823About 1790Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–1823About 1790Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231790-1800Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231790-1800Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231790-1800Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231790-1795Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231790-1800Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231790-1800Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231790-1800Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–1823About 1790Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231790-1800Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231790-1795Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231790-1800Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–1823About 1790Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231790-1800Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231790-1800Cooper Hewitt, Smithsonian Design Museum
The Killing of Cesare, Felice Giani, Italian, 1758–1823
The Killing of CesareFelice Giani, Italian, 1758–1823ca. 1790Cooper Hewitt, Smithsonian Design Museum
Four Vases, Felice Giani, Italian, 1758–1823
Four VasesFelice Giani, Italian, 1758–1823ca. 1790Cooper Hewitt, Smithsonian Design Museum
Chimney Pieces, Furniture and Ceiling Medallion, Felice Giani, Italian, 1758–1823
Chimney Pieces, Furniture and Ceiling MedallionFelice Giani, Italian, 1758–18231790–1810Cooper Hewitt, Smithsonian Design Museum
Design for Wall Decoration, Pompeiian Room, Palazzo Altieri, Rome, Felice Giani, Italian, 1758–1823
Design for Wall Decoration, Pompeiian Room, Palazzo Altieri, RomeFelice Giani, Italian, 1758–18231792Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231795-1800Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231795-1800Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231795-1800Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231795-1800Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231795-1800Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231795-1800Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–1823About 1795Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231795-1800Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231795–1820Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–1823About 1795Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–1823About 1795Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231795-1800Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231795-1800Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–1823Before 1797 probably 1780'sCooper Hewitt, Smithsonian Design Museum
Etching with aquatint: Architecture, Felice Giani, Italian, 1758–1823
Etching with aquatint: ArchitectureFelice Giani, Italian, 1758–18231797Cooper Hewitt, Smithsonian Design Museum
Project for a Catafalque for the Funeral Service for Pope Pius VI in Forli, Felice Giani, Italian, 1758–1823
Project for a Catafalque for the Funeral Service for Pope Pius VI in ForliFelice Giani, Italian, 1758–18231799Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231799Cooper Hewitt, Smithsonian Design Museum
An Artist Drawing by Lamplight, Felice Giani, Italian, 1758–1823
An Artist Drawing by LamplightFelice Giani, Italian, 1758–18231800–1820Cooper Hewitt, Smithsonian Design Museum
Design for Monument, Felice Giani, Italian, 1758–1823
Design for MonumentFelice Giani, Italian, 1758–1823ca. 1800Cooper Hewitt, Smithsonian Design Museum
Sheet from a Sketchbook: Triumph of Silenus and Triumph of Bacchus and Ariadne, Felice Giani, Italian, 1758–1823
Sheet from a Sketchbook: Triumph of Silenus and Triumph of Bacchus and AriadneFelice Giani, Italian, 1758–18231800–1802Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231800-1810Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231800-1805Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231800-1810Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231800-1815Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231800-1820Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231800-1810Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231800-1810Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231800-1820Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–1823About 1800Cooper Hewitt, Smithsonian Design Museum
Adoration of the Magi study after Lodovico Carracci, Felice Giani, Italian, 1758–1823
Adoration of the Magi study after Lodovico CarracciFelice Giani, Italian, 1758–18231800–1820Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231800-1810Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231800-1810Cooper Hewitt, Smithsonian Design Museum
Design for Two Friezes with Putti, Felice Giani, Italian, 1758–1823
Design for Two Friezes with PuttiFelice Giani, Italian, 1758–1823ca. 1800Cooper Hewitt, Smithsonian Design Museum
Cupid in Flight, Felice Giani, Italian, 1758–1823
Cupid in FlightFelice Giani, Italian, 1758–1823ca. 1800Cooper Hewitt, Smithsonian Design Museum
Bythos and Aphros, Felice Giani, Italian, 1758–1823
Bythos and AphrosFelice Giani, Italian, 1758–1823ca. 1800Cooper Hewitt, Smithsonian Design Museum
Atalanta and Hippomenes, Felice Giani, Italian, 1758–1823
Atalanta and HippomenesFelice Giani, Italian, 1758–1823ca. 1800Cooper Hewitt, Smithsonian Design Museum
Battaglia (Battle), Felice Giani, Italian, 1758–1823
Battaglia (Battle)Felice Giani, Italian, 1758–1823ca. 1800Cooper Hewitt, Smithsonian Design Museum
Design for Two Freizes, Felice Giani, Italian, 1758–1823
Design for Two FreizesFelice Giani, Italian, 1758–1823ca. 1800Cooper Hewitt, Smithsonian Design Museum
Three Friezes; A Base; An Ornament, Felice Giani, Italian, 1758–1823
Three Friezes; A Base; An OrnamentFelice Giani, Italian, 1758–1823ca. 1800Cooper Hewitt, Smithsonian Design Museum
Friezes; Two Caryatids; Seated Figure, Felice Giani, Italian, 1758–1823
Friezes; Two Caryatids; Seated FigureFelice Giani, Italian, 1758–1823ca. 1800Cooper Hewitt, Smithsonian Design Museum
Decorative Project for Ceiling, Felice Giani, Italian, 1758–1823
Decorative Project for CeilingFelice Giani, Italian, 1758–1823ca. 1800Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231801Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–1823About 1801Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–1823About 1801Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–1823About 1801 (?)Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–1823About 1801Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–1823About 1801Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–1823About 1801Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–1823C. 1801Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–1823About 1801 (?)Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231801-1805Cooper Hewitt, Smithsonian Design Museum
Agamemnon Refuses to Liberate Chryseis; Minerva Appears to Achilles; The Abduction of Briseis: Galerie d'Iliad, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823
Agamemnon Refuses to Liberate Chryseis; Minerva Appears to Achilles; The Abduction of Briseis: Galerie d'Iliad, Palazzo Milzetti, FaenzaFelice Giani, Italian, 1758–18231802–05Cooper Hewitt, Smithsonian Design Museum
Sheet from a Sketchbook: Minerva Asking Jupiter for the Happiness of Ulysses or Minerva Questions Jupiter on the Destiny of Ithaca, Felice Giani, Italian, 1758–1823
Sheet from a Sketchbook: Minerva Asking Jupiter for the Happiness of Ulysses or Minerva Questions Jupiter on the Destiny of IthacaFelice Giani, Italian, 1758–18231802–05Cooper Hewitt, Smithsonian Design Museum
Achilles Drags the Body of Hector around Walls of Troy, Priam Pleads for the Body of Hector, Ceiling Designs for the Galleria di Achille, Palazzo Milzetti, Faenza, Italy, Felice Giani, Italian, 1758–1823
Achilles Drags the Body of Hector around Walls of Troy, Priam Pleads for the Body of Hector, Ceiling Designs for the Galleria di Achille, Palazzo Milzetti, Faenza, ItalyFelice Giani, Italian, 1758–18231802–05Cooper Hewitt, Smithsonian Design Museum
Thetis in the Workshop of Hephaestus; Thetis Showing the Armor to Achilles: Two Designs for Ceiling Panels in the Galeria d'Iliade, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823
Thetis in the Workshop of Hephaestus; Thetis Showing the Armor to Achilles: Two Designs for Ceiling Panels in the Galeria d'Iliade, Palazzo Milzetti, FaenzaFelice Giani, Italian, 1758–18231802–05Cooper Hewitt, Smithsonian Design Museum
Adoration of the Shepherds; Arcangle St. Michael after Raphael; St. Margarite after Raphael; Aloof de Wignancourt by Caravaggio; Putti; Study of the Flood; Verso: Disposition after Volterra; St. Ceclia after Raphael; Portion of Marriage of Henry IV to..., Felice Giani, Italian, 1758–1823
Adoration of the Shepherds; Arcangle St. Michael after Raphael; St. Margarite after Raphael; Aloof de Wignancourt by Caravaggio; Putti; Study of the Flood; Verso: Disposition after Volterra; St. Ceclia after Raphael; Portion of Marriage of Henry IV to...Felice Giani, Italian, 1758–18231803–09Cooper Hewitt, Smithsonian Design Museum
Jupiter, Felice Giani, Italian, 1758–1823
JupiterFelice Giani, Italian, 1758–18231804Cooper Hewitt, Smithsonian Design Museum
Sheet from a Sketchbook: Minerva Orders Ulysses to Make Peace with the Suitors of Penelope (Minerva induce Ulisse alla pace con i Proci), Felice Giani, Italian, 1758–1823
Sheet from a Sketchbook: Minerva Orders Ulysses to Make Peace with the Suitors of Penelope (Minerva induce Ulisse alla pace con i Proci)Felice Giani, Italian, 1758–1823before 1805Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231805Cooper Hewitt, Smithsonian Design Museum
A Krater, Felice Giani, Italian, 1758–1823
A KraterFelice Giani, Italian, 1758–1823ca. 1805Cooper Hewitt, Smithsonian Design Museum
Hercules and Cerberus, Felice Giani, Italian, 1758–1823
Hercules and CerberusFelice Giani, Italian, 1758–18231805Cooper Hewitt, Smithsonian Design Museum
Two Friezes with Rams, Candelabra, Trophies and Putti, Felice Giani, Italian, 1758–1823
Two Friezes with Rams, Candelabra, Trophies and PuttiFelice Giani, Italian, 1758–1823ca. 1805Cooper Hewitt, Smithsonian Design Museum
Rendering of Various Decorative details of Bologna; Verso: Architectural Details, Felice Giani, Italian, 1758–1823
Rendering of Various Decorative details of Bologna; Verso: Architectural DetailsFelice Giani, Italian, 1758–18231810–14Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–1823About 1810Cooper Hewitt, Smithsonian Design Museum

And the rest

209
  1. DrawingAbout 1810Cooper Hewitt, Smithsonian Design Museum
  2. DrawingAbout 1810Cooper Hewitt, Smithsonian Design Museum
  3. Drawing1810-1823Cooper Hewitt, Smithsonian Design Museum
  4. DrawingAbout 1810Cooper Hewitt, Smithsonian Design Museum
  5. Drawing1810-1823Cooper Hewitt, Smithsonian Design Museum
  6. Drawing1810Cooper Hewitt, Smithsonian Design Museum
  7. Drawing1810-1820Cooper Hewitt, Smithsonian Design Museum
  8. DrawingAbout 1810.Cooper Hewitt, Smithsonian Design Museum
  9. Drawing1810-1822.Cooper Hewitt, Smithsonian Design Museum
  10. Drawing1810-1822Cooper Hewitt, Smithsonian Design Museum
  11. Drawing1810-1822.Cooper Hewitt, Smithsonian Design Museum
  12. Drawing1810-1820Cooper Hewitt, Smithsonian Design Museum
  13. Drawing1810-1822Cooper Hewitt, Smithsonian Design Museum
  14. DrawingAbout 1810Cooper Hewitt, Smithsonian Design Museum
  15. DrawingAbout 1810-1823Cooper Hewitt, Smithsonian Design Museum
  16. Drawing1810-1822Cooper Hewitt, Smithsonian Design Museum
  17. Drawing1810-1822.Cooper Hewitt, Smithsonian Design Museum
  18. DrawingAbout 1810Cooper Hewitt, Smithsonian Design Museum
  19. DrawingAbout 1810Cooper Hewitt, Smithsonian Design Museum
  20. DrawingAbout 1810Cooper Hewitt, Smithsonian Design Museum
  21. Drawing1810-1822Cooper Hewitt, Smithsonian Design Museum
  22. Project for Painted Medallions1810–20Cooper Hewitt, Smithsonian Design Museum
  23. Drawing1810-1815Cooper Hewitt, Smithsonian Design Museum
  24. Recto: Three Musicians in Front of the Albergo Della Pace, 18101810Cooper Hewitt, Smithsonian Design Museum
  25. Sketchbook Page: Ceiling and Architectural Details, Tempio Malatestiano, Rimini1810–20Cooper Hewitt, Smithsonian Design Museum
  26. Sketchbook Page: Two Landscapes after Vincenzo Martinelli; Verso: Architectural Details1811–14Cooper Hewitt, Smithsonian Design Museum
  27. Sketchbook Page: Three Landscapes after Vincenzo Martinelli. Verso: Architectural Sketch1811–14Cooper Hewitt, Smithsonian Design Museum
  28. Four Studies of Works by Perugino and Francia1811–14Cooper Hewitt, Smithsonian Design Museum
  29. Sketchbook Page: Study of Reno, Bologna; Verso: Architectural Details1811–14Cooper Hewitt, Smithsonian Design Museum
  30. Sketchbook Page, Folio 57: Study after Piazza Emmanuelle in Bologna; Verso, Architectural Detail1811–14Cooper Hewitt, Smithsonian Design Museum
  31. Piazza San Domenico in Bologna; Piazza San Francesco and Villa Aldini in Bologna; Study of Tomb of Glossatori1811–14Cooper Hewitt, Smithsonian Design Museum
  32. Sketchbook Page: Six Scenes; Verso: Five Studies of Horse Heads; Head of Lion1811–14Cooper Hewitt, Smithsonian Design Museum
  33. Sketchbook Page, Folio 57: Study after Porta di Saragossa in Bologna; Verso, Architectural Details1811–14Cooper Hewitt, Smithsonian Design Museum
  34. Sketchbook Page, Folio 57: Study after Michele in Bosco, Bologna; Verso, Architectural Details1811–14Cooper Hewitt, Smithsonian Design Museum
  35. Sketchbook: Folio 73; Six Paintings of Bolognese School; Verso: Anatomical Drawings1811–14Cooper Hewitt, Smithsonian Design Museum
  36. Sketchbook Page: Studies after Paintings in Ferrara, Rome, Bologna, Mantua after Artists Tibaldi, Raphael, Andrea del Sarto and Polidoro; Verso: Bird Skeleton and Horse's Head1811–14Cooper Hewitt, Smithsonian Design Museum
  37. Sketchbook Page, Folio 64: Study after Bolognese Architecture and Sculpture; Verso: Geometric Designs1811Cooper Hewitt, Smithsonian Design Museum
  38. Sketchbook Page, Folio 64: Study after Bolognese Architecture and Monuments, Including Arch of San Domenico; Verso: Geometric Studies1811Cooper Hewitt, Smithsonian Design Museum
  39. Facade of Santa Cecilia in Bologna; Architectural Studies1811–14Cooper Hewitt, Smithsonian Design Museum
  40. Sketchbook Page, Folio 95: Three Paintings after Giulio Romano; Verso: Lion and Eagle1812–14Cooper Hewitt, Smithsonian Design Museum
  41. Sketchbook Page, Folio 98: Two Paintings after Caravaggio and Raphael; Verso: Eagle and Ox1812–14Cooper Hewitt, Smithsonian Design Museum
  42. Lunette with Allegory of Painting1812–13Cooper Hewitt, Smithsonian Design Museum
  43. Lunette with Allegory of Architecture1812–13Cooper Hewitt, Smithsonian Design Museum
  44. Design for a Lunette with Allegory of Sculpture1812–13Cooper Hewitt, Smithsonian Design Museum
  45. Drawing1812Cooper Hewitt, Smithsonian Design Museum
  46. Ceres is told of the Rape of Proserpina1812Cooper Hewitt, Smithsonian Design Museum
  47. Phaeton Asks Apollo to Drive the Sun Chariot1812Cooper Hewitt, Smithsonian Design Museum
  48. Drawing1813Cooper Hewitt, Smithsonian Design Museum
  49. DrawingAbout 1813Cooper Hewitt, Smithsonian Design Museum
  50. The Siren's Grotto at Tivolica. 1813Cooper Hewitt, Smithsonian Design Museum
  51. Four Allegories of Virtue, Villa Aldini, Montmorency, France1813Cooper Hewitt, Smithsonian Design Museum
  52. Justice and Strength: Project for Two Octagonal Wall Paintingsca. 1813Cooper Hewitt, Smithsonian Design Museum
  53. Archangel Michael1813–18Cooper Hewitt, Smithsonian Design Museum
  54. Diana and Callisto, after Domenichino1813–18Cooper Hewitt, Smithsonian Design Museum
  55. The Holy Family1813–18Cooper Hewitt, Smithsonian Design Museum
  56. Two Octagons: Vigilance, Beneficence.ca. 1813Cooper Hewitt, Smithsonian Design Museum
  57. Frieze with Psyche and Love1813–18Cooper Hewitt, Smithsonian Design Museum
  58. The Assumption of the Virgin1813–18Cooper Hewitt, Smithsonian Design Museum
  59. St. Paul in the Clouds with Angels and Palms1813–18Cooper Hewitt, Smithsonian Design Museum
  60. Apollo and Hycianth, after Domenichino1813–18Cooper Hewitt, Smithsonian Design Museum
  61. Madonna and Child Enthroned with Two Bishops with St. John1813–18Cooper Hewitt, Smithsonian Design Museum
  62. Study of the Visitation, After Peter Paul Rubens1813–18Cooper Hewitt, Smithsonian Design Museum
  63. Concert of Angels1813–18Cooper Hewitt, Smithsonian Design Museum
  64. Death of Adonis1813–18Cooper Hewitt, Smithsonian Design Museum
  65. Saint Matthew and an Angel1813–18Cooper Hewitt, Smithsonian Design Museum
  66. The Personification of Justice and Peace1813–18Cooper Hewitt, Smithsonian Design Museum
  67. Hercules Hurls Lichas into the Sea1813Cooper Hewitt, Smithsonian Design Museum
  68. Decorative Studies; Verso: Barbarian Head in Profile from the Antique1814–18Cooper Hewitt, Smithsonian Design Museum
  69. Decorative Study; Verso: Two Head Studies1814–18Cooper Hewitt, Smithsonian Design Museum
  70. Decorative Study; Verso: Anatomical Study1814–18Cooper Hewitt, Smithsonian Design Museum
  71. Eight Studies of Friezes and Candelabrum1814–18Cooper Hewitt, Smithsonian Design Museum
  72. Four Decorative Studies of Ceilings; Verso: Anatomical Studies1814–18Cooper Hewitt, Smithsonian Design Museum
  73. Decorative Studies; Verso: Anatomical Studies1814–18Cooper Hewitt, Smithsonian Design Museum
  74. Decorative Studies; Verso: Anatomical Studies of Toes1814–18Cooper Hewitt, Smithsonian Design Museum
  75. Decorative Studies of Candelabrum and a Ceiling1814–18Cooper Hewitt, Smithsonian Design Museum
  76. Five Studies of Ceiling with Grotesques; Madonna1814–18Cooper Hewitt, Smithsonian Design Museum
  77. Six Decorative Studies; Verso, Anatomical Study1814–18Cooper Hewitt, Smithsonian Design Museum
  78. Decorative Studies; Verso: Anatomical Studies1814–18Cooper Hewitt, Smithsonian Design Museum
  79. Seven Studies of Quadrilateral Ceilings; Verso: Two Anatomical Studies of Arms1814–18Cooper Hewitt, Smithsonian Design Museum
  80. Decorative Studies; Verso: Anatomical Studies1814–18Cooper Hewitt, Smithsonian Design Museum
  81. Decorative Study; Verso: Anatomical Studies of Heads1814–18Cooper Hewitt, Smithsonian Design Museum
  82. Decorative Motifs; Verso: Anatomical Studies1814–18Cooper Hewitt, Smithsonian Design Museum
  83. Decorative Studies; Verso: Profile Heads of Barbarians1814–18Cooper Hewitt, Smithsonian Design Museum
  84. Decorative Studies; Verso: Anatomical Studies of Animals and Male Heads1814–18Cooper Hewitt, Smithsonian Design Museum
  85. Two Decorartive Studies of Ceilings; Verso: Studies of Heads1814–18Cooper Hewitt, Smithsonian Design Museum
  86. Decorative Studies of Ceilings with Grotesque; Studies of Monument with Papal Seale, Sisto V1814–18Cooper Hewitt, Smithsonian Design Museum
  87. Decorative Studies for Ceilings; Verso: Head in Profile with Antique Helmet1814–18Cooper Hewitt, Smithsonian Design Museum
  88. Architectural Interior Elements; Verso: Anatomical Studies1814–18Cooper Hewitt, Smithsonian Design Museum
  89. Banquet of the Gods, variant for the Sala di Pranza, Palazzo Guarini, Forli1814Cooper Hewitt, Smithsonian Design Museum
  90. Decorative Studies1815Cooper Hewitt, Smithsonian Design Museum
  91. Two drawings of Sybils and Two Puttirecto 1815Cooper Hewitt, Smithsonian Design Museum
  92. Drawing1815-1820Cooper Hewitt, Smithsonian Design Museum
  93. Drawing1815Cooper Hewitt, Smithsonian Design Museum
  94. DrawingAbout 1815Cooper Hewitt, Smithsonian Design Museum
  95. Personification of Theology, After Raphael1815Cooper Hewitt, Smithsonian Design Museum
  96. The Astronomer, After Raphael1815Cooper Hewitt, Smithsonian Design Museum
  97. Two Studies of Sybilsca. 1815Cooper Hewitt, Smithsonian Design Museum
  98. Drawing1815-1820Cooper Hewitt, Smithsonian Design Museum
  99. Decorative Project with Octagonal Representation of Summer1815Cooper Hewitt, Smithsonian Design Museum
  100. Octagonal Drawing, Fame with Two Putti, Palazzo Morri, Faenza1816Cooper Hewitt, Smithsonian Design Museum
  101. Cornelia, Mother of the Gracchi, Palazzo Cavina, Faenza1816Cooper Hewitt, Smithsonian Design Museum
  102. Madonna and Child with St. Joseph1816Cooper Hewitt, Smithsonian Design Museum
  103. Four Statues in Niches: Music, Architecture, Painting, and Sculpture; Study of Bacchus and Mercury1816Cooper Hewitt, Smithsonian Design Museum
  104. Decorative Studies of Candelabra; Verso: Masculine Heads1817Cooper Hewitt, Smithsonian Design Museum
  105. Three Putti with Garland; Romulus and Remus Breastfeeding from She-Wolf; Two Putti Playing Cymbals1818Cooper Hewitt, Smithsonian Design Museum
  106. Virgin Ascending with Concert of Angels1818Cooper Hewitt, Smithsonian Design Museum
  107. DrawingC.1820Cooper Hewitt, Smithsonian Design Museum
  108. The Death of Archimedesca. 1820Cooper Hewitt, Smithsonian Design Museum
  109. The Prelate and Stool-Bearers and Women near Them in "Expulsion of Heliodorus" after Raphael Sanzioca. 1820Cooper Hewitt, Smithsonian Design Museum
  110. Cartoons of Death of Ananias and St. Paul, after Raphaelca. 1820Cooper Hewitt, Smithsonian Design Museum
  111. Four Statues in Egyptian Styleca. 1820Cooper Hewitt, Smithsonian Design Museum
  112. Hygeia, after an Antique Statue in Giustiniani Collection, Romeca. 1820Cooper Hewitt, Smithsonian Design Museum
  113. Thermometerca. 1820Cooper Hewitt, Smithsonian Design Museum
  114. DrawingAbout 1820Cooper Hewitt, Smithsonian Design Museum
  115. DrawingAbout 1820Cooper Hewitt, Smithsonian Design Museum
  116. DrawingAbout 1820Cooper Hewitt, Smithsonian Design Museum
  117. DrawingAbout 1820Cooper Hewitt, Smithsonian Design Museum
  118. DrawingAbout 1820 (?)Cooper Hewitt, Smithsonian Design Museum
  119. DrawingAbout 1820. (?)Cooper Hewitt, Smithsonian Design Museum
  120. DrawingAbout 1820Cooper Hewitt, Smithsonian Design Museum
  121. DrawingAbout 1820Cooper Hewitt, Smithsonian Design Museum
  122. DrawingAbout 1820Cooper Hewitt, Smithsonian Design Museum
  123. DrawingAbout 1820.Cooper Hewitt, Smithsonian Design Museum
  124. DrawingAbout 1820Cooper Hewitt, Smithsonian Design Museum
  125. Alexander the Great and Diogenes1820–22Cooper Hewitt, Smithsonian Design Museum
  126. DrawingAbout 1820Cooper Hewitt, Smithsonian Design Museum
  127. DrawingAbout 1820Cooper Hewitt, Smithsonian Design Museum
  128. Drawing1820Cooper Hewitt, Smithsonian Design Museum
  129. Mnemosyne, Mother of the Musesca. 1820Cooper Hewitt, Smithsonian Design Museum
  130. A Chapel; Elevation and Floor Planca. 1820Cooper Hewitt, Smithsonian Design Museum
  131. Madonna and Child and St. John, Study after Francia; Madonna and Child with St. John, Study after Dossi; Madonna and Child with St. John, Bishop Saint, St. Appolonia; Madonna and Child in Niche, Study after Sculpture by Salvator Mundy1821–22Cooper Hewitt, Smithsonian Design Museum
  132. The Four Evangelists, Study after Giambologna1821–22Cooper Hewitt, Smithsonian Design Museum
  133. Four Putti Making Music, Study after Lodovico Carracci; Christ, Study after Massari1821–22Cooper Hewitt, Smithsonian Design Museum
  134. Saint in Ecstacy, After Franceschini; Classicized Version of Vision of St. Catherine of Vigri, Study after Franceschini1821–22Cooper Hewitt, Smithsonian Design Museum
  135. Venus and Cupid, Study after Annibale Carracci1821–22Cooper Hewitt, Smithsonian Design Museum
  136. Three Herms, Studies after Carracci1821–22Cooper Hewitt, Smithsonian Design Museum
  137. Madonna and Child in Glory, Study after Mastelletta; Angel Gabriel Driving Lucifer from Heaven, Study after Marcantonio Franceschini1821–22Cooper Hewitt, Smithsonian Design Museum
  138. Two Drawings of the Madonna and Child in Ovals, Studies after Giambologna and Alfonzo da Ferrero; Herm and Chimera, after Antique1821–22Cooper Hewitt, Smithsonian Design Museum
  139. Four Herms, Studies after the Carracci1821–22Cooper Hewitt, Smithsonian Design Museum
  140. Atrium and Staircase in Classical Styleca. 1825Cooper Hewitt, Smithsonian Design Museum
  141. Drawing1835-1850Cooper Hewitt, Smithsonian Design Museum
  142. Panel of TrophiesCooper Hewitt, Smithsonian Design Museum
  143. Figural Scene with Artist Drawing Female Figure While Man Watches from Behindlate 18th–early 19th centuryCooper Hewitt, Smithsonian Design Museum
  144. DrawingCooper Hewitt, Smithsonian Design Museum
  145. Landscape with Bridgelate 18th–early 19th centuryCooper Hewitt, Smithsonian Design Museum
  146. Burning of the Borgo, after Raphaellate 18th centuryCooper Hewitt, Smithsonian Design Museum
  147. Decorative Studies after the Barberini CollectionCooper Hewitt, Smithsonian Design Museum
  148. A Shipwreckearly 19th centuryCooper Hewitt, Smithsonian Design Museum
  149. St.George and the Dragon by Raphael; Biblical Scene; Disposition by Caravaggio; Ero e Leandro; Love by Lambert Sustris; Spinning Girl by Domenico Fetti; Verso: Apollo and Muse by Poussin; Cupid by Corregio; St. Peter and St. John by Poussin; Madonna....Cooper Hewitt, Smithsonian Design Museum
  150. DrawingCooper Hewitt, Smithsonian Design Museum
  151. DrawingCooper Hewitt, Smithsonian Design Museum
  152. DrawingCooper Hewitt, Smithsonian Design Museum
  153. DrawingCooper Hewitt, Smithsonian Design Museum
  154. DrawingCooper Hewitt, Smithsonian Design Museum
  155. DrawingCooper Hewitt, Smithsonian Design Museum
  156. DrawingCooper Hewitt, Smithsonian Design Museum
  157. DrawingCooper Hewitt, Smithsonian Design Museum
  158. DrawingCooper Hewitt, Smithsonian Design Museum
  159. DrawingCooper Hewitt, Smithsonian Design Museum
  160. DrawingCooper Hewitt, Smithsonian Design Museum
  161. DrawingCooper Hewitt, Smithsonian Design Museum
  162. DrawingCooper Hewitt, Smithsonian Design Museum
  163. DrawingCooper Hewitt, Smithsonian Design Museum
  164. Figural Scene with People Gathered Around a Seated Woman who Reads from ScrollCooper Hewitt, Smithsonian Design Museum
  165. DrawingCooper Hewitt, Smithsonian Design Museum
  166. DrawingCooper Hewitt, Smithsonian Design Museum
  167. DrawingCooper Hewitt, Smithsonian Design Museum
  168. DrawingCooper Hewitt, Smithsonian Design Museum
  169. DrawingCooper Hewitt, Smithsonian Design Museum
  170. DrawingCooper Hewitt, Smithsonian Design Museum
  171. DrawingCooper Hewitt, Smithsonian Design Museum
  172. DrawingCooper Hewitt, Smithsonian Design Museum
  173. DrawingCooper Hewitt, Smithsonian Design Museum
  174. DrawingCooper Hewitt, Smithsonian Design Museum
  175. DrawingCooper Hewitt, Smithsonian Design Museum
  176. DrawingCooper Hewitt, Smithsonian Design Museum
  177. DrawingCooper Hewitt, Smithsonian Design Museum
  178. DrawingCooper Hewitt, Smithsonian Design Museum
  179. Drawing17th C. ???Cooper Hewitt, Smithsonian Design Museum
  180. DrawingCooper Hewitt, Smithsonian Design Museum
  181. DrawingCooper Hewitt, Smithsonian Design Museum
  182. DrawingCooper Hewitt, Smithsonian Design Museum
  183. DrawingCooper Hewitt, Smithsonian Design Museum
  184. DrawingCooper Hewitt, Smithsonian Design Museum
  185. DrawingCooper Hewitt, Smithsonian Design Museum
  186. DrawingCooper Hewitt, Smithsonian Design Museum
  187. DrawingCooper Hewitt, Smithsonian Design Museum
  188. DrawingCooper Hewitt, Smithsonian Design Museum
  189. DrawingCooper Hewitt, Smithsonian Design Museum
  190. DrawingCooper Hewitt, Smithsonian Design Museum
  191. DrawingCooper Hewitt, Smithsonian Design Museum
  192. Drawing19th centuryCooper Hewitt, Smithsonian Design Museum
  193. DrawingCooper Hewitt, Smithsonian Design Museum
  194. Design for Palazzo ContiCooper Hewitt, Smithsonian Design Museum
  195. DrawingCooper Hewitt, Smithsonian Design Museum
  196. DrawingCooper Hewitt, Smithsonian Design Museum
  197. DrawingCooper Hewitt, Smithsonian Design Museum
  198. DrawingCooper Hewitt, Smithsonian Design Museum
  199. Project for Two ConsolesCooper Hewitt, Smithsonian Design Museum
  200. Justice and PeaceCooper Hewitt, Smithsonian Design Museum
  201. Frieze with Four CaryatidsCooper Hewitt, Smithsonian Design Museum
  202. DrawingCooper Hewitt, Smithsonian Design Museum
  203. DrawingFirst quarter of 19th century.Cooper Hewitt, Smithsonian Design Museum
  204. Decorative DesignCooper Hewitt, Smithsonian Design Museum
  205. Apollo with lyre and LoveCooper Hewitt, Smithsonian Design Museum
  206. "The Foliage of Berenice:" from CallimachusCooper Hewitt, Smithsonian Design Museum
  207. Ulysses Escapes the Cyclops’s Cave and Embarks with a CompanionCooper Hewitt, Smithsonian Design Museum
  208. Birth of Bacchus; triumph of Bacchus and Arianna; Triumph of SilosCooper Hewitt, Smithsonian Design Museum
  209. Study after a Funeral Monument and Study after Friezeearly 19th centuryCooper Hewitt, Smithsonian Design Museum
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