Saint Matthew and an Angel — Felice Giani, Italian, 1758–1823, 1813–18

Saint Matthew and an Angel, Felice Giani, Italian, 1758–1823

Seen

Not described yet.

Of

No subject recorded yet.

Means

No reading yet.

Rights

Credit: Museum purchase through gift of various donors
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1901-39-3547 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/10300

Also by Felice Giani, Italian, 1758–1823

304

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Within fifty years of 1813–18

2958

View of Ponte Lugano on the Anio, from Views of Rome, Giovanni Battista Piranesi — View of Ponte Lugano on the Anio, from Views of RomeGiovanni Battista Piranesi1763, published 1800–07The Art Institute of Chicago

Saint Mark, Jean Honoré Fragonard — Saint MarkJean Honoré Fragonard1763/64The Art Institute of Chicago

A gold beater's workshop for Diderot's Encyclopedie, Louis-Jacques Goussier, French, 1722 - 1799 — A gold beater's workshop for Diderot's EncyclopedieLouis-Jacques Goussier, French, 1722 - 17991763Cooper Hewitt, Smithsonian Design Museum

Title Page, Charles Dupuis, French, active 1760 – 1791 — Title PageCharles Dupuis, French, active 1760 – 1791ca. 1763Cooper Hewitt, Smithsonian Design Museum

Longcase astronomical regulator, Ferdinand Berthoud — Longcase astronomical regulatorFerdinand Berthoudca. 1768–70Metropolitan Museum of Art, New York, NY

A mountainous landscape, Jean-Baptiste Huet, French, 1745 – 1811 — A mountainous landscapeJean-Baptiste Huet, French, 1745 – 18111763Cooper Hewitt, Smithsonian Design Museum

Bacchanales: The Satyr's Dance , Jean-Honoré Fragonard (French, 1732–1806) — Bacchanales: The Satyr's Dance Jean-Honoré Fragonard (French, 1732–1806)1763Cleveland Museum of Art

Bacchanales: Nymph Supported by Two Satyrs , Jean-Honoré Fragonard (French, 1732–1806) — Bacchanales: Nymph Supported by Two Satyrs Jean-Honoré Fragonard (French, 1732–1806)1763Cleveland Museum of Art

Also at Cooper Hewitt, Smithsonian Design Museum

7357

Tiraz fragment, Unknown — Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Two drawings of Sybils and Two Putti, Felice Giani, Italian, 1758–1823 — Two drawings of Sybils and Two PuttiFelice Giani, Italian, 1758–1823recto 1815Cooper Hewitt, Smithsonian Design Museum

0.91

Personification of Theology, After Raphael, Felice Giani, Italian, 1758–1823 — Personification of Theology, After RaphaelFelice Giani, Italian, 1758–18231815Cooper Hewitt, Smithsonian Design Museum

0.90

The Astronomer, After Raphael, Felice Giani, Italian, 1758–1823 — The Astronomer, After RaphaelFelice Giani, Italian, 1758–18231815Cooper Hewitt, Smithsonian Design Museum

0.89

Four Putti Making Music, Study after Lodovico Carracci; Christ, Study after Massari, Felice Giani, Italian, 1758–1823 — Four Putti Making Music, Study after Lodovico Carracci; Christ, Study after MassariFelice Giani, Italian, 1758–18231821–22Cooper Hewitt, Smithsonian Design Museum

0.87

The Death of Archimedes, Felice Giani, Italian, 1758–1823 — The Death of ArchimedesFelice Giani, Italian, 1758–1823ca. 1820Cooper Hewitt, Smithsonian Design Museum

0.87

Madonna and Child and St. John, Study after Francia; Madonna and Child with St. John, Study after Dossi; Madonna and Child with St. John, Bishop Saint, St. Appolonia; Madonna and Child in Niche, Study after Sculpture by Salvator Mundy, Felice Giani, Italian, 1758–1823 — Madonna and Child and St. John, Study after Francia; Madonna and Child with St. John, Study after Dossi; Madonna and Child with St. John, Bishop Saint, St. Appolonia; Madonna and Child in Niche, Study after Sculpture by Salvator MundyFelice Giani, Italian, 1758–18231821–22Cooper Hewitt, Smithsonian Design Museum

0.87

Miracle Performed by St. Cecelia's Corpse, Unknown — Miracle Performed by St. Cecelia's CorpseUnknown16th centuryCooper Hewitt, Smithsonian Design Museum

0.87

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231810Cooper Hewitt, Smithsonian Design Museum

0.87

Next

Felice Giani, Italian, 1758–1823 made Saint Matthew and an Angel, and made these too.

Apollo and Hycianth, after Domenichino1813
Archangel Michael1813
Concert of Angels1813
Death of Adonis1813

Made in the nineteenth century, like Saint Matthew and an Angel.

0:00–0:00