Facade of Santa Cecilia in Bologna; Architectural Studies — Felice Giani, Italian, 1758–1823, 1811–14

Facade of Santa Cecilia in Bologna; Architectural Studies, Felice Giani, Italian, 1758–1823

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Rights

Credit: Museum purchase through gift of various donors
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1901-39-2743 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/9397

Also by Felice Giani, Italian, 1758–1823

304

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Within fifty years of 1811–14

2939

The Heron Maiden, Suzuki Harunobu — The Heron MaidenSuzuki Harunobuc. 1766/67The Art Institute of Chicago

Album of Prints: First and Second Series of Prints Designed and Engraved by Percenet, L.N. Percenet, French, born 1736 — Album of Prints: First and Second Series of Prints Designed and Engraved by PercenetL.N. Percenet, French, born 17361761-1762Cooper Hewitt, Smithsonian Design Museum

Album of Prints: New Collection of Ironwork in the Newest Taste, by Moreau, Moreau, French, active 18th century — Album of Prints: New Collection of Ironwork in the Newest Taste, by MoreauMoreau, French, active 18th century1761-1762Cooper Hewitt, Smithsonian Design Museum

Trial Proof for Cotton Printing: "Pastoral Scene with Peacocks and Poultry", Unknown — Trial Proof for Cotton Printing: "Pastoral Scene with Peacocks and Poultry"Unknownafter 1761Cooper Hewitt, Smithsonian Design Museum

Trial Proof for Cotton Printing: "Pastoral Scene with Peacocks and Poultry", Unknown — Trial Proof for Cotton Printing: "Pastoral Scene with Peacocks and Poultry"Unknownafter 1761Cooper Hewitt, Smithsonian Design Museum

The Giant Wheel, plate 9 from Imaginary Prisons, Giovanni Battista Piranesi — The Giant Wheel, plate 9 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of Chicago

The Pier with a Lamp, plate 15 from Imaginary Prisons, Giovanni Battista Piranesi — The Pier with a Lamp, plate 15 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of Chicago

The Lion Bas-Reliefs, plate 5 from Imaginary Prisons, Giovanni Battista Piranesi — The Lion Bas-Reliefs, plate 5 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of Chicago

Also at Cooper Hewitt, Smithsonian Design Museum

7366

Tiraz fragment, Unknown — Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Rendering of Various Decorative details of Bologna; Verso: Architectural Details, Felice Giani, Italian, 1758–1823 — Rendering of Various Decorative details of Bologna; Verso: Architectural DetailsFelice Giani, Italian, 1758–18231810–14Cooper Hewitt, Smithsonian Design Museum

0.92

Decorative Study; Verso: Anatomical Studies of Heads, Felice Giani, Italian, 1758–1823 — Decorative Study; Verso: Anatomical Studies of HeadsFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum

0.90

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–1823Cooper Hewitt, Smithsonian Design Museum

0.90

Eight tombs, Giuseppe Barberi, Italian, 1746–1809 — Eight tombsGiuseppe Barberi, Italian, 1746–18091790-1800Cooper Hewitt, Smithsonian Design Museum

0.89

Album page, Unknown — Album pageUnknownCooper Hewitt, Smithsonian Design Museum

0.88

Design for a Main Altar, Giuseppe Barberi, Italian, 1746–1809 — Design for a Main AltarGiuseppe Barberi, Italian, 1746–18091780-1783Cooper Hewitt, Smithsonian Design Museum

0.88

Sketchbook Page: Ceiling and Architectural Details, Tempio Malatestiano, Rimini, Felice Giani, Italian, 1758–1823 — Sketchbook Page: Ceiling and Architectural Details, Tempio Malatestiano, RiminiFelice Giani, Italian, 1758–18231810–20Cooper Hewitt, Smithsonian Design Museum

0.88

Stage Design: Palace Architecture with Trophies, Unknown — Stage Design: Palace Architecture with TrophiesUnknownca. 1700Cooper Hewitt, Smithsonian Design Museum

0.88

Next

Felice Giani, Italian, 1758–1823 made Facade of Santa Cecilia in Bologna; Architectural Studies, and made these too.

Made in the nineteenth century, like Facade of Santa Cecilia in Bologna; Architectural Studies.

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