Sketchbook Page: Two Landscapes after Vincenzo Martinelli; Verso: Architectural Details — Felice Giani, Italian, 1758–1823, 1811–14

Sketchbook Page: Two Landscapes after Vincenzo Martinelli; Verso: Architectural Details, Felice Giani, Italian, 1758–1823

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Credit: Museum purchase through gift of various donors
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1901-39-2432 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/9053

Also by Felice Giani, Italian, 1758–1823

304

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Within fifty years of 1811–14

2939

The Heron Maiden, Suzuki Harunobu — The Heron MaidenSuzuki Harunobuc. 1766/67The Art Institute of Chicago

Album of Prints: First and Second Series of Prints Designed and Engraved by Percenet, L.N. Percenet, French, born 1736 — Album of Prints: First and Second Series of Prints Designed and Engraved by PercenetL.N. Percenet, French, born 17361761-1762Cooper Hewitt, Smithsonian Design Museum

Album of Prints: New Collection of Ironwork in the Newest Taste, by Moreau, Moreau, French, active 18th century — Album of Prints: New Collection of Ironwork in the Newest Taste, by MoreauMoreau, French, active 18th century1761-1762Cooper Hewitt, Smithsonian Design Museum

Trial Proof for Cotton Printing: "Pastoral Scene with Peacocks and Poultry", Unknown — Trial Proof for Cotton Printing: "Pastoral Scene with Peacocks and Poultry"Unknownafter 1761Cooper Hewitt, Smithsonian Design Museum

Trial Proof for Cotton Printing: "Pastoral Scene with Peacocks and Poultry", Unknown — Trial Proof for Cotton Printing: "Pastoral Scene with Peacocks and Poultry"Unknownafter 1761Cooper Hewitt, Smithsonian Design Museum

The Giant Wheel, plate 9 from Imaginary Prisons, Giovanni Battista Piranesi — The Giant Wheel, plate 9 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of Chicago

The Pier with a Lamp, plate 15 from Imaginary Prisons, Giovanni Battista Piranesi — The Pier with a Lamp, plate 15 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of Chicago

The Lion Bas-Reliefs, plate 5 from Imaginary Prisons, Giovanni Battista Piranesi — The Lion Bas-Reliefs, plate 5 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of Chicago

Also at Cooper Hewitt, Smithsonian Design Museum

7366

Tiraz fragment, Unknown — Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Sketchbook Page: Three Landscapes after Vincenzo Martinelli. Verso: Architectural Sketch, Felice Giani, Italian, 1758–1823 — Sketchbook Page: Three Landscapes after Vincenzo Martinelli. Verso: Architectural SketchFelice Giani, Italian, 1758–18231811–14Cooper Hewitt, Smithsonian Design Museum

0.93

Landscape with Saint Jerome and Two Lions, Domenico Campagnola (Italian, 1500–1564) — Landscape with Saint Jerome and Two LionsDomenico Campagnola (Italian, 1500–1564)c. 1530–35Cleveland Museum of Art

0.87

Landscape with Bridge, Felice Giani, Italian, 1758–1823 — Landscape with BridgeFelice Giani, Italian, 1758–1823late 18th–early 19th centuryCooper Hewitt, Smithsonian Design Museum

0.87

Study for panel of the Tribune, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Study for panel of the TribuneJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

0.86

Landscape with a Woman at a Stream, Charles Nicolas Ransonnette, French, 1793 - 1877 — Landscape with a Woman at a StreamCharles Nicolas Ransonnette, French, 1793 - 18771856Cooper Hewitt, Smithsonian Design Museum

0.86

Trial Proof for Cotton Printing: "Pastoral Scene with Peacocks and Poultry", Unknown — Trial Proof for Cotton Printing: "Pastoral Scene with Peacocks and Poultry"Unknownafter 1761Cooper Hewitt, Smithsonian Design Museum

0.86

Textile, Unknown — TextileUnknown18th centuryCooper Hewitt, Smithsonian Design Museum

0.85

Print, Unknown — PrintUnknownCooper Hewitt, Smithsonian Design Museum

0.85

Next

Felice Giani, Italian, 1758–1823 made Sketchbook Page: Two Landscapes after Vincenzo Martinelli; Verso: Architectural Details, and made these too.

Made in the nineteenth century, like Sketchbook Page: Two Landscapes after Vincenzo Martinelli; Verso: Architectural Details.

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