Date 1811–14 Medium Pen and brown ink , brush and brown wash over traces of graphite on cream laid paper Terms pen 300022452 Collection Cooper Hewitt, Smithsonian Design Museum chndm_1901-39-1380 Getty ids beside the museum's words, by exact match, 2026-09-09
Of No subject recorded yet.
Close Sketchbook Page, Folio 57: Study after Porta di Saragossa in Bologna; Verso, Architectural Details — Felice Giani, Italian, 1758–1823 1811–14
Also by Felice Giani, Italian, 1758–1823 304 Drawing Felice Giani, Italian, 1758–18231780-1790 Cooper Hewitt, Smithsonian Design Museum Drawing Felice Giani, Italian, 1758–18231780-1790 Cooper Hewitt, Smithsonian Design Museum Drawing Felice Giani, Italian, 1758–18231780-1790 Cooper Hewitt, Smithsonian Design Museum Drawing Felice Giani, Italian, 1758–18231780-1790 Cooper Hewitt, Smithsonian Design Museum Drawing Felice Giani, Italian, 1758–18231780-1790 Cooper Hewitt, Smithsonian Design Museum Drawing Felice Giani, Italian, 1758–18231780-1790 Cooper Hewitt, Smithsonian Design Museum Drawing Felice Giani, Italian, 1758–18231780-1790 Cooper Hewitt, Smithsonian Design Museum Drawing Felice Giani, Italian, 1758–18231780-1790 Cooper Hewitt, Smithsonian Design Museum
Within fifty years of 1811–14 2939 The Heron Maiden Suzuki Harunobuc. 1766/67 The Art Institute of Chicago Album of Prints: First and Second Series of Prints Designed and Engraved by Percenet L.N. Percenet, French, born 17361761-1762 Cooper Hewitt, Smithsonian Design Museum Album of Prints: New Collection of Ironwork in the Newest Taste, by Moreau Moreau, French, active 18th century1761-1762 Cooper Hewitt, Smithsonian Design Museum Trial Proof for Cotton Printing: "Pastoral Scene with Peacocks and Poultry" Unknownafter 1761 Cooper Hewitt, Smithsonian Design Museum Trial Proof for Cotton Printing: "Pastoral Scene with Peacocks and Poultry" Unknownafter 1761 Cooper Hewitt, Smithsonian Design Museum The Giant Wheel, plate 9 from Imaginary Prisons Giovanni Battista Piranesi1761 The Art Institute of Chicago The Pier with a Lamp, plate 15 from Imaginary Prisons Giovanni Battista Piranesi1761 The Art Institute of Chicago The Lion Bas-Reliefs, plate 5 from Imaginary Prisons Giovanni Battista Piranesi1761 The Art Institute of Chicago
Similar picturesFound by visual likeness 8 pictures Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.
Landscape with Bridge Felice Giani, Italian, 1758–1823late 18th–early 19th century Cooper Hewitt, Smithsonian Design Museum 0.87 Stage Design, Aqueduct Romolo Achille Liverani, Italian, 1809 - 1872early 19th century Cooper Hewitt, Smithsonian Design Museum 0.85 Landscape with Mound Charles Nicolas Ransonnette, French, 1793 - 18771793–1877 Cooper Hewitt, Smithsonian Design Museum 0.84 Add a connection Propose a reading
Next Felice Giani, Italian, 1758–1823 made Sketchbook Page, Folio 57: Study after Porta di Saragossa in Bologna; Verso, Architectural Details, and made these too.
Made in the nineteenth century, like Sketchbook Page, Folio 57: Study after Porta di Saragossa in Bologna; Verso, Architectural Details.
