Sketchbook Page, Folio 57: Study after Piazza Emmanuelle in Bologna; Verso, Architectural Detail — Felice Giani, Italian, 1758–1823, 1811–14

Sketchbook Page, Folio 57: Study after Piazza Emmanuelle in Bologna; Verso, Architectural Detail, Felice Giani, Italian, 1758–1823

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Rights

Credit: Museum purchase through gift of various donors
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1901-39-1381 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/7874

Also by Felice Giani, Italian, 1758–1823

304

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Within fifty years of 1811–14

2939

The Heron Maiden, Suzuki Harunobu — The Heron MaidenSuzuki Harunobuc. 1766/67The Art Institute of Chicago

Album of Prints: First and Second Series of Prints Designed and Engraved by Percenet, L.N. Percenet, French, born 1736 — Album of Prints: First and Second Series of Prints Designed and Engraved by PercenetL.N. Percenet, French, born 17361761-1762Cooper Hewitt, Smithsonian Design Museum

Album of Prints: New Collection of Ironwork in the Newest Taste, by Moreau, Moreau, French, active 18th century — Album of Prints: New Collection of Ironwork in the Newest Taste, by MoreauMoreau, French, active 18th century1761-1762Cooper Hewitt, Smithsonian Design Museum

Trial Proof for Cotton Printing: "Pastoral Scene with Peacocks and Poultry", Unknown — Trial Proof for Cotton Printing: "Pastoral Scene with Peacocks and Poultry"Unknownafter 1761Cooper Hewitt, Smithsonian Design Museum

Trial Proof for Cotton Printing: "Pastoral Scene with Peacocks and Poultry", Unknown — Trial Proof for Cotton Printing: "Pastoral Scene with Peacocks and Poultry"Unknownafter 1761Cooper Hewitt, Smithsonian Design Museum

The Giant Wheel, plate 9 from Imaginary Prisons, Giovanni Battista Piranesi — The Giant Wheel, plate 9 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of Chicago

The Pier with a Lamp, plate 15 from Imaginary Prisons, Giovanni Battista Piranesi — The Pier with a Lamp, plate 15 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of Chicago

The Lion Bas-Reliefs, plate 5 from Imaginary Prisons, Giovanni Battista Piranesi — The Lion Bas-Reliefs, plate 5 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of Chicago

Also at Cooper Hewitt, Smithsonian Design Museum

7366

Tiraz fragment, Unknown — Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Avanco del Tempio della Concordia, Giovanni Battista Piranesi (Italian, 1720–1778) — Avanco del Tempio della ConcordiaGiovanni Battista Piranesi (Italian, 1720–1778)1756Cleveland Museum of Art

0.86

Sketchbook Page: Study of Reno, Bologna; Verso: Architectural Details, Felice Giani, Italian, 1758–1823 — Sketchbook Page: Study of Reno, Bologna; Verso: Architectural DetailsFelice Giani, Italian, 1758–18231811–14Cooper Hewitt, Smithsonian Design Museum

0.85

Sketchbook Page, Folio 64: Study after Bolognese Architecture and Sculpture; Verso: Geometric Designs, Felice Giani, Italian, 1758–1823 — Sketchbook Page, Folio 64: Study after Bolognese Architecture and Sculpture; Verso: Geometric DesignsFelice Giani, Italian, 1758–18231811Cooper Hewitt, Smithsonian Design Museum

0.85

Peep-Show Print, Unknown — Peep-Show PrintUnknownmid-18th centuryCooper Hewitt, Smithsonian Design Museum

0.85

Peep-Show Print, Unknown — Peep-Show PrintUnknownmid-18th centuryCooper Hewitt, Smithsonian Design Museum

0.84

Arco di Settimio Severo / Piranesi architetto fec., Piranesi, Giovanni Battista, 1720-1778, engraver — Arco di Settimio Severo / Piranesi architetto fec.Piranesi, Giovanni Battista, 1720-1778, engraver[between 1740 and 1778]Library of Congress

0.84

Veduta del Tempio di Giove Tonante, Giovanni Battista Piranesi — Veduta del Tempio di Giove TonanteGiovanni Battista Piranesi1740s–60sMetropolitan Museum of Art, New York, NY

0.84

Stage Design, Portico and Stairs, Unknown — Stage Design, Portico and StairsUnknownearly 19th centuryCooper Hewitt, Smithsonian Design Museum

0.84

Next

Felice Giani, Italian, 1758–1823 made Sketchbook Page, Folio 57: Study after Piazza Emmanuelle in Bologna; Verso, Architectural Detail, and made these too.

Made in the nineteenth century, like Sketchbook Page, Folio 57: Study after Piazza Emmanuelle in Bologna; Verso, Architectural Detail.

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