Adoration of the Shepherds; Arcangle St. Michael after Raphael; St. Margarite after Raphael; Aloof de Wignancourt by Caravaggio; Putti; Study of the Flood; Verso: Disposition after Volterra; St. Ceclia after Raphael; Portion of Marriage of Henry IV to..., Felice Giani, Italian, 1758–1823

Seen

Not described yet.


Of

No subject recorded yet.


Means

No reading yet.


Rights

Credit
Museum purchase through gift of various donors
Licence
CC0-1.0
Evidence
api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1901-39-2689 (read 2026-09-01)
Record
https://collection.cooperhewitt.org/view/objects/asitem/id/9337
Adoration of the Shepherds; Arcangle St. Michael after Raphael; St. Margarite after Raphael; Aloof de Wignancourt by Caravaggio; Putti; Study of the Flood; Verso: Disposition after Volterra; St. Ceclia after Raphael; Portion of Marriage of Henry IV to..., Felice Giani, Italian, 1758–1823
Adoration of the Shepherds; Arcangle St. Michael after Raphael; St. Margarite after Raphael; Aloof de Wignancourt by Caravaggio; Putti; Study of the Flood; Verso: Disposition after Volterra; St. Ceclia after Raphael; Portion of Marriage of Henry IV to... — Felice Giani, Italian, 1758–18231803–09

Also by Felice Giani, Italian, 1758–1823

304
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

Within fifty years of 1803–09

2997
Dedication Letter, Emmanuel Héré de Corny, French, 1705–1763
Dedication LetterEmmanuel Héré de Corny, French, 1705–17631753Cooper Hewitt, Smithsonian Design Museum
Letter, Jean-Charles François, French, 1717–1769
LetterJean-Charles François, French, 1717–17691753Cooper Hewitt, Smithsonian Design Museum
A Long Story, Thomas Gray, British, 1716 – 1771
A Long StoryThomas Gray, British, 1716 – 17711753Cooper Hewitt, Smithsonian Design Museum
Designs by Mr. R. Bentley, for Six Poems by Mr. T. Gray., Thomas Gray, British, 1716 – 1771
Designs by Mr. R. Bentley, for Six Poems by Mr. T. Gray.Thomas Gray, British, 1716 – 17711753Cooper Hewitt, Smithsonian Design Museum
Hymn to Adversity, Thomas Gray, British, 1716 – 1771
Hymn to AdversityThomas Gray, British, 1716 – 17711753Cooper Hewitt, Smithsonian Design Museum
Ode on a Distant Prospect of Eton College, Thomas Gray, British, 1716 – 1771
Ode on a Distant Prospect of Eton CollegeThomas Gray, British, 1716 – 17711753Cooper Hewitt, Smithsonian Design Museum
Ode on the Spring, Thomas Gray, British, 1716 – 1771
Ode on the SpringThomas Gray, British, 1716 – 17711753Cooper Hewitt, Smithsonian Design Museum
Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes., Thomas Gray, British, 1716 – 1771
Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes.Thomas Gray, British, 1716 – 17711753Cooper Hewitt, Smithsonian Design Museum

Also at Cooper Hewitt, Smithsonian Design Museum

7257
Tiraz fragment, Unknown
Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum
Vessel, Unknown
VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Vessel, Unknown
VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–1823Cooper Hewitt, Smithsonian Design Museum
0.87
Six Decorative Studies; Verso, Anatomical Study, Felice Giani, Italian, 1758–1823
Six Decorative Studies; Verso, Anatomical StudyFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum
0.87
Sketchbook Page, Folio 95: Three Paintings after Giulio Romano; Verso: Lion and Eagle, Felice Giani, Italian, 1758–1823
Sketchbook Page, Folio 95: Three Paintings after Giulio Romano; Verso: Lion and EagleFelice Giani, Italian, 1758–18231812–14Cooper Hewitt, Smithsonian Design Museum
0.86
Decorative Study; Verso: Two Head Studies, Felice Giani, Italian, 1758–1823
Decorative Study; Verso: Two Head StudiesFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum
0.86
The Turf Inn, Unknown
The Turf InnUnknown1780–90Cooper Hewitt, Smithsonian Design Museum
0.86
Decorative Studies; Verso: Anatomical Studies, Felice Giani, Italian, 1758–1823
Decorative Studies; Verso: Anatomical StudiesFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum
0.85
[Incunabula illustrations, 1505], Unknown
[Incunabula illustrations, 1505]Unknown1505.Library of Congress
0.85

Next

Felice Giani, Italian, 1758–1823 made Adoration of the Shepherds; Arcangle St. Michael after Raphael; St. Margarite after Raphael; Aloof de Wignancourt by Caravaggio; Putti; Study of the Flood; Verso: Disposition after Volterra; St. Ceclia after Raphael; Portion of Marriage of Henry IV to..., and made these too.

Made in the nineteenth century, like Adoration of the Shepherds; Arcangle St. Michael after Raphael; St. Margarite after Raphael; Aloof de Wignancourt by Caravaggio; Putti; Study of the Flood; Verso: Disposition after Volterra; St. Ceclia after Raphael; Portion of Marriage of Henry IV to....

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