Annunciation, Niccolò Roccatagliata

The AnnunciationLuke 1:26-38

10 hands · 1177–1887

And in the sixth month, the angel Gabriel was sent from God into a city of…Luke 1:26

  1. Relief with the Annunciation, Unknownca. 1180–1200Unknown
  2. Shrine of the Virgin, Unknownca. 1300Unknown
  3. The Hours of Jeanne d'Evreux, Queen of France, Jean Pucelleca. 1324–28Jean Pucelle
  4. Annunciation Triptych (Merode Altarpiece), Robert Campinca. 1427–32Robert Campin
  5. The Annunciation, Albert Bouts (Netherlandish, 1451/55–1549)c. 1480Albert Bouts (Netherlandish, 1451/55–1549)
  6. The Annunciation, Hans Memling1480–89Hans Memling
  7. The Annunciation, Botticelli (Alessandro di Mariano Filipepi)ca. 1490Botticelli (Alessandro di Mariano Filipepi)
  8. Christ Is Born as Man's Redeemer (Episode from the Story of the Redemption of Man), Unknown1500–1520Unknown
  9. Annunciation, Niccolò Roccatagliataearly 17th centuryNiccolò RoccatagliataThis record
  10. The Annunciation, George Hitchcock1887George Hitchcock

What it depicts

Luke 1:26-38Opened by a notation lookup, not by an editor. Iconclass 73A5 glosses this subject as “the announcement of Christ's birth (Luke 1:26-38)”, and this library reads the Douay-Rheims, where the passage stands at Luke 1:26-38. Named the Annunciation by Abe Garcia, 2026-09-07. The gloss above is accurate and nobody searches for it; the picture tradition has one name for this subject and that is the name the page carries.

26And in the sixth month, the angel Gabriel was sent from God into a city of Galilee, called Nazareth,

27To a virgin espoused to a man whose name was Joseph, of the house of David; and the virgin’s name was Mary.

28And the angel being come in, said unto her: Hail, full of grace, the Lord is with thee: blessed art thou among women.

29Who having heard, was troubled at his saying, and thought with herself what manner of salutation this should be.

30And the angel said to her: Fear not, Mary, for thou hast found grace with God.

31Behold thou shalt conceive in thy womb, and shalt bring forth a son; and thou shalt call his name Jesus.

32He shall be great, and shall be called the Son of the most High; and the Lord God shall give unto him the throne of David his father; and he shall reign in the house of Jacob for ever.

33And of his kingdom there shall be no end.

34And Mary said to the angel: How shall this be done, because I know not man?

35And the angel answering, said to her: The Holy Ghost shall come upon thee, and the power of the most High shall overshadow thee. And therefore also the Holy which shall be born of thee shall be called the Son of God.

36And behold thy cousin Elizabeth, she also hath conceived a son in her old age; and this is the sixth month with her that is called barren:

37Because no word shall be impossible with God.

38And Mary said: Behold the handmaid of the Lord; be it done to me according to thy word. And the angel departed from her.

Read it in Luke

Seen

Not described yet.

Of

The subjects are the library’s own joins, each marked with who made it. The other rows are claims by the holder and by Wikidata, read 2026-09-17, and join nothing until an editor confirms them.

Subject
The AnnunciationLuke 1:26-38joined by editor pass delegated by Abe Garcia, 2026-09-18
Holder's headings
Women, Angels, Virgin Mary, Archangel Gabriel, Annunciation
Wikidata depicts
Mary, woman, Gabriel, Annunciation, angel

Means

No reading yet.

Rights

Credit
The Erich Lederer Collection, Gift of Mrs. Erich Lederer, 1986
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 207644 (read 2026-09-16)
Record
https://www.metmuseum.org/art/collection/search/207644
Annunciation, Niccolò Roccatagliata
Annunciation — Niccolò Roccatagliataearly 17th century

How this join was made

This join is editorial: no notation was involved, and an editor anchored the picture to the passage directly.

Metropolitan Museum of Art catalogues this picture under its own subject heading “Annunciation”. Wikidata states that concept’s Iconclass notation as 73A5 (Q154326), and the library’s map reads that notation as this passage.

Within fifty years of early 17th century

721
Drunkenness of Noah, Michelangelo Buonarroti
Drunkenness of NoahMichelangelo Buonarrotin.d.The Art Institute of Chicago
The Wayfarer Crowned by Happiness from The Table of Cebes, David Kandel
The Wayfarer Crowned by Happiness from The Table of CebesDavid Kandel1550–80Metropolitan Museum of Art, New York, NY
Crucified Man, Melchior Lorck (Danish, 1526/27–after 1588); Michelangelo Buonarroti (Italian, 1475–1564)
Crucified ManMelchior Lorck (Danish, 1526/27–after 1588); Michelangelo Buonarroti (Italian, 1475–1564)1550Cleveland Museum of Art
Picnic in the Mountains; Single Page Illustration, Muhammadi (Iranian)
Picnic in the Mountains; Single Page IllustrationMuhammadi (Iranian)c. 1550–1600Cleveland Museum of Art
Nushirwan Listens to the Owls (recto): Illustration and Text, Persian Verses, from a Manuscript of the Khamsa of Nizami, Makhzan al-Asrar [Treasure of Secrets], Unknown
Nushirwan Listens to the Owls (recto): Illustration and Text, Persian Verses, from a Manuscript of the Khamsa of Nizami, Makhzan al-Asrar [Treasure of Secrets]Unknown1555–65Cleveland Museum of Art
Unidentified subject, Martin Van Heemskerk, Netherlandish, 1498 - 1574
Unidentified subjectMartin Van Heemskerk, Netherlandish, 1498 - 1574ca. 1550Cooper Hewitt, Smithsonian Design Museum
Ascending Male Nude, Michelangelo Buonarroti
Ascending Male NudeMichelangelo Buonarrotin.d.The Art Institute of Chicago
Page of a drawing book, Unknown
Page of a drawing bookUnknown1550–1575Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

674
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Connections

Depicts

  • The AnnunciationMetropolitan Museum of Art catalogues this picture under its own subject heading “Annunciation”. Wikidata states that concept’s Iconclass notation as 73A5 (Q154326), and the library’s map reads that notation as this passage.

Next

Made in the seventeenth century, like Annunciation.

0:00–0:00