The Lamentation, Ludovico Carracci

He went to Pilate, and asked the body of Jesus. Then Pilate commanded that the body…Matthew 27:58

  1. The Hours of Jeanne d'Evreux, Queen of France, Jean Pucelleca. 1324–28Jean Pucelle
  2. The Lamentation of Christ, Simon Marmionca. 1473Simon Marmion
  3. Altar Frontal with the Lamentation, Cosimo Tura (Italian, c. 1430–1495); Rubinetto de Francia (Italian, active 1457–1483)c. 1474Cosimo Tura (Italian, c. 1430–1495); Rubinetto de Francia (Italian, active 1457–1483)
  4. Christ Crowned with Thorns (Ecce Homo), and the Mourning Virgin (Mater Dolorosa), Adriaen Isenbrantca. 1530–40Adriaen IsenbrantNot yet checked
  5. The Entombment, Moretto da Brescia (Alessandro Bonvicino)1554Moretto da Brescia (Alessandro Bonvicino)
  6. The Lamentation, Ludovico Carraccica. 1582Ludovico CarracciThis record
  7. Lamentation, Claude Mellan1683Claude Mellan
  8. Study of the Lamentation on the Dead Christ, Benjamin Westca. 1785Benjamin West

What it depicts

Matthew 27:58-66Opened by a notation lookup, not by an editor. Iconclass 73D7 glosses this subject as “from Christ's deposition to his entombment (Matthew 27:58-66; Mark 15:46-47; Luke 23:53-56; John 19:39-42)”, and this library reads the Douay-Rheims, where the passage stands at Matthew 27:58-66. Iconclass states 4 references for this subject; the first one this corpus holds is used.

58He went to Pilate, and asked the body of Jesus. Then Pilate commanded that the body should be delivered.

59And Joseph taking the body, wrapped it up in a clean linen cloth.

60And laid it in his own new monument, which he had hewed out in a rock. And he rolled a great stone to the door of the monument, and went his way.

61And there was there Mary Magdalen, and the other Mary sitting over against the sepulchre.

62And the next day, which followed the day of preparation, the chief priests and the Pharisees came together to Pilate,

63Saying: Sir, we have remembered, that that seducer said, while he was yet alive: After three days I will rise again.

64Command therefore the sepulchre to be guarded until the third day: lest perhaps his disciples come and steal him away, and say to the people: He is risen from the dead; and the last error shall be worse than the first.

65Pilate saith to them: You have a guard; go, guard it as you know.

66And they departing, made the sepulchre sure, sealing the stone, and setting guards.

Read it in Matthew


Seen

Not yet checked

Suggested by an AI model, 2026-09-08 (hf.co/mradermacher/iconclass-vlm-GGUF:Q4_K_M), asked “Generate Iconclass labels for this image”. No one has checked these against the picture yet.

Iconclass
11DChrist31A24(+5

Of

The subjects are the library’s own joins, each marked with who made it. The other rows are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Subject
From Christ's deposition to his entombmentMatthew 27:58-66joined by Abe Garcia
Iconclass
73D72121
Holder's headings
Christ, Mary Magdalene, Saint John the Evangelist, Virgin Mary, Lamentation
Wikidata depicts
Jesus Christ, Mary, woman, Mary Magdalene, John the Evangelist, Christ, Lamentation of Christ

Means

No reading yet.


Rights

Credit
Purchase, Lila Acheson Wallace and The Annenberg Foundation Gifts; Harris Brisbane Dick, Rogers, and Gwynne Andrews Funds; Pat and John Rosenwald, Mark Fisch and Rachel Davidson, and Jon and Barbara Landau Gifts; Gift of Mortimer D. Sackler, Theresa Sackler and Family; and Victor Wilbour Memorial, Marquand, The Alfred N. Punnett Endowment, and Charles B. Curtis Funds, 2000
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 438427 (read 2026-08-27)
Record
https://www.metmuseum.org/art/collection/search/438427
The Lamentation, Ludovico Carracci
The Lamentation — Ludovico Carraccica. 1582

How this join was made

Metropolitan Museum of Art, New York, NY gives this object the Iconclass notation73D72121, and the library's map reads that notation as Matthew 27:58-66. An editor has checked the picture against the passage and confirmed it.

Carracci's Lamentation: the body down from the cross and not yet in the tomb, which is the stretch this subject opens.

Also by Ludovico Carracci

1
The Denial of Saint Peter, Ludovico Carracci
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Within fifty years of ca. 1582

594
The Sacrifice of Isaac, Andrea del Sarto
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Sketches of Horses' (or Dromedaries') Legs (recto); Columns (verso), Follower of Leonardo da Vinci
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The Sacrifice of Isaac, Andrea del Sarto
The Sacrifice of IsaacAndrea del Sarto1528Museo del Prado
Samson and Delilah, Lucas Cranach the Elder
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Also at Metropolitan Museum of Art, New York, NY

683
Marble female figure, Bastis Master
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Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
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Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
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Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

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The Risen Christ Appearing to the Virgin, Francesco Solimena (Italian, 1657–1747)
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The Denial of Saint Peter, Ludovico Carracci
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The Entombment, Moretto da Brescia (Alessandro Bonvicino)
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The Crucifixion of Saint Andrew, Caravaggio (Italian, 1571–1610)
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The Supper at Emmaus, Velázquez (Diego Rodríguez de Silva y Velázquez)
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The Sacrifice of Isaac, Mariotto Albertinelli
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Connections

Depicts


Next

Made in the sixteenth century, like The Lamentation.

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