A subject

From Christ's deposition to his entombment

Matthew 27:58-661324–17807 hands

Opened by a notation lookup, not by an editor. Iconclass 73D7 glosses this subject as “from Christ's deposition to his entombment (Matthew 27:58-66; Mark 15:46-47; Luke 23:53-56; John 19:39-42)”, and this library reads the Douay-Rheims, where the passage stands at Matthew 27:58-66. Iconclass states 4 references for this subject; the first one this corpus holds is used.

He went to Pilate, and asked the body of Jesus. Then Pilate commanded that the body…Matthew 27:58

An editor has read 7 pictures against this passage and confirmed them. One more was proposed by a lookup and has not been reviewed; it is marked on the plate.

The same hand, in time
1324Jean Pucelle1468Simon Marmion1469Cosimo Tura (Italian, c. 1430–1495); Rubinetto de Francia (Italian, active 1457–1483)1530Adriaen IsenbrantNot yet checked1554Moretto da Brescia (Alessandro Bonvicino)1577Ludovico Carracci1683Claude Mellan1780Benjamin West

8 hands, 1324 to 1780

The hands

8
  1. The Hours of Jeanne d'Evreux, Queen of France, Jean Pucelle
    Jean Pucelleca. 1324–28The Hours of Jeanne d'Evreux, Queen of FranceThe Cloisters Collection, 1954. CC0-1.0The same book of hours, whose Passion miniatures include the Lamentation.
  2. The Lamentation of Christ, Simon Marmion
    Simon Marmionca. 1473The Lamentation of ChristRobert Lehman Collection, 1975. CC0-1.0
  3. Altar Frontal with the Lamentation, Cosimo Tura (Italian, c. 1430–1495); Rubinetto de Francia (Italian, active 1457–1483)
    Cosimo Tura (Italian, c. 1430–1495); Rubinetto de Francia (Italian, active 1457–1483)c. 1474Altar Frontal with the LamentationJohn L. Severance Fund. CC0-1.0
  4. Christ Crowned with Thorns (Ecce Homo), and the Mourning Virgin (Mater Dolorosa), Adriaen Isenbrant
    Adriaen Isenbrantca. 1530–40Christ Crowned with Thorns (Ecce Homo), and the Mourning Virgin (Mater Dolorosa)Rogers Fund, 1904. CC0-1.0Not yet checked
  5. The Entombment, Moretto da Brescia (Alessandro Bonvicino)
    Moretto da Brescia (Alessandro Bonvicino)1554The EntombmentJohn Stewart Kennedy Fund, 1912. CC0-1.0
  6. The Lamentation, Ludovico Carracci
    Ludovico Carraccica. 1582The LamentationPurchase, Lila Acheson Wallace and The Annenberg Foundation Gifts; Harris Brisbane Dick, Rogers, and Gwynne Andrews Funds; Pat and John Rosenwald, Mark Fisch and Rachel Davidson, and Jon and Barbara Landau Gifts; Gift of Mortimer D. Sackler, Theresa Sackler and Family; and Victor Wilbour Memorial, Marquand, The Alfred N. Punnett Endowment, and Charles B. Curtis Funds, 2000. CC0-1.0Carracci's Lamentation: the body down from the cross and not yet in the tomb, which is the stretch this subject opens.
  7. Lamentation, Claude Mellan
    Claude Mellan1683LamentationGift of Carl Joseph Ulmann, 1924. CC0-1.0Metropolitan Museum of Art catalogues this picture under its own subject heading “Lamentation”. Wikidata states that concept’s Iconclass notation as 73D72 (Q3155356), and the library’s map reads that notation as this passage.
  8. Study of the Lamentation on the Dead Christ, Benjamin West
    Benjamin Westca. 1785Study of the Lamentation on the Dead ChristYale Center for British Art, Paul Mellon Collection. PDM-1.0
Record

The passage

9 verses

58He went to Pilate, and asked the body of Jesus. Then Pilate commanded that the body should be delivered.

59And Joseph taking the body, wrapped it up in a clean linen cloth.

60And laid it in his own new monument, which he had hewed out in a rock. And he rolled a great stone to the door of the monument, and went his way.

61And there was there Mary Magdalen, and the other Mary sitting over against the sepulchre.

62And the next day, which followed the day of preparation, the chief priests and the Pharisees came together to Pilate,

63Saying: Sir, we have remembered, that that seducer said, while he was yet alive: After three days I will rise again.

64Command therefore the sepulchre to be guarded until the third day: lest perhaps his disciples come and steal him away, and say to the people: He is risen from the dead; and the last error shall be worse than the first.

65Pilate saith to them: You have a guard; go, guard it as you know.

66And they departing, made the sepulchre sure, sealing the stone, and setting guards.

Read it in Matthew

In the stacks

Not yet checked6

Suggested by an AI model from books the library holds but has not yet set as editions. A passage here is a place to read, not a citation.

  1. The Stones of Venice, Volume 2 (of 3) · John Ruskin

    § LXVI. Then, when after his baptism he was permitted to enter the church, over its main entrance he saw, on looking back, a mosaic of Christ enthroned, with the Virgin on one side and St. Mark on the other, in attitudes of adoration. Christ is represented as holding a book open upon his knee, on which is written: "I AM THE DOOR; BY ME IF ANY MAN ENTER IN, HE SHALL BE SAVED." On the red marble moulding which surrounds the mosaic is written: "I AM THE GATE OF
    0.75

  2. The Notebooks of Leonardo Da Vinci · da Vinci Leonardo

    And first he commends his soul to our Lord, Almighty God, and to the Glorious Virgin Mary, and to our lord Saint Michael, to all the blessed Angels and Saints male and female in Paradise. Item. The said Testator desires to be buried within the church of Saint Florentin at Amboise, and that his body shall be borne thither by the chaplains of the church. Item. That his body may be followed from the said place to the said church of Saint Florentin by the _collegium_ of the said church,
    0.74

  3. The Myth of the Birth of the Hero · Otto Rank

    And they came with haste, and found Mary and Joseph, and the babe lying in a manger. And when they had seen it they made known abroad the saying which was told them concerning this child. And all they that heard wondered at those things which were told them by the shepherds. But Mary kept all these things and pondered them in her heart. And the shepherds returned glorifying and praising God for all the things which they had heard and seen, as it was told unto them.” We now
    0.74

  4. The Works of Aurelius Augustine, a New Translation, Vol. IX- On Christian Doctrine, the Enchiridon · Aurelius Augustine

    Cua. v.—Of Christ's passion, burial, and resurrection. 11. But little [comparatively] was the humiliation (hwmili- tas) of our Lord on our behalf in His being born: it was also added that He deemed it meet to die in behalf of mortal men. For “He humbled Himself, being made subject even unto death, ' yea, the death of the cross :”? lest any one of us, even were he .able to have no fear of death [in general], should yet shudder at some particular sort of death which men reckon most
    0.73

  5. The Works of Aurelius Augustine, a New Translation, Vol. IX- On Christian Doctrine, the Enchiridon · Aurelius Augustine

    1] Tim, i. 5. * Reading movendus, for which monendus = to be admonished, also occurs in the editions. . 3 Ger. xxv. 26, 41 Tim. ii 5, 5 Rom. ix. 5. 6 Keading supplantavit. Some Mss. give supplantaret = wherewith also He night supplant, ete. 272 ON CATECHISING. [cHaP. Iv. through five epochs of times? there was no cessation in the foretelling and prophesying of His own destined coming ; and in a manner consonant with this, he through whom the law was given wrote five books ; and
    0.73

  6. Sacred and legendary art, volume 1 (of 2) · Mrs. Jameson

    I found in an old French sermon a eulogium of Mary Magdalene, which for its eloquence and ingenuity seems to me without a parallel. The preacher, while acknowledging the excesses which brought her a penitent to the feet of Christ, is perfectly scandalised that she should be put on a par with common sinners of the same class, and that on the faith of a passage in St. Luke, ‘on a osé flétrir une des plus belles âmes qui soient jamais sorties des mains du Créateur!’ He rather glorifies her
    0.73

How this subject was made

The subject was opened by an Iconclass notation. The library's map reads 73D7, whose own gloss is from Christ's deposition to his entombment (Matthew 27:58-66; Mark 15:46-47; Luke 23:53-56; John 19:39-42), as Matthew 27:58-66; a picture reaches this page when the notation a cataloguer put on it resolves here, whether the cataloguer wrote the notation down or wrote a subject heading that carries one. The authority is iconclass.org/73D7.

4 pictures Confirmed: the object's own title names the scene and the matched notation or heading is specific to it.

Connections

Painted

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From Christ's deposition to his entombment comes from Matthew. So do these passages.

Jean Pucelle made a picture of From Christ's deposition to his entombment, and of these.

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