The Last Supper, Ugolino da Siena (Ugolino di Nerio)

And whilst they were eating, he said: Amen I say to you, that one of you…Matthew 26:21

  1. The Last Supper, Ugolino da Siena (Ugolino di Nerio)ca. 1325Ugolino da Siena (Ugolino di Nerio)This record
  2. The Last Supper, Bernard van Orleyca. 1525–28Bernard van Orley
  3. The Last Supper, Fra Damiano da Bergamo (Damiano di Antoniolo de Zambelli)1548Fra Damiano da Bergamo (Damiano di Antoniolo de Zambelli)
  4. The Last Supper, after Leonardo da Vinci, Rembrandt (Rembrandt van Rijn)1634–35Rembrandt (Rembrandt van Rijn)

What it depicts

Matthew 26:21-35Opened by a notation lookup, not by an editor. Iconclass 73D24 glosses this subject as “Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38)”, and this library reads the Douay-Rheims, where the passage stands at Matthew 26:21-35. Iconclass states 4 references for this subject; the first one this corpus holds is used.

21And whilst they were eating, he said: Amen I say to you, that one of you is about to betray me.

22And they being very much troubled, began every one to say: Is it I, Lord?

23But he answering, said: He that dippeth his hand with me in the dish, he shall betray me.

24The Son of man indeed goeth, as it is written of him: but woe to that man by whom the Son of man shall be betrayed: it were better for him, if that man had not been born.

25And Judas that betrayed him, answering, said: Is it I, Rabbi? He saith to him: Thou hast said it.

26And whilst they were at supper, Jesus took bread, and blessed, and broke: and gave to his disciples, and said: Take ye, and eat. This is my body.

27And taking the chalice, he gave thanks, and gave to them, saying: Drink ye all of this.

28For this is my blood of the new testament, which shall be shed for many unto remission of sins.

29And I say to you, I will not drink from henceforth of this fruit of the vine, until that day when I shall drink it with you new in the kingdom of my Father.

30And a hymn being said, they went out unto mount Olivet.

31Then Jesus said to them: All you shall be scandalized in me this night. For it is written: I will strike the shepherd, and the sheep of the flock shall be dispersed.

32But after I shall be risen again, I will go before you into Galilee.

33And Peter answering, said to him: Although all shall be scandalized in thee, I will never be scandalized.

34Jesus said to him: Amen I say to thee, that in this night before the cock crow, thou wilt deny me thrice.

35Peter saith to him: Yea, though I should die with thee, I will not deny thee. And in like manner said all the disciples.

Read it in Matthew


Seen

Not described yet.


Of

The subjects are the library’s own joins, each marked with who made it. The other rows are claims by the holder and by Wikidata, read 2026-09-17, and join nothing until an editor confirms them.

Subject
Last Supper (in general)Matthew 26:21-35joined by editor pass delegated by Abe Garcia, 2026-09-18
Iconclass
73D24Last Supper (in general)
Holder's headings
Men, Last Supper, Saints
Wikidata depicts
Last Supper

Means

No reading yet.


Rights

Credit
Robert Lehman Collection, 1975
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 459131 (read 2026-09-16)
Record
https://www.metmuseum.org/art/collection/search/459131
The Last Supper, Ugolino da Siena (Ugolino di Nerio)
The Last Supper — Ugolino da Siena (Ugolino di Nerio)ca. 1325

How this join was made

Metropolitan Museum of Art, New York, NY gives this object the Iconclass notation73D24, and the library's map reads that notation as Matthew 26:21-35. An editor has checked the picture against the passage and confirmed it.

Confirmed: the object's own title names the scene and the matched notation or heading is specific to it.

Within fifty years of ca. 1325

41
Manuscript Leaf with the Crucifixion, from a Missal, Unknown
Manuscript Leaf with the Crucifixion, from a MissalUnknownca. 1270–80Metropolitan Museum of Art, New York, NY
Bamboo, Rocks, and Lonely Orchids, Zhao Mengfu (Chinese, 1254–1322)
Bamboo, Rocks, and Lonely OrchidsZhao Mengfu (Chinese, 1254–1322)1271–1368Cleveland Museum of Art
Maebyeong (plum bottle) decorated with cranes and clouds, Unknown
Maebyeong (plum bottle) decorated with cranes and cloudsUnknownlate 13th centuryMetropolitan Museum of Art, New York, NY
Table of Bigamy, from the Summa Super Titulis Decretalium Completa, Henry of Segusio
Table of Bigamy, from the Summa Super Titulis Decretalium CompletaHenry of Segusio1275/99The Art Institute of Chicago
Virgin of the Annunciation, French
Virgin of the AnnunciationFrench1275–1300The Art Institute of Chicago
Yang Pu Moving His Family, Artist Unknown
Chinese
Yang Pu Moving His FamilyArtist Unknown ChineseYuan dynasty (1279–1368) 元朝The Art Institute of Chicago
Bishop at Mass in a Historiated Initial "P" from a Choirbook, Master Honoré
Bishop at Mass in a Historiated Initial "P" from a ChoirbookMaster Honoréc. 1300The Art Institute of Chicago
Praying Saint (Moses?) with Christ in a Historiated Initial "L", from a Choirbook, Neri da Rimini
Praying Saint (Moses?) with Christ in a Historiated Initial "L", from a ChoirbookNeri da Riminic. 1300The Art Institute of Chicago

Also at Metropolitan Museum of Art, New York, NY

756
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

2 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

[The last supper], Unknown
[The last supper]Unknown[United States] : [publisher not transcribed], c1879.Library of Congress
0.86
The Feast of Herod and the Beheading of the Baptist, Giovanni Baronzio
The Feast of Herod and the Beheading of the BaptistGiovanni Baronzioca. 1330–35Metropolitan Museum of Art, New York, NY
0.83

Connections

Depicts

  • Last Supper (in general)Confirmed: the object's own title names the scene and the matched notation or heading is specific to it.

Next

0:00–0:00