Christ Preaching ('La Petite Tombe'), Rembrandt van Rijn (Dutch, 1606–1669)

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Credit
Gift of The Print Club of Cleveland in honor of William Mathewson Milliken
Licence
CC0-1.0
Evidence
openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 135295 (read 2026-08-27)
Record
https://clevelandart.org/art/1958.306
Christ Preaching ('La Petite Tombe'), Rembrandt van Rijn (Dutch, 1606–1669)
Christ Preaching ('La Petite Tombe') — Rembrandt van Rijn (Dutch, 1606–1669)c. 1652

Also by Rembrandt van Rijn (Dutch, 1606–1669)

8
The Strolling Musicians, Rembrandt van Rijn (Dutch, 1606–1669)
The Strolling MusiciansRembrandt van Rijn (Dutch, 1606–1669)c. 1635Cleveland Museum of Art
Rembrandt and His Wife Saskia, Rembrandt van Rijn (Dutch, 1606–1669)
Rembrandt and His Wife SaskiaRembrandt van Rijn (Dutch, 1606–1669)1636Cleveland Museum of Art
Self-Portrait Drawing at a Window, Rembrandt van Rijn (Dutch, 1606–1669)
Self-Portrait Drawing at a WindowRembrandt van Rijn (Dutch, 1606–1669)1648Cleveland Museum of Art
The Presentation in the Temple, Rembrandt van Rijn (Dutch, 1606–1669)
The Presentation in the TempleRembrandt van Rijn (Dutch, 1606–1669)c. 1654Cleveland Museum of Art
The Blindness of Tobit: The Large Plate, Rembrandt van Rijn (Dutch, 1606–1669)
The Blindness of Tobit: The Large PlateRembrandt van Rijn (Dutch, 1606–1669)1651Cleveland Museum of Art
Shah Jahan, Rembrandt van Rijn (Dutch, 1606–1669)
Shah JahanRembrandt van Rijn (Dutch, 1606–1669)c. 1656–61Cleveland Museum of Art
St. Francis Beneath a Tree Praying, Rembrandt van Rijn (Dutch, 1606–1669)
St. Francis Beneath a Tree PrayingRembrandt van Rijn (Dutch, 1606–1669)1657Cleveland Museum of Art
Woman Bathing Her Feet in a Brook, Rembrandt van Rijn (Dutch, 1606–1669)
Woman Bathing Her Feet in a BrookRembrandt van Rijn (Dutch, 1606–1669)1658Cleveland Museum of Art

Within fifty years of c. 1652

1039
The Musicians, Caravaggio (Michelangelo Merisi)
The MusiciansCaravaggio (Michelangelo Merisi)1597Metropolitan Museum of Art, New York, NY
Portrait of a Man, Possibly an Architect or Geographer, Peter Paul Rubens
Portrait of a Man, Possibly an Architect or GeographerPeter Paul Rubens1597Metropolitan Museum of Art, New York, NY
Hōrou Apollōnos Neilōou Hieroglyphika eklekta = : Hori Apollinis selecta hieroglyphica, sive sacrae notae Aegyptiorum, & insculptae imagines, Horapollo
Hōrou Apollōnos Neilōou Hieroglyphika eklekta = : Hori Apollinis selecta hieroglyphica, sive sacrae notae Aegyptiorum, & insculptae imaginesHorapollo1597Stiftung der Werke von C.G.Jung, Zürich, online
Von hylealischen das ist pri-materialischen catholischen oder algemeinem natürlichen Chaos, der naturgemessen Alchymiae und Alchymisten; wiederholete ... Confessio oder Bekentnus, Khunrath, Heinrich
Von hylealischen das ist pri-materialischen catholischen oder algemeinem natürlichen Chaos, der naturgemessen Alchymiae und Alchymisten; wiederholete ... Confessio oder BekentnusKhunrath, Heinrich1597Stiftung der Werke von C.G.Jung, Zürich, online
Alberti Magni, de secretis mulierum libellus, scholiis auctus, & a mendis repurgatus : eiusdem de virtutibus herbarum, lapidum, et animalium quorundam libellus ; item de mirabilibus mundi, ac de quibusdam effectibus causatis a quibusdam animalibus, &c.. adiecimus et ob materiae similitudinem Michaelis Scoti ... de secretis naturae opusculum, Albertus
Alberti Magni, de secretis mulierum libellus, scholiis auctus, & a mendis repurgatus : eiusdem de virtutibus herbarum, lapidum, et animalium quorundam libellus ; item de mirabilibus mundi, ac de quibusdam effectibus causatis a quibusdam animalibus, &c.. adiecimus et ob materiae similitudinem Michaelis Scoti ... de secretis naturae opusculumAlbertus1598Stiftung der Werke von C.G.Jung, Zürich
Aureum vellus oder Guldin Schatz und Kunstkammer: darinnen der aller fürnemisten ... Auctorum Schrifften und Bücher auss dem gar uralten Schatz der uberblibnen verborgnen ... Reliquien und Monumenten der Aegyptiorum, Arabum, Chaldaeorum & Assyriorum Königen und Weysen, Trismosin, Salomon
Aureum vellus oder Guldin Schatz und Kunstkammer: darinnen der aller fürnemisten ... Auctorum Schrifften und Bücher auss dem gar uralten Schatz der uberblibnen verborgnen ... Reliquien und Monumenten der Aegyptiorum, Arabum, Chaldaeorum & Assyriorum Königen und WeysenTrismosin, Salomon1598Stiftung der Werke von C.G.Jung, Zürich
De magia. De observatione somniorum, et de divinatione astrologica, libri tres ..., Perera, Benet
De magia. De observatione somniorum, et de divinatione astrologica, libri tres ...Perera, Benet1598Stiftung der Werke von C.G.Jung, Zürich
Abraham's Sacrifice, Annibale Carracci
Abraham's SacrificeAnnibale Carracci1599Department of Paintings of the Louvre

Also at Cleveland Museum of Art

587
Relief of Nyankhnesut Seated, Unknown
Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art
Stele of Shemai, Unknown
Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art
Relief of Hatshepsut or Tuthmosis III, Unknown
Relief of Hatshepsut or Tuthmosis IIIUnknown1479–1425 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Nefertiti Offers to the Aten, Unknown
Talatat: Nefertiti Offers to the AtenUnknown1353–1347 BCECleveland Museum of Art
Tomb Relief of the Chief Physician Amenhotep and Family, Unknown
Tomb Relief of the Chief Physician Amenhotep and FamilyUnknownc. 1279–1257 BCECleveland Museum of Art
Stele of the High Priest of Ptah, Shedsunefertem, Unknown
Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Christ Preaching (The Hundred Guilder Print), Rembrandt Harmensz van Rijn, Dutch, 1606–1669
Christ Preaching (The Hundred Guilder Print)Rembrandt Harmensz van Rijn, Dutch, 1606–1669ca. 1649Cooper Hewitt, Smithsonian Design Museum
0.91
The Strolling Musicians, Rembrandt van Rijn (Dutch, 1606–1669)
The Strolling MusiciansRembrandt van Rijn (Dutch, 1606–1669)c. 1635Cleveland Museum of Art
0.88
Seated Youth Leaning Against an Urn, Giovanni Battista Tiepolo
Seated Youth Leaning Against an UrnGiovanni Battista Tiepolopublished 1785National Gallery of Art
0.86
The Last Supper, Albrecht Dürer (German, 1471–1528)
The Last SupperAlbrecht Dürer (German, 1471–1528)1510Cleveland Museum of Art
0.86
A Jewish Bride in Tangier, Eugène Delacroix
A Jewish Bride in TangierEugène Delacroix1833Metropolitan Museum of Art, New York, NY
0.85
The Last Supper, Albrecht Dürer (German, 1471–1528)
The Last SupperAlbrecht Dürer (German, 1471–1528)1523Cleveland Museum of Art
0.85
The Last Supper, Francesco Bartolozzi
The Last SupperFrancesco BartolozziundatedYale Center for British Art
0.84
The Proverbs: Two Heads are Better than One or Poor Folly, Francisco de Goya (Spanish, 1746–1828)
The Proverbs: Two Heads are Better than One or Poor FollyFrancisco de Goya (Spanish, 1746–1828)1816–1823 (printed c. 1863)Cleveland Museum of Art
0.84

In the stacks

Not yet checked2

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. Seven Discourses on Art · Joshua, Sir Reynolds

    By this mode of reasoning Rembrandt has a higher place than Raffaelle. But a very little reflection will serve to show us that these particularities cannot be nature: for how can that be the nature of man, in which no two individuals are the same? It plainly appears that as a work is conducted under the influence of general ideas or partial it is principally to be considered as the effect of a good or a bad taste. As beauty therefore does not consist in taking what lies immediately before
    0.69

  2. principles of art history · heinrich wolfflin

    PAINTING 95 Rembrandt The great Ecce Homo (etching of 1650) is an analogous case. As is known, the schema of the composition dates back to a Cinquecentist, Lucas van Leyden. A house wall and a terrace before it, seen frontally; people who have taken up their stand side by side in rows on and in front of the terrace—how are we to get a baroque picture out of all that? We learn with Rembrandt that it is not the subject but the treatment which matters. While Lucas van Leyden exhausts
    0.68

Next

Made in the seventeenth century, like Christ Preaching ('La Petite Tombe').

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