Woman Bathing Her Feet in a Brook, Rembrandt van Rijn (Dutch, 1606–1669)

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Credit
Leonard C. Hanna Jr. Fund
Licence
CC0-1.0
Evidence
openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 160065 (read 2026-08-27)
Record
https://clevelandart.org/art/1997.4
Woman Bathing Her Feet in a Brook, Rembrandt van Rijn (Dutch, 1606–1669)
Woman Bathing Her Feet in a Brook — Rembrandt van Rijn (Dutch, 1606–1669)1658

Also by Rembrandt van Rijn (Dutch, 1606–1669)

8
The Strolling Musicians, Rembrandt van Rijn (Dutch, 1606–1669)
The Strolling MusiciansRembrandt van Rijn (Dutch, 1606–1669)c. 1635Cleveland Museum of Art
Rembrandt and His Wife Saskia, Rembrandt van Rijn (Dutch, 1606–1669)
Rembrandt and His Wife SaskiaRembrandt van Rijn (Dutch, 1606–1669)1636Cleveland Museum of Art
Christ Preaching ('La Petite Tombe'), Rembrandt van Rijn (Dutch, 1606–1669)
Christ Preaching ('La Petite Tombe')Rembrandt van Rijn (Dutch, 1606–1669)c. 1652Cleveland Museum of Art
Self-Portrait Drawing at a Window, Rembrandt van Rijn (Dutch, 1606–1669)
Self-Portrait Drawing at a WindowRembrandt van Rijn (Dutch, 1606–1669)1648Cleveland Museum of Art
The Presentation in the Temple, Rembrandt van Rijn (Dutch, 1606–1669)
The Presentation in the TempleRembrandt van Rijn (Dutch, 1606–1669)c. 1654Cleveland Museum of Art
The Blindness of Tobit: The Large Plate, Rembrandt van Rijn (Dutch, 1606–1669)
The Blindness of Tobit: The Large PlateRembrandt van Rijn (Dutch, 1606–1669)1651Cleveland Museum of Art
Shah Jahan, Rembrandt van Rijn (Dutch, 1606–1669)
Shah JahanRembrandt van Rijn (Dutch, 1606–1669)c. 1656–61Cleveland Museum of Art
St. Francis Beneath a Tree Praying, Rembrandt van Rijn (Dutch, 1606–1669)
St. Francis Beneath a Tree PrayingRembrandt van Rijn (Dutch, 1606–1669)1657Cleveland Museum of Art

Within fifty years of 1658

1145
The Vision of Saint John, El Greco (Domenikos Theotokopoulos)
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Das Valete: uber den Tractat der Arcanorum Basilii Valentini zusammen gesetzten Hauptschluss Puncten dess Liechts der Natur, Reinhart, Hans Christoph
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Rosarium novum olympicum et benedictum ..., Figulus, Benedictus
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Q. Septimii Florentis Tertulliani Carthaginiensis presbyteri, Opera quae hactenus reperiri potuerunt omnia : Iam postremum, ad exemplaria manuscripta collatione facta, quam accuratiss. recognita, aliquot etiam libris auctiora nunc primum in capita, & certo ordine, habita quantum fieri potuit temporum ratione, in quinque tomos distincta. : Cum Jacobi Pamelii ... argumentis & adnotationibus toti operi interiectis, quibus tum loci obscuriores explicantur, tum quicquid ad antiquitatem ecclesiasticam spectat, illustratur. Ab eodem Pamelio recens adiecta Tertulliani vita, scripturarum citatarum index locupletiss. aliaque prolegomena. : Accessere & loci ex coniectura Latini Latinii Viterbiensis restituti, & erudita in lib. De Pallio Joannis Mercerii antecessoris Bituricensis commentaria. Catalogum totius operis inveniet lector post epistolas dedicatorias, & in singulis tomis praefatiunculas de librorum ordine, Tertullianus, Quintus Septimius Florens
Q. Septimii Florentis Tertulliani Carthaginiensis presbyteri, Opera quae hactenus reperiri potuerunt omnia : Iam postremum, ad exemplaria manuscripta collatione facta, quam accuratiss. recognita, aliquot etiam libris auctiora nunc primum in capita, & certo ordine, habita quantum fieri potuit temporum ratione, in quinque tomos distincta. : Cum Jacobi Pamelii ... argumentis & adnotationibus toti operi interiectis, quibus tum loci obscuriores explicantur, tum quicquid ad antiquitatem ecclesiasticam spectat, illustratur. Ab eodem Pamelio recens adiecta Tertulliani vita, scripturarum citatarum index locupletiss. aliaque prolegomena. : Accessere & loci ex coniectura Latini Latinii Viterbiensis restituti, & erudita in lib. De Pallio Joannis Mercerii antecessoris Bituricensis commentaria. Catalogum totius operis inveniet lector post epistolas dedicatorias, & in singulis tomis praefatiunculas de librorum ordineTertullianus, Quintus Septimius Florens1608Stiftung der Werke von C.G.Jung, Zürich
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Gemma gemmarum alchimistarum oder Erleuterung der parabolischen und philosophischen Schrifften Fratris Basilii, der zwölff Schlüssel von dem Stein der uhralten Weisen und desselben aussdrücklichen unnd warhafften Praeparation ... : item Ausslegung Rythmorum Basilii von der Materia des Steins der Philosophen ... / Gründliche Ausslegung und warhafftige Erklerung der rythmorum Fratris Basilii Valentini Monachi., Unknown
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Writing Example from Spieghel der Schrijfkonste. Tweede Deel (The Mirror of Art Writing, Second Part), Jan van de Velde I, Netherlandish, 1569–1623
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Also at Cleveland Museum of Art

597
Relief of Nyankhnesut Seated, Unknown
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Stele of Shemai, Unknown
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Relief of Hatshepsut or Tuthmosis III, Unknown
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Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Nefertiti Offers to the Aten, Unknown
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Tomb Relief of the Chief Physician Amenhotep and Family, Unknown
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Stele of the High Priest of Ptah, Shedsunefertem, Unknown
Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Sketch of Anatomical Sculpture (recto), Paul Cezanne (French, 1839–1906)
Sketch of Anatomical Sculpture (recto)Paul Cezanne (French, 1839–1906)1881/84Cleveland Museum of Art
0.87
The Dead Christ with Angels, Édouard Manet (French, 1832–1883)
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St. Sebastian Fettered to a Tree, Unknown
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0.87
Puis l'ange prit l'encensoir (And the angel took the censer), Odilon Redon
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Psyche Throwing Herself into the River, William Morris (British, 1834–1896); Edward Burne-Jones (British, 1833–1898)
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Male nude, Unknown
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Reclining Female Nude, Rembrandt (Rembrandt van Rijn)
Reclining Female NudeRembrandt (Rembrandt van Rijn)1658Metropolitan Museum of Art, New York, NY
0.86

In the stacks

Not yet checked2

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. Seven Discourses on Art · Joshua, Sir Reynolds

    By this mode of reasoning Rembrandt has a higher place than Raffaelle. But a very little reflection will serve to show us that these particularities cannot be nature: for how can that be the nature of man, in which no two individuals are the same? It plainly appears that as a work is conducted under the influence of general ideas or partial it is principally to be considered as the effect of a good or a bad taste. As beauty therefore does not consist in taking what lies immediately before
    0.69

  2. principles of art history · heinrich wolfflin

    PAINTING 95 Rembrandt The great Ecce Homo (etching of 1650) is an analogous case. As is known, the schema of the composition dates back to a Cinquecentist, Lucas van Leyden. A house wall and a terrace before it, seen frontally; people who have taken up their stand side by side in rows on and in front of the terrace—how are we to get a baroque picture out of all that? We learn with Rembrandt that it is not the subject but the treatment which matters. While Lucas van Leyden exhausts
    0.68

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Made in the seventeenth century, like Woman Bathing Her Feet in a Brook.

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