Rembrandt and His Wife Saskia, Rembrandt van Rijn (Dutch, 1606–1669)

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Rights

Credit
Gift of The Print Club of Cleveland
Licence
CC0-1.0
Evidence
openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 136153 (read 2026-08-27)
Record
https://clevelandart.org/art/1959.81
Rembrandt and His Wife Saskia, Rembrandt van Rijn (Dutch, 1606–1669)
Rembrandt and His Wife Saskia — Rembrandt van Rijn (Dutch, 1606–1669)1636

Also by Rembrandt van Rijn (Dutch, 1606–1669)

8
The Strolling Musicians, Rembrandt van Rijn (Dutch, 1606–1669)
The Strolling MusiciansRembrandt van Rijn (Dutch, 1606–1669)c. 1635Cleveland Museum of Art
Christ Preaching ('La Petite Tombe'), Rembrandt van Rijn (Dutch, 1606–1669)
Christ Preaching ('La Petite Tombe')Rembrandt van Rijn (Dutch, 1606–1669)c. 1652Cleveland Museum of Art
Self-Portrait Drawing at a Window, Rembrandt van Rijn (Dutch, 1606–1669)
Self-Portrait Drawing at a WindowRembrandt van Rijn (Dutch, 1606–1669)1648Cleveland Museum of Art
The Presentation in the Temple, Rembrandt van Rijn (Dutch, 1606–1669)
The Presentation in the TempleRembrandt van Rijn (Dutch, 1606–1669)c. 1654Cleveland Museum of Art
The Blindness of Tobit: The Large Plate, Rembrandt van Rijn (Dutch, 1606–1669)
The Blindness of Tobit: The Large PlateRembrandt van Rijn (Dutch, 1606–1669)1651Cleveland Museum of Art
Shah Jahan, Rembrandt van Rijn (Dutch, 1606–1669)
Shah JahanRembrandt van Rijn (Dutch, 1606–1669)c. 1656–61Cleveland Museum of Art
St. Francis Beneath a Tree Praying, Rembrandt van Rijn (Dutch, 1606–1669)
St. Francis Beneath a Tree PrayingRembrandt van Rijn (Dutch, 1606–1669)1657Cleveland Museum of Art
Woman Bathing Her Feet in a Brook, Rembrandt van Rijn (Dutch, 1606–1669)
Woman Bathing Her Feet in a BrookRembrandt van Rijn (Dutch, 1606–1669)1658Cleveland Museum of Art

Within fifty years of 1636

1057
Sculptura in Aes, The Workshop of an Engraver, Jan van der Straet, called Johannes Stradanus (Netherlandish, active Italy, 1523–1605); Philip Galle (Flemish, 1537–1612); Philip Galle (Flemish, 1537–1612)
Sculptura in Aes, The Workshop of an EngraverJan van der Straet, called Johannes Stradanus (Netherlandish, active Italy, 1523–1605); Philip Galle (Flemish, 1537–1612); Philip Galle (Flemish, 1537–1612)c. 1591Cleveland Museum of Art
The Sacrifice of Isaac, Paolo Veronese
The Sacrifice of IsaacPaolo Veronese1588Kunsthistorisches Museum
St John the Baptist in the Wilderness, Jan van der Straet, called Stradanus, Flemish, 1523–1605
St John the Baptist in the WildernessJan van der Straet, called Stradanus, Flemish, 1523–1605ca. 1588Cooper Hewitt, Smithsonian Design Museum
Triumph of Death with three fates in an architectural frame above a wheel of fortune flanked by skeletons; a skull and an hour glass at top and with wheel intended to spin at center, Andrea Andreani, Italian, 1558/1559 - 1629
Triumph of Death with three fates in an architectural frame above a wheel of fortune flanked by skeletons; a skull and an hour glass at top and with wheel intended to spin at centerAndrea Andreani, Italian, 1558/1559 - 16291588Cooper Hewitt, Smithsonian Design Museum
Pandora, das ist die edlest Gab Gottes oder der werde und heilsame Stein der Weysen, mit welchem die alten Philosophi, auch Theophrastus Paracelsus, die unvollkommene Metallen durch Gewalt des Fewrs verbessert ... Ein guldener Schatz, welcher durch einen Liebhaber dieser Kunst ... errettet ist worden ..., Reusner, Hieronymus
Pandora, das ist die edlest Gab Gottes oder der werde und heilsame Stein der Weysen, mit welchem die alten Philosophi, auch Theophrastus Paracelsus, die unvollkommene Metallen durch Gewalt des Fewrs verbessert ... Ein guldener Schatz, welcher durch einen Liebhaber dieser Kunst ... errettet ist worden ...Reusner, Hieronymus1588Stiftung der Werke von C.G.Jung, Zürich
M. Tullii Ciceronis opera omnia, praeter hactenus vulgatam Dionysii Lambini editionem ; accesserunt D. Gothofredi,... note, Cicero, Marcus Tullius
M. Tullii Ciceronis opera omnia, praeter hactenus vulgatam Dionysii Lambini editionem ; accesserunt D. Gothofredi,... noteCicero, Marcus Tullius1588Stiftung der Werke von C.G.Jung, Zürich
Erster [- zehender] Theil der Bücher und Schrifften des edlen, hochgelehrten und bewehrten philosophi und medici Philippi Theophrasti Bombast von Hohenheim ... / [Erster bis sechster Theil.], Unknown
Erster [- zehender] Theil der Bücher und Schrifften des edlen, hochgelehrten und bewehrten philosophi und medici Philippi Theophrasti Bombast von Hohenheim ... / [Erster bis sechster Theil.]Unknown1589Stiftung der Werke von C.G.Jung, Zürich
Erster [- zehender] Theil der Bücher und Schrifften des edlen, hochgelehrten und bewehrten philosophi und medici Philippi Theophrasti Bombast von Hohenheim ... / [Siebender bis zehender Theil.], Unknown
Erster [- zehender] Theil der Bücher und Schrifften des edlen, hochgelehrten und bewehrten philosophi und medici Philippi Theophrasti Bombast von Hohenheim ... / [Siebender bis zehender Theil.]Unknown1589Stiftung der Werke von C.G.Jung, Zürich

Also at Cleveland Museum of Art

586
Relief of Nyankhnesut Seated, Unknown
Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art
Stele of Shemai, Unknown
Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art
Relief of Hatshepsut or Tuthmosis III, Unknown
Relief of Hatshepsut or Tuthmosis IIIUnknown1479–1425 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Nefertiti Offers to the Aten, Unknown
Talatat: Nefertiti Offers to the AtenUnknown1353–1347 BCECleveland Museum of Art
Tomb Relief of the Chief Physician Amenhotep and Family, Unknown
Tomb Relief of the Chief Physician Amenhotep and FamilyUnknownc. 1279–1257 BCECleveland Museum of Art
Stele of the High Priest of Ptah, Shedsunefertem, Unknown
Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art

In the stacks

Not yet checked2

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. Seven Discourses on Art · Joshua, Sir Reynolds

    By this mode of reasoning Rembrandt has a higher place than Raffaelle. But a very little reflection will serve to show us that these particularities cannot be nature: for how can that be the nature of man, in which no two individuals are the same? It plainly appears that as a work is conducted under the influence of general ideas or partial it is principally to be considered as the effect of a good or a bad taste. As beauty therefore does not consist in taking what lies immediately before
    0.69

  2. principles of art history · heinrich wolfflin

    PAINTING 95 Rembrandt The great Ecce Homo (etching of 1650) is an analogous case. As is known, the schema of the composition dates back to a Cinquecentist, Lucas van Leyden. A house wall and a terrace before it, seen frontally; people who have taken up their stand side by side in rows on and in front of the terrace—how are we to get a baroque picture out of all that? We learn with Rembrandt that it is not the subject but the treatment which matters. While Lucas van Leyden exhausts
    0.68

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Made in the seventeenth century, like Rembrandt and His Wife Saskia.

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