The Musicians, Caravaggio (Michelangelo Merisi)

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Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings
Grapes, Men, Music, Lutes, Violins, Cupid, Musicians
Wikidata depicts
music, Cupid, violin, man, grape, Caravaggio, lute, madrigal, cornett, musician, lutenist, cornettist

Means

No reading yet.


Rights

Credit
Rogers Fund, 1952
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 435844 (read 2026-08-27)
Record
https://www.metmuseum.org/art/collection/search/435844
The Musicians, Caravaggio (Michelangelo Merisi)
The Musicians — Caravaggio (Michelangelo Merisi)1597

Also by Caravaggio (Michelangelo Merisi)

1
The Denial of Saint Peter, Caravaggio (Michelangelo Merisi)
The Denial of Saint PeterCaravaggio (Michelangelo Merisi)1610Metropolitan Museum of Art, New York, NY

Within fifty years of 1597

651
Lucretia (?), Pierino da Vinci
Lucretia (?)Pierino da Vinci1547–48The Art Institute of Chicago
De nativitate mediatoris ultima, nunc futura, et toti orbi terrarum in singulis ratione praeditis manifestanda, Opus : in quo totius naturae obscuritas, origo & creatio, ita cum sua causa illustratur, exponiturque, ut vel pueris sint manifesta, quae in theosofiae & filosofiae arcanis hactenus fuere ..., Postel, Guillaume
De nativitate mediatoris ultima, nunc futura, et toti orbi terrarum in singulis ratione praeditis manifestanda, Opus : in quo totius naturae obscuritas, origo & creatio, ita cum sua causa illustratur, exponiturque, ut vel pueris sint manifesta, quae in theosofiae & filosofiae arcanis hactenus fuere ...Postel, Guillaume1547Stiftung der Werke von C.G.Jung, Zürich
Kneeling Mother Embracing Child, Michelangelo Anselmi
Kneeling Mother Embracing ChildMichelangelo Anselmic. 1550The Art Institute of Chicago
Carlo Rimbotti (1518–1591), Francesco Salviati (Francesco de' Rossi)
Carlo Rimbotti (1518–1591)Francesco Salviati (Francesco de' Rossi)1548Metropolitan Museum of Art, New York, NY
The Last Supper, Fra Damiano da Bergamo (Damiano di Antoniolo de Zambelli)
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De alchemia dialogi II. quorum prior, genuinam librorum Gebri sententiam, de industria ab authore celatam, & figurato sermone involutam retegit, & certis argumentis probat. Alter, Raimundi Lullii Maioricani, mysteria in lucem producit ..., Bracesco, Giovanni
De alchemia dialogi II. quorum prior, genuinam librorum Gebri sententiam, de industria ab authore celatam, & figurato sermone involutam retegit, & certis argumentis probat. Alter, Raimundi Lullii Maioricani, mysteria in lucem producit ...Bracesco, Giovanni1548Stiftung der Werke von C.G.Jung, Zürich, online
River Landscape with Five Bare Spruce Trees in the Foreground, Augustin Hirschvogel (German, 1503–1553)
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Abrahams offering, Unknown
Abrahams offeringUnknown1549Amsterdam Museum

Also at Metropolitan Museum of Art, New York, NY

674
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
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West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
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Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
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Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
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Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
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Made in the sixteenth century, like The Musicians.

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