The Presentation in the Temple, Rembrandt van Rijn (Dutch, 1606–1669)

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Credit
Purchase from the J. H. Wade Fund
Licence
CC0-1.0
Evidence
openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 161179 (read 2026-08-27)
Record
https://clevelandart.org/art/1999.3
The Presentation in the Temple, Rembrandt van Rijn (Dutch, 1606–1669)
The Presentation in the Temple — Rembrandt van Rijn (Dutch, 1606–1669)c. 1654

Also by Rembrandt van Rijn (Dutch, 1606–1669)

8
The Strolling Musicians, Rembrandt van Rijn (Dutch, 1606–1669)
The Strolling MusiciansRembrandt van Rijn (Dutch, 1606–1669)c. 1635Cleveland Museum of Art
Rembrandt and His Wife Saskia, Rembrandt van Rijn (Dutch, 1606–1669)
Rembrandt and His Wife SaskiaRembrandt van Rijn (Dutch, 1606–1669)1636Cleveland Museum of Art
Christ Preaching ('La Petite Tombe'), Rembrandt van Rijn (Dutch, 1606–1669)
Christ Preaching ('La Petite Tombe')Rembrandt van Rijn (Dutch, 1606–1669)c. 1652Cleveland Museum of Art
Self-Portrait Drawing at a Window, Rembrandt van Rijn (Dutch, 1606–1669)
Self-Portrait Drawing at a WindowRembrandt van Rijn (Dutch, 1606–1669)1648Cleveland Museum of Art
The Blindness of Tobit: The Large Plate, Rembrandt van Rijn (Dutch, 1606–1669)
The Blindness of Tobit: The Large PlateRembrandt van Rijn (Dutch, 1606–1669)1651Cleveland Museum of Art
Shah Jahan, Rembrandt van Rijn (Dutch, 1606–1669)
Shah JahanRembrandt van Rijn (Dutch, 1606–1669)c. 1656–61Cleveland Museum of Art
St. Francis Beneath a Tree Praying, Rembrandt van Rijn (Dutch, 1606–1669)
St. Francis Beneath a Tree PrayingRembrandt van Rijn (Dutch, 1606–1669)1657Cleveland Museum of Art
Woman Bathing Her Feet in a Brook, Rembrandt van Rijn (Dutch, 1606–1669)
Woman Bathing Her Feet in a BrookRembrandt van Rijn (Dutch, 1606–1669)1658Cleveland Museum of Art

Within fifty years of c. 1654

1040
Abraham's Sacrifice, Annibale Carracci
Abraham's SacrificeAnnibale Carracci1599Department of Paintings of the Louvre
Wooded Landscape with Abraham and Isaac, Jan Brueghel the Elder
Wooded Landscape with Abraham and IsaacJan Brueghel the Elder1599National Museum of Western Art
Flowers of the Four Seasons 四季花卉圖, Chen Jiayan
Flowers of the Four Seasons 四季花卉圖Chen JiayanMing dynasty (1368–1644), dated 1599The Art Institute of Chicago
View of Toledo, El Greco (Domenikos Theotokopoulos)
View of ToledoEl Greco (Domenikos Theotokopoulos)ca. 1599–1600Metropolitan Museum of Art, New York, NY
Della tramutatione metallica sogni tre : nel primo de quali si tratta della falsa tramutatione sofistica: nel secondo della utile tramutatione detta reale usuale: nel terzo della divina tramutatione detta reale filosofica. Aggiontovi di nuovo la concordanza de filosofi, & loro prattica ... Con un copioso indice per ciascun sogno de gli auttori, & dell'opera c'hanno sopra di ciò trattato, Nazari, Giovanni Battista
Della tramutatione metallica sogni tre : nel primo de quali si tratta della falsa tramutatione sofistica: nel secondo della utile tramutatione detta reale usuale: nel terzo della divina tramutatione detta reale filosofica. Aggiontovi di nuovo la concordanza de filosofi, & loro prattica ... Con un copioso indice per ciascun sogno de gli auttori, & dell'opera c'hanno sopra di ciò trattatoNazari, Giovanni Battista1599Stiftung der Werke von C.G.Jung, Zürich
Variorum in Europa itinerum deliciae : seu, ex variis manu-scriptis selectiora tantum inscriptionum maxime recentium monumenta : quibus passim in Italia et Germania, Helvetia et Bohemia ... : templa, arae, scholae, bibliothecae ... &c. conspicua sunt, Chyträus, Nathan
Variorum in Europa itinerum deliciae : seu, ex variis manu-scriptis selectiora tantum inscriptionum maxime recentium monumenta : quibus passim in Italia et Germania, Helvetia et Bohemia ... : templa, arae, scholae, bibliothecae ... &c. conspicua suntChyträus, Nathan1599Stiftung der Werke von C.G.Jung, Zürich
Guard Drawing His Sword, Raphael
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Hercules and the Nemean Lion, Unknown
Hercules and the Nemean LionUnknownearly 17th centuryMetropolitan Museum of Art, New York, NY

Also at Cleveland Museum of Art

587
Relief of Nyankhnesut Seated, Unknown
Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art
Stele of Shemai, Unknown
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Relief of Hatshepsut or Tuthmosis III, Unknown
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Talatat: Portrait of Nefertiti, Unknown
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Talatat: Nefertiti Offers to the Aten, Unknown
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Tomb Relief of the Chief Physician Amenhotep and Family, Unknown
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Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Christ Preaching (The Hundred Guilder Print), Rembrandt Harmensz van Rijn, Dutch, 1606–1669
Christ Preaching (The Hundred Guilder Print)Rembrandt Harmensz van Rijn, Dutch, 1606–1669ca. 1649Cooper Hewitt, Smithsonian Design Museum
0.88
The Birth of Christ, Cherubino Alberti (Zaccaria Mattia)
The Birth of ChristCherubino Alberti (Zaccaria Mattia)1570–1615Metropolitan Museum of Art, New York, NY
0.87
The Virgin and Child with Worshippers in Classical Interior, Fortunato Duranti, Italian, 1787 - 1863
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0.87
Bathsheba Bringing Abishag to David, Richard Earlom
Bathsheba Bringing Abishag to DavidRichard Earlom1779Yale Center for British Art
0.86
[Adoration of the Magi] / AD [monogram]., Dürer, Albrecht, 1471-1528, artist
[Adoration of the Magi] / AD [monogram].Dürer, Albrecht, 1471-1528, artist[Nuremberg], [1503]Library of Congress
0.86
The Blindness of Tobit: The Large Plate, Rembrandt van Rijn (Dutch, 1606–1669)
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0.86
François I Brandishing a Sword, Alexandre-Evariste Fragonard (French, 1781–1850)
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The Proverbs: Two Heads are Better than One or Poor Folly, Francisco de Goya (Spanish, 1746–1828)
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In the stacks

Not yet checked2

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. Seven Discourses on Art · Joshua, Sir Reynolds

    By this mode of reasoning Rembrandt has a higher place than Raffaelle. But a very little reflection will serve to show us that these particularities cannot be nature: for how can that be the nature of man, in which no two individuals are the same? It plainly appears that as a work is conducted under the influence of general ideas or partial it is principally to be considered as the effect of a good or a bad taste. As beauty therefore does not consist in taking what lies immediately before
    0.69

  2. principles of art history · heinrich wolfflin

    PAINTING 95 Rembrandt The great Ecce Homo (etching of 1650) is an analogous case. As is known, the schema of the composition dates back to a Cinquecentist, Lucas van Leyden. A house wall and a terrace before it, seen frontally; people who have taken up their stand side by side in rows on and in front of the terrace—how are we to get a baroque picture out of all that? We learn with Rembrandt that it is not the subject but the treatment which matters. While Lucas van Leyden exhausts
    0.68

Next

Made in the seventeenth century, like The Presentation in the Temple.

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