The Proverbs: Two Heads are Better than One or Poor Folly, Francisco de Goya (Spanish, 1746–1828)

Seen

Not described yet.


Of

No subject recorded yet.


Means

No reading yet.


Rights

Credit
Edwin R. and Harriet Pelton Perkins Memorial Fund
Licence
CC0-1.0
Evidence
openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 159719 (read 2026-08-27)
Record
https://clevelandart.org/art/1996.7
The Proverbs: Two Heads are Better than One or Poor Folly, Francisco de Goya (Spanish, 1746–1828)
The Proverbs: Two Heads are Better than One or Poor Folly — Francisco de Goya (Spanish, 1746–1828)1816–1823 (printed c. 1863)

Also by Francisco de Goya (Spanish, 1746–1828)

9
Young Woman (possibly a Sex Worker) with a Man (recto); Young Woman Wringing Her Hands over a Man's Naked Body (verso), Francisco de Goya (Spanish, 1746–1828)
Young Woman (possibly a Sex Worker) with a Man (recto); Young Woman Wringing Her Hands over a Man's Naked Body (verso)Francisco de Goya (Spanish, 1746–1828)1796–97Cleveland Museum of Art
Prostitute Soliciting a Fat, Ugly Man, Folio 49 (recto), Francisco de Goya (Spanish, 1746–1828)
Prostitute Soliciting a Fat, Ugly Man, Folio 49 (recto)Francisco de Goya (Spanish, 1746–1828)1796–97Cleveland Museum of Art
Young Woman Wringing Her Hands over a Man's Naked Body, Folio 50 (verso), Francisco de Goya (Spanish, 1746–1828)
Young Woman Wringing Her Hands over a Man's Naked Body, Folio 50 (verso)Francisco de Goya (Spanish, 1746–1828)1796–97Cleveland Museum of Art
Saint Ambrose, Francisco de Goya (Spanish, 1746–1828)
Saint AmbroseFrancisco de Goya (Spanish, 1746–1828)c. 1796–99Cleveland Museum of Art
When Day Breaks We Will Be Off, Plate 71, Francisco de Goya (Spanish, 1746–1828)
When Day Breaks We Will Be Off, Plate 71Francisco de Goya (Spanish, 1746–1828)1799Cleveland Museum of Art
They Spin Finely, Plate 44, Francisco de Goya (Spanish, 1746–1828)
They Spin Finely, Plate 44Francisco de Goya (Spanish, 1746–1828)1799Cleveland Museum of Art
They Have Flown, Plate 61, Francisco de Goya (Spanish, 1746–1828)
They Have Flown, Plate 61Francisco de Goya (Spanish, 1746–1828)1799Cleveland Museum of Art
A Bad Night, Plate 36, Francisco de Goya (Spanish, 1746–1828)
A Bad Night, Plate 36Francisco de Goya (Spanish, 1746–1828)1799Cleveland Museum of Art

Within fifty years of 1816–1823 (printed c. 1863)

3217
Calligraphic Galleon, 'Abd al-Qadir Hisari
Calligraphic Galleon'Abd al-Qadir Hisaridated 1180 AH/1766–67 CEMetropolitan Museum of Art, New York, NY
Title Page and Design for a Cipher (Interlaced Letters), Charles-Germain de Saint-Aubin, French, 1721–1786
Title Page and Design for a Cipher (Interlaced Letters)Charles-Germain de Saint-Aubin, French, 1721–17861766Cooper Hewitt, Smithsonian Design Museum
Design for a Cipher (Interlaced Letters), Charles-Germain de Saint-Aubin, French, 1721–1786
Design for a Cipher (Interlaced Letters)Charles-Germain de Saint-Aubin, French, 1721–17861766Cooper Hewitt, Smithsonian Design Museum
Design for a Cipher (Interlaced Letters), Charles-Germain de Saint-Aubin, French, 1721–1786
Design for a Cipher (Interlaced Letters)Charles-Germain de Saint-Aubin, French, 1721–17861766Cooper Hewitt, Smithsonian Design Museum
Design for a Cipher (Interlaced Letters), Charles-Germain de Saint-Aubin, French, 1721–1786
Design for a Cipher (Interlaced Letters)Charles-Germain de Saint-Aubin, French, 1721–17861766Cooper Hewitt, Smithsonian Design Museum
Album of Letter (Cipher) Designs, Charles-Germain de Saint-Aubin, French, 1721–1786
Album of Letter (Cipher) DesignsCharles-Germain de Saint-Aubin, French, 1721–17861766Cooper Hewitt, Smithsonian Design Museum
Title Page, Charles-Germain de Saint-Aubin, French, 1721–1786
Title PageCharles-Germain de Saint-Aubin, French, 1721–17861766Cooper Hewitt, Smithsonian Design Museum
Design for a Cipher (Interlaced Letters), Charles-Germain de Saint-Aubin, French, 1721–1786
Design for a Cipher (Interlaced Letters)Charles-Germain de Saint-Aubin, French, 1721–17861766Cooper Hewitt, Smithsonian Design Museum

Also at Cleveland Museum of Art

511
Relief of Nyankhnesut Seated, Unknown
Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art
Stele of Shemai, Unknown
Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art
Relief of Hatshepsut or Tuthmosis III, Unknown
Relief of Hatshepsut or Tuthmosis IIIUnknown1479–1425 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Nefertiti Offers to the Aten, Unknown
Talatat: Nefertiti Offers to the AtenUnknown1353–1347 BCECleveland Museum of Art
Tomb Relief of the Chief Physician Amenhotep and Family, Unknown
Tomb Relief of the Chief Physician Amenhotep and FamilyUnknownc. 1279–1257 BCECleveland Museum of Art
Stele of the High Priest of Ptah, Shedsunefertem, Unknown
Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Cloelia and Her Companions, Jean Honoré Fragonard
Cloelia and Her CompanionsJean Honoré Fragonardn.d.The Art Institute of Chicago
0.87
Scherzi di Fantasia: Magician Pointing Out a Burning Head to Two Youths, Giovanni Battista Tiepolo (Italian, 1696–1770)
Scherzi di Fantasia: Magician Pointing Out a Burning Head to Two YouthsGiovanni Battista Tiepolo (Italian, 1696–1770)1750–60Cleveland Museum of Art
0.87
Lot and His Daughters, Jan Georg van Vliet (Dutch, c. 1610–1635); Rembrandt van Rijn (Dutch, 1606–1669)
Lot and His DaughtersJan Georg van Vliet (Dutch, c. 1610–1635); Rembrandt van Rijn (Dutch, 1606–1669)1631Cleveland Museum of Art
0.87
The Strolling Musicians, Rembrandt van Rijn (Dutch, 1606–1669)
The Strolling MusiciansRembrandt van Rijn (Dutch, 1606–1669)c. 1635Cleveland Museum of Art
0.87
Quasimodo, Odilon Redon (French, 1840–1916)
QuasimodoOdilon Redon (French, 1840–1916)c. 1875–80Cleveland Museum of Art
0.87
The Giant Wheel, plate 9 from Imaginary Prisons, Giovanni Battista Piranesi
The Giant Wheel, plate 9 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of Chicago
0.87
Christ Preaching (The Hundred Guilder Print), Rembrandt Harmensz van Rijn, Dutch, 1606–1669
Christ Preaching (The Hundred Guilder Print)Rembrandt Harmensz van Rijn, Dutch, 1606–1669ca. 1649Cooper Hewitt, Smithsonian Design Museum
0.86

Next

Francisco de Goya (Spanish, 1746–1828) made The Proverbs: Two Heads are Better than One or Poor Folly, and made these too.

Made in the nineteenth century, like The Proverbs: Two Heads are Better than One or Poor Folly.

0:00–0:00